|
Tripundra
''Tripundra'' ( sa, त्रिपुण्ड्र ''tripuṇḍra'' "three marks") is a Hindu Shaivite tilaka, and a form of body art with origins in Ancient India. It is also one of the tilakas worn by Smarta Hindus. It consists of three horizontal lines on the forehead, usually with a dot made from sacred ash, and has spiritual meaning in Shiva tradition within Hinduism. The Vaishnava counterpart of this tilaka consisting of vertical lines is called the Urdhva Pundra. History The practice is discussed in Hindu texts such as Bhasmajabala Upanishad, Brihajjabala Upanishad and Kalagni Rudra Upanishad. The allegorical significance of the "three ash lines", states Deussen, is that the tradition sees them as streaks of three Vedic fires, three audible syllables of ''AUM'', three Guṇas, three worlds, three Atmans, trayi Vedas, and three aspects of Shiva. Usage and significance The Tripuṇḍra, three horizontal lines, on the forehead as well as other body parts are symbols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihajjabala Upanishad
The ''Brihajjabala Upanishad'' ( sa, बृहज्जाबाल उपिनषद, ) is one of the minor Upanishads, written in Sanskrit language. This Hindu text is attached to the '' Atharvaveda'', and is one of 14 Shaiva Upanishads. It describes the process of producing Vibhuti (Bhasma), or sacred ash, methods of using it for tilaka Tripundra on various parts of the body, and its meaning in Shaivism. The text also mentions Rudraksha as prayer beads. Klaus Klostermaier classifies the ''Brihajjabala Upanishad'' along with the '' Bhasmajabala Upanishad'', the '' Rudrakshajabala Upanishad'', the ''Kalagni Rudra Upanishad'' and the '' Akshamalika Upanishad'' as Shaiva texts that explain symbolism of rites and objects of worship in Shaivism. It is also spelled as ''Brihad jabala Upanishad'', ''Brihajjabalopanishad'' and ''Brihat Jabala Upanishad''. History The date of composition and the author of this text are unknown. It is likely a late medieval, post-12th century era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalagni Rudra Upanishad
The ''Kalagni Rudra Upanishad'' ( sa, कालाग्निरुद्र - उपनिषत्), is one of the minor Upanishads of Hinduism, written in the Sanskrit language. It is attached to the Krishna Yajurveda. It is one of 14 Shaiva Upanishads. The Upanishad is a discourse by Kalagni Rudra (Shiva) to sage Sanatkumara on the Tripundra, the Shaiva sectarian tilaka consisting of three horizontal lines of sacred ash on the forehead. The allegorical significance of the "three ash lines", states Deussen, is that the tradition sees them as streaks of three Vedic fires, three audible syllables of ''AUM'', three Guṇas, three worlds, three Atmans, three Vedas and three aspects of Shiva. The text extols the Tripundra and tells about the procedure for applying Vibhuti (sacred ash) as Tripundra on various parts of the body with the associated mantras and rites. Klaus Klostermaier classifies the ''Kalagni Rudra Upanishad'' with the '' Bhasmajabala Upanishad'', the '' Rudraksha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhasmajabala Upanishad
''Bhasmajabala Upanishad'' ( sa, भस्मजाबाल उपनिषत्) is one of the minor Shaiva Upanishads of Hinduism written in Sanskrit language. It is associated with the ''Atharvaveda''. The ''Bhasmajabala Upanishad'', in a manner similar to Brihajjabala Upanishad and Akshamalika Upanishad describes Vibhuti (Bhasma) or sacred ash, and Rudraksha beads as symbols and for body art. The text describes how the ash and beads are to be produced, its application on the body. The importance of holy city of Varanasi and its Shiva temple are mentioned in the text. Klaus Klostermaier classifies the text along with the ''Brihajjabala Upanishad'', the ''Rudrakshajabala Upanishad'', the ''Kalagni Rudra Upanishad'' and the '' Akshamalika Upanishad'' as Shaiva texts that explain symbolism of rites and objects of worship in Shaivism. History The date of composition and the author of this text are unknown. Like most sectarian Upanishads, the text is likely a late medieval, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibhuti
