|
Tachiyaku
is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all ''tachiyaku'' roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories. The hero or chief protagonist of a kabuki play is nearly always a ''tachiyaku'' role, and the head of a troupe or acting family typically specializes in these roles. The term, which literally means "standing role", once was used to refer to all actors, to distinguish them from musicians and chanters, who were called . (''Tachiyaku''). ''Kabuki Jiten'' (歌舞伎事典, "Kabuki Encyclopedia"). 2001–2003: Japan Arts Council. Accessed 17 January 2009. There are two main types of ''tachiyaku'' role: * '' |
Matsumoto Kōshirō VII
was a Japanese actor. He was one of the leading '' tachiyaku'' Kabuki actors of Japan's Meiji period (1868–1912) through the late 1940s. Names Like most Kabuki actors, Kōshirō took various stage names ('' gō'') over the course of his career. A member of the Kōraiya guild, he was often called by that name, particularly in the practice of ''yagō'', in which an actor's guild name is shouted out as a cheer or encouragement during a performance. Following in his birth father's footsteps as a master of traditional dance, he bore the stage name Fujima Kan'emon III in that context. In his first appearance on the Kabuki stage, he took the name Ichikawa Kintarō, and would later take the names Ichikawa Somegorō IV and Ichikawa Komazō VIII before coming to be known as the seventh Matsumoto Kōshirō. Early life The son of '' buyō'' (traditional dance) master Fujima Kan'emon II, he was adopted into the kabuki theatre by Ichikawa Danjūrō IX, who then became his master. Kōshir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsumoto Hakuō II
is a Japanese kabuki actor, one of the most popular ''tachiyaku'' (specialist in male roles) currently performing. Like many members of the kabuki community, he can trace his lineage back several generations, many members of his family being kabuki actors as well. His father and grandfather were the eighth and seventh, respectively, to hold the name of Matsumoto Kōshirō, and he traces his lineage back to his great-great-grandfather Nakamura Karoku I, if not further. Kōshirō's brother, Nakamura Kichiemon II, son Matsumoto Koshirō X and grandson Ichikawa Somegorō VIII are active in the kabuki theater as well, and his daughter, Takako Matsu is an experienced film actress. In addition, Kōshirō has a number of disciples, including Matsumoto Kingo III, Matsumoto Kōemon I, and Ichikawa Komazō XI. Life and career He made his stage debut in 1945, at the age of three, under the name Matsumoto Kintarō II, and took the name Ichikawa Somegorō VI four years later. He succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsumoto Hakuō I
, born , was a Japanese kabuki actor, regarded as the leading '' tachiyaku'' (specialist in male roles) of the postwar decades; he also performed in a number of non-kabuki venues, including Western theatre and films. Taking the name Hakuō upon retirement, he was known as Matsumoto Kōshirō VIII for much of his career. Names Like most kabuki actors, Hakuō had a number of stage names ('' gō'') over the course of his career. A member of the Koraiya guild, he would often be called by that name, particularly in the practice of ''kakegoe'', in which an actor's guild name, '' yagō'', or other phrases (e.g., ''jūnidaime'', meaning "the twelfth") is shouted out as a cheer or encouragement during a performance. Originally appearing on stage as Matsumoto Sumizō II, he later took the names Ichikawa Somegorō V and Matsumoto Kōshirō VIII. Lineage The son of Matsumoto Kōshirō VII and son-in-law of Nakamura Kichiemon I, the man who would later be called Hakuō was born into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kataoka Ainosuke VI
