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Title Track
A title track is a song that has the same name as the album or film in which it appears. In the Korean music industry, the term is used to describe a promoted song on an album, akin to a single, regardless of the song's title. Title track may also refer to: Music * "Title Track", a song by Death Cab for Cutie from their 2000 album ''We Have the Facts and We're Voting Yes'' * "The Title Track", a song by The Fold from their 2006 album ''This Too Shall Pass'' (album) * "Title Track", a song by Okkervil River from their 2007 album ''The Stage Names'' * "Title Track", a song by Polvo from their 1995 EP '' This Eclipse'' * "Title Track", a song by Amos the Transparent from their 2007 album ''Everything I've Forgotten to Forget'' * "Title Track", a song by Machine Gun Kelly from his 2020 album ''Tickets to My Downfall'' * Title Tracks, the indie pop/rock solo project of Washington, D.C.-based musician John Davis Sports * The pursuit of a title A title is one or more words use ...
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Music Of South Korea
The music of South Korea has evolved over the course of the decades since the end of the Korean War, and has its roots in the music of the Korean people, who have inhabited the Korean peninsula for over a millennium. Contemporary South Korean music can be divided into three different main categories: Traditional Korean folk music, popular music, or K-pop, and Western-influenced non-popular music. Traditional music Korean traditional music is also known as Gugak (national music). The first evidence of Korean music appeared in the extant text of Samguk sagi (History of the three kingdoms) in 1145, which described two string-like instruments; Gayageum and Geomungo. Traditional Korean music was brought to heights of excellence under the Lee kings of the Joseon Dynasty (Chosun Dynasty) between 1392-1897. During the Joseon Dynasty, a social hierarchy was observed with the King and the Yangban (government officials, generals, and the elite) at the top and the Sangmin (merchants, crafts ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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We Have The Facts And We're Voting Yes
''We Have the Facts and We're Voting Yes'' is the second studio album by American rock band Death Cab for Cutie. It was released on March 21, 2000, through Barsuk Records. The band, which originally included singer-songwriter Ben Gibbard, guitarist/producer Chris Walla, bassist Nick Harmer, and drummer Nathan Good, formed in Bellingham, Washington in 1997. Their debut studio album, ''Something About Airplanes'', was released in 1998 through Barsuk, after which Good exited the band. Between the two albums, both Gibbard and Walla released music via side projects, ¡All-Time Quarterback! and Martin Youth Auxiliary, respectively. The album was developed over a period of five months between the three, and recorded at the members' parents' homes. The recording came at a transitional time for the band, who were on the cusp of adulthood with little idea of what was to come. Gibbard infused these post-collegiate anxieties into his lyricism, with his songwriting melding narratives with abs ...
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This Too Shall Pass (The Fold Album)
''This too Shall Pass'' is the debut album of Chicago-based rock group The Fold. It was released in February 2006 on Tooth and Nail Records and features fourteen tracks. The title is a reference to the phrase " This, too, shall pass". Track listing # "Gravity" # "Backseat Drivers" # "New City" # "The Title Track" # "What is Right" # "Going for my Lungs" # "Evermore" # "Remnant" # "Rid of Me" # "Stay" # "With You, I Sink" # "We've Been At This" # "Surrounded" # "I Believe You" *A digital version of the album was released on November 7, 2006, with four new songs: "Away" "Seasons" "Once And For All (Acoustic)" "Rid of Me (demo)" Miscellanea *Track 1, "Gravity", contains a lyrical reference ("When will you be able to see past your hand?/I'm taking down empty pictures that we used to hold close before you") to "You Won't Ignore This", the opening track from The Fold's only secular (and first) release, Feeling Like Failure Now. *Track 4, "The Title Track", features the lyrics " ...