In Hinduism, ''vibhuti'' ( sa, विभूति, vibhūti), also called ''bhasma'' or ''thiruneeru'', is sacred ash made of burnt dried wood, burnt cow dung and/or cremated bodies used in Agamic rituals. Hindu devotees apply ''vibhuti'' traditionally as three horizontal lines across the forehead and other parts of the body to honour Shiva. ''Vibhuti'' smeared across the forehead to the end of both eyebrows is called ''tripundra''. According to the ''Shiva Purana'', the particles of ash which cling to the skin when ''tripundra'' is applied are to be considered to be individual lingams. The scriptures further state that ''bhasma'' purifies the soul and elevates the devotee of Shiva, and that works done without wearing ''bhasma'' are fruitless. There are various methods for the application of the ashes, according to the ''Shiva Purana'', and various mantras to be recited during application. Other uses Another meaning of ''vibhuti'' is a 'glorious form', in contrast with ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdhva Pundra
The Urdhva Pundra () is a tilaka worn by Vaishnavas as an indication of their affiliation with Vishnu. It is generally worn on the forehead, but may also be worn on other parts of the body such as the shoulders. The markings are made either as a daily ritual, or on special occasions, and denote the particular sampradaya'','' or the ineage to which the devotee belongs. The different Vaishnava sampradayas each have their own distinctive style of tilaka based on the siddhanta of their particular lineage. The general tilaka design is of two or three vertical lines resembling the letter U, which represent the feet of Vishnu. Literature The Urdhava Pundra has historically been associated with the Vaishnava tradition, just as the Tripundra has been associated with the Shaiva tradition. The Padma Purana explains the theological significance of this symbol: The Vasudeva Upanishad, a Vaishnava text, explains the significance of the three vertical lines in the ''Urdhva Pundra'' T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maheshvara
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilaka
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilaka
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Face Of Parvati Dancer
The face is the front of an animal's head that features the eyes, nose and mouth, and through which animals express many of their emotions. The face is crucial for human Personal identity, identity, and damage such as scarring or developmental deformities may affect the psyche adversely. Structure The front of the human head is called the face. It includes several distinct areas, of which the main features are: *The forehead, comprising the human skin, skin beneath the hairline, bordered laterally by the temple (anatomy), temples and inferiorly by eyebrows and ears *The Human eye, eyes, sitting in the orbit (anatomy), orbit and protected by eyelids and eyelashes * The distinctive human nose Ethmoid bone, shape, nostrils, and nasal septum *The cheeks, covering the maxilla and mandibula (or jaw), the extremity of which is the chin *The Human mouth, mouth, with the upper lip divided by the philtrum, sometimes revealing the tooth, teeth Facial biometrics, appearance is vital for hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajas
Rajas (Sanskrit: रजस्) is one of the three Guṇas (tendencies, qualities, attributes), a philosophical and psychological concept developed by the Samkhya school of Hindu philosophy.James G. Lochtefeld, Rajas, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. 2, Rosen Publishing, , pages 546-547 The other two qualities are ''Sattva'' (goodness, balance) and '' Tamas'' (lethargy, violence, disorder). ''Rajas'' is innate tendency or quality that drives motion, energy and activity.Ian Whicher (1998), ''The Integrity of the Yoga Darśana'', State University of New York Press, pages 86-87, 124-125, 163-167, 238-243 ''Rajas'' is sometimes translated as passion, where it is used in the sense of activity, without any particular value and it can contextually be either good or bad. Rajas helps actualize the other two gunas. Description In Samkhya philosophy, a is one of three "tendencies, qualities": sattva, rajas and tamas. This category of qualities have been widely adopted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