is a Japanese actor, kabuki actor and TV host. His ''yagō'' is ''matsushimaya''. His '' mon'' is the ''Oikake Go-mai Ichō''. His current stage name is Ainosuke Kataoka. He is a renowned '' tachiyaku'', specializing in both the ''aragoto'' and ''wagoto'' styles, which is rare, considering he hails from the Kansai area The or the , lies in the southern-central region of Japan's main island Honshū. The region includes the prefectures of Nara, Wakayama, Kyoto, Osaka, Hyōgo and Shiga, often also Mie, sometimes Fukui, Tokushima and Tottori. The metropolita ..., where most kabuki actors specialize in the ''wagoto'' style. Filmography Kabuki Stage plays Dramas Other television Film Dubbing Awards References External links * {{DEFAULTSORT:Kataoka, Ainosuke VI 1972 births Living people Male actors from Osaka Prefecture People from Sakai, Osaka Japanese male child actors Japanese male television actors Japanese male film actors Japanese televisio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō XIII
(born December 6, 1977) is a Japanese Kabuki, film, television actor and stage producer. He is the eldest son and successor of the celebrated Ichikawa Danjūrō XII. He is known for being a renowned '' tachiyaku'' (actor specializing in male roles), in particular he specializes in ''aragoto'' roles (which is a tradition that has existed in his family since 1660 with his ancestor and founder of the Naritaya acting house, Ichikawa Danjūrō I). Prior to assuming his current title, Danjūrō was known as , the eleventh holder of the Ebizō name. Names and lineage Danjūrō is a member of the acting guild Naritaya, founded by Ichikawa Danjuro I, which dates back to the 17th century. Born into the Ichikawa family, he is the heir to Ichikawa Kabuki. As is the case with the names of all Kabuki actors, his name is a yago, or stage name, that he succeeded from his father in 2004. Prior to this he went by the stage name Ichikawa Shinnosuke VII. His father Ichikawa Danjūrō XII die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō VIII
was a Japanese kabuki actor of the prestigious Ichikawa Danjūrō line. He was a ''tachiyaku'' (male roles) actor in the ''aragoto'' style, like all members of the lineage, but particularly specialized in the roles of young lovers, for which he was extremely popular. Names Like most kabuki actors, Danjūrō had a number of names over the course of his career. He was a member of the Naritaya guild, and could be called by this name (see ''yagō''). He began his career as Ichikawa Shinnosuke II and soon afterwards took on the name Ichikawa Ebizō VI before becoming the eighth Ichikawa Danjūrō at the young age of nine. He also used the name Ichikawa Hakuen III at times; his ''haimyō'', or poetry name, was Sanshō. Lineage Unlike many kabuki actors who are adopted into the various theatre families, Danjūrō VIII was directly descended from Ichikawa Danjūrō I. Danjūrō VIII was the son of Ichikawa Ebizō V, Ichikawa Danjūrō VII, and had a number of brothers who also performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō VII
was a Japanese kabuki actor who specialized in male hero (''tachiyaku'') roles, said to be the greatest of the 19th century. He was responsible for the establishment of the ''Kabuki Jūhachiban'', a collection of the eighteen greatest plays in the repertoire. Names Like most kabuki actors, and many artists, of his time, Danjūrō VII had a number of names, including Ichikawa Ebizō V, Ichikawa Hakuen II and Ichikawa Shinnosuke I. In poetry circles, he often used the names Jukai (I), Sanshō, and Hakuen. Ebizō was also referred to in various circumstances as Ichikawa Jukai I, Matsumoto Kōshirō, Hatagaya Jūzō and Naritaya Shichizaemon II, though he did not formally use these names onstage. He was a member of the guild Naritaya, and could be referred to by this name (see ''yagō''). Lineage The son of Ichikawa Danjūrō V's daughter, he was formally adopted into the kabuki lineages by Ichikawa Danjūrō VI. Through these connections, he could trace his lineage back to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandō Mitsugorō VIII