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The Stage Names
''The Stage Names'' is the fourth full-length studio album by American indie rock band Okkervil River (band), Okkervil River, released on August 7, 2007. The album was recorded in Austin, Texas, with longtime Okkervil producer Brian Beattie, and with mixing from Spoon (band), Spoon drummer and producer Jim Eno. Like other Okkervil River albums, the accompanying artwork is the work of artist William Schaff. The cover refers to a line from "Unless It's Kicks". The record was also released as a limited-edition 2-CD set that included a second disc of solo acoustic demos. A newly recorded version of "Love to a Monster", which appeared in rough demo form on the band's tour EP, ''Overboard and Down'', was originally intended to appear on the album, but didn't make it on, and appears as a bonus track when the album is purchased through eMusic. "Shannon Wilsey on the Starry Stairs", described by lead singer and songwriter Will Sheff as "kind of a sequel to 'Savannah Smiles' and kind of a sis ...
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This Eclipse
''This Eclipse'' is a 1995 EP release by indie rock band Polvo. It was recorded and mixed by Brian Paulson in Hillsborough, North Carolina on August 21–22 that year, mastered by John Golden and released on Merge Records. Recording The album was recorded and mixed by Brian Paulson, who would go on to do the same for their 2009 post-reunion album ''In Prism''. Reflecting on the experience, guitarist Ash Bowie said in an interview with ''Tape Op'': "we liked the way it sounded. It wasn't the most well prepared for record we've done, but you could hear everything. It sounded good. We didn't have to negotiate about how loud everyone's parts should be — it's all there, just right, nothing else to say." Reception David Sprague of ''Trouser Press'' wrote that the album "reclaims form previous release">Celebrate the New Dark Age">previous releaseto a large degree, but benefits from the clearest production — by Brian Paulson — Polvo has ever received. The separation afforded the ...
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Amos The Transparent
Amos the Transparent is a Canadian rock band from Ottawa, Ontario. Members are Jonathan Chandler (vocals, guitar), Olenka Reshitnyk (vocals, guitar), Dan Hay (guitar), James Nicol (bass guitar, vocals), drummer Christopher Wilson and cellist Mike Yates. History Amos the Transparent was formed by Ottawa songwriter Jonathan Chandler, and drummer Christopher Wilson to solidify material that was written over a period of several years commencing in 2005. The duo applied a collective approach to the recording process of their debut ''Everything I've Forgotten to Forget'', drawing out the influences and talents of numerous guest artists including Amy Millan of Stars, who makes a special guest vocal appearance on the duet "After All That, It's Come to This", and also Evan Cranley, also of Stars. Their debut album, ''Everything I've Forgotten to Forget'', was released on Pop Culture Records in 2007, and an EP, ''My What Big Teeth You Have...'' followed in 2009 on Sunday School Music. T ...
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Tickets To My Downfall
''Tickets to My Downfall'' is the fifth studio album by American musician Machine Gun Kelly. A departure from his established rap sound, the album is a more guitar-driven pop-punk album. It was released through Bad Boy Records and Interscope Records on September 25, 2020. The album was a commercial success, debuting atop the US ''Billboard'' 200, his first to do so. It was met with positive reviews from critics, and went on to be his first album to be certified platinum by the RIAA. ''Tickets to My Downfall'' was preceded by the release of the singles: " Bloody Valentine", " Concert for Aliens" and "My Ex's Best Friend". Background and recording Machine Gun Kelly, birth name Colson Baker, had released four studio albums through the 2010s. While his first four studio albums had been hip hop/rap styled, by the end of the decade, Baker started moving into a rock music direction. In 2019, Baker appeared in the film ''The Dirt'', a biographic film about the band Mötley Crüe wher ...
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Title Tracks
Title Tracks is an American power pop/indie rock solo project from Washington, D.C.-based musician John Davis (formerly of Q and Not U and Georgie James). History In early 2008, although still a member of the band Georgie James, Davis began writing the songs that would form the basis for his first solo record. By the time Georgie James announced its dissolution in the summer of 2008, Davis had already written an album's worth of songs and called his new solo project Title Tracks. He put together a live version of the band that included Michael Cotterman on bass, Andrew Black on drums (both of whom had played in the primary live version of Georgie James) and Merideth Munoz on guitar, keyboards and vocals. In the fall of 2008, that version of the band recorded two songs, "Every Little Bit Hurts" and "Found Out," with producer Chad Clark at Silver Sonya Studios in Washington, D.C. The single was released in April 2009 by Dischord Records. In January 2009, Davis commenced re ...
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