The Cloisters
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The Cloisters
The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights, Manhattan, Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and medieval architecture, architecture, with a focus on the Romanesque architecture, Romanesque and Gothic architecture, Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller, Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer. The museum's building was designed ...
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Fort Tryon Park
Fort Tryon Park is a public park located in the Hudson Heights and Inwood neighborhoods of the borough of Manhattan in New York City. The park is situated on a ridge in Upper Manhattan, close to the Hudson River to the west. It extends mostly from 192nd Street in the south to Riverside Drive in the north, and from Broadway in the east to the Henry Hudson Parkway in the west. The main entrance to the park is at Margaret Corbin Circle, at the intersection of Fort Washington Avenue and Cabrini Boulevard. The area was known by the local Lenape tribe as ''Chquaesgeck'' and by Dutch settlers as ''Lange Bergh'' (Long Hill). During the American Revolutionary War, the Battle of Fort Washington was fought at the site of the park on November 16, 1776. The area remained sparsely populated during the 19th century, but by the turn of the 20th century, it was the location of large country estates. Beginning in January 1917, philanthropist John D. Rockefeller, Jr., bought up the "Tryon Ha ...
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Upper Manhattan
Upper Manhattan is the most northern region of the New York City borough of Manhattan. Its southern boundary has been variously defined, but some of the most common usages are 96th Street, the northern boundary of Central Park ( 110th Street), 125th Street, or 155th Street. The term Uptown can refer to Upper Manhattan, but is often used more generally for neighborhoods above 59th Street; in the broader definition, Uptown encompasses Upper Manhattan. Upper Manhattan is generally taken to include the neighborhoods of Marble Hill, Inwood, Washington Heights (including Fort George, Sherman Creek and Hudson Heights), Harlem (including Sugar Hill, Hamilton Heights and Manhattanville), East Harlem, Morningside Heights, and Manhattan Valley (in the Upper West Side). The George Washington Bridge connects Washington Heights in Upper Manhattan across the Hudson River to Fort Lee, New Jersey, and is the world's busiest motor vehicle bridge. In the late 19th century, the IRT Ninth ...
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Early Netherlandish
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568– Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nort ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Tapestries
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other traditi ...
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Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ...
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Medieval Garden
A monastic garden was used by many people and for multiple purposes. Gardening was the chief source of food for households, but also encompassed orchards, cemeteries and pleasure gardens, as well as providing plants for medicinal and cultural uses. For monasteries, gardens were especially important in supplying the monks livelihood.Voigts, L.E. (1979). Anglo-Saxon Plant Remedies and the Anglo-Saxons. Isis, 70(2): 250-268 Primarily due to the fact that many of the plants had multiple uses: for instance, peaches were used for closing wounds.Wallis, F. (2010). Medieval Medicine: A Reader. Toronto, Canada: University of Toronto Press The garden Concerning the structure of the gardens, they often were enclosed with fences, walls or hedges in order to protect them from wild animals. Even though wealthier monasteries could construct walls that were made out of stone and brick, wattle fences were used by all classes and were the most common type of fence. Occasionally, bushes were als ...
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Joseph Brummer
Joseph Brummer (1883 – 14 April 1947) was a Hungarian-born art dealer and collector who exhibited both antique artifacts from different cultures, early European art, and the works of modern painters and sculptors in his galleries in Paris and New York. In 1906 he and his two brothers opened their first gallery in Paris, the Brummer Gallery. At the start of World War I, they closed the gallery and moved to New York City. Joseph alone opened his next gallery in 1921 in Manhattan. Biography Joseph (originally József) Brummer was born in Sombor, then in Hungary (now Serbia), in 1883. He studied applied arts in Szeged from 1897 on, and continued these studies in Budapest from 1899 on. Afterward, he studied at Munich before starting on his own as an artist in Budapest and Szeged. Together with his brothers Ernest (1891-1964) and Imre (died 1928), he moved to Paris in 1905. In 1906, Brummer and his brothers opened the Brummer Gallery in Paris at the Boulevard Raspail, where they ...
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John D
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ...
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George Grey Barnard
George Grey Barnard (May 24, 1863 – April 24, 1938), often written George Gray Barnard, was an American sculptor who trained in Paris. He is especially noted for his heroic sized '' Struggle of the Two Natures in Man'' at the Metropolitan Museum of Art, his twin sculpture groups at the Pennsylvania State Capitol, and his ''Lincoln'' statue in Cincinnati, Ohio. His major works are largely symbolical in character. His personal collection of medieval architectural fragments became a core part of The Cloisters in New York City. Biography Barnard was born in Bellefonte, Pennsylvania, but grew up in Kankakee, Illinois, the son of the Reverend Joseph Barnard and Martha Grubb; the grandson and namesake of merchant George Grey Grubb; and a great-grandson of Curtis Grubb, a fourth-generation member of the Grubb iron family and a onetime owner of the celebrated Gray's Ferry Tavern outside Philadelphia. Barnard first studied at the Art Institute of Chicago under Leonard Volk."George Gre ...
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Cloisters
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the p ...
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