(19 October 1906 – 16 January 1975) was one of Japan's most revered kabuki actors from the 1930s until his death. He was a renowned and , specializing in particular in the style. He was officially designated as a " Living National Treasure" by the Japanese government in 1973. Lineage 8th in the line of , he was adopted by ; his son and grandson would go on to take the name as well, becoming ninth and tenth in the line respectively. Early life made his stage debut at the age of 7 in 1913 as III. He would take the name VI in 1928, at the theatre. Career later tried to adapt The Tale of Genji to the stage, but was prohibited from doing so by the authorities. After a few years in a kabuki troupe run by the company, he moved to ; he lived there for nearly 20 years, performing in and other venues, and taking part in the final performances at the , which closed and became a department store in 1958. In 1962, following his return to Tokyo, and the death of his adopted fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Ebizō
is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. Ebizō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called '' shūmei'' in which a number of actors formally change their names. A number of actors have followed a particular sequence in their stage names, preceding "Ebizō" by being called Ichikawa Shinnosuke or Matsumoto Kōshirō, and following it by achieving the name Ichikawa Danjūrō. The design of the Ichikawa family ''mon'', three squares nested inside one another, is called ''mimasu'' (三升). Lineage * Ichikawa Ebizō I (1673 – April 1675)Note: the dates given here do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Danjūrō. – Took the name Danjūrō in 1693, becoming the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō XII
was a Japanese actor. He was the twelfth kabuki actor to hold the illustrious name Ichikawa Danjūrō. Career He was the eldest son of Ichikawa Danjūrō XI. He first appeared on stage in 1953 under his birth name Natsuo Horikoshi, and in 1958 took the name Ichikawa Shinnosuke. In 1969, he graduated from Nihon University, and took the name Ichikawa Ebizō X, acting in major roles such as the title character in ''Sukeroku'' and Togashi in ''Kanjinchō''. He assumed his present name in 1985, appearing as Benkei (again in ''Kanjinchō''). Though he underwent the formal ''shūmei'' naming ceremony at the Kabuki-za in Tokyo, the celebrations continued for several months, as is traditional; his performances that year in New York, Washington DC and Los Angeles would mark the first (and as of 2006, only) time that a ''shūmei'' was celebrated abroad. Active outside Japan, Danjūrō appeared in New York, Washington, Los Angeles, Brisbane, Melbourne, Perth, Brussels, East Berlin, Dresd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō IX
was one of the most successful and famous Kabuki actors of the Meiji period (1868–1912). Ninth in the line of actors to hold the name Ichikawa Danjūrō, he is depicted in countless ''ukiyo-e'' actor prints (''yakusha-e''), and is widely credited with ensuring Kabuki stayed vibrant and strong as Japan struggled with modernization and Westernization. According to one scholar, Ichikawa Danjūrō, the ninth, was the torch-bearer of Kabuki during the long reign of the Emperor Mutsuhito, known as the Meiji era, which endured for forty-five years (1868–1912). Danjūrō, the ninth, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck, had there not been a man of genius at the helm to guide the craft through the troubled waters.Kincaid, Zoë (1925). Kabuki, the Popular Stage of Japan. London: Macmillan & Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō II
was a Japanese kabuki performer in the lineage of a celebrated family of actors from the Edo region.Nussbaum, Louis Frédéric ''et al.'' (2005). "Ichikawa Danjūrō" in Ichikawa Danjūrō is a stage name. Career The earnestly prayed-for son of Ichikawa Danjūrō I, Danjūrō II acted under the name Ichikawa Kuzō I from 1697 to 1704, the year his father was killed in a backstage quarrel with another actor. Danjūrō II assumed his father's stage name five months after this incident and held it until 1735, when he took the name Ichikawa Ebizō II. Thereafter, the name was handed down in a direct line through the generations, e.g., Danjūrō III and Danjuro IV were the adopted sons of Danjūrō II; Danjūrō VI was the adopted son of Danjūrō V, and Danjūrō VII was the adopted son of Danjūrō VI. In the conservative Kabuki world, stage names are conveyed in formal system which converts the kabuki stage name into a mark of accomplishment. In 1840, Danjūrō IV created ''K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
