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Tablinum
In Roman architecture, a (or , from , board, picture) was a room in a ''domus'' (house) generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain. The walls may be richly decorated with fresco pictures, and often busts of the family were arranged on pedestals on the two sides of the room. Description The ''tablinum'' was the office in a Roman house, the owner's centre for business, where he would receive his clients. According to one hypothesis, it was originally the master bedroom. ''Takhtabush'' is the Arabic language, Arabic term for a tablinum. Like the ancient Roman tablinum, it opens onto a heavily shaded courtyard and, on the other side, a rear garden. Unlike the Roman tablinum, the garden side is closed with a lattice (Roman tablinums may have had open-weave curtains). If there is a wind, it tends to blow down into the windward court and up out o ...
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Cavaedium
''Cavaedium'' or atrium are Latin names for the principal room of an ancient Roman house, which usually had a central opening in the roof (''compluvium'') and a rainwater pool (''impluvium'') beneath it. The ''cavaedium'' passively collected, filtered, stored, and cooled rainwater. It also daylit, passively cooled and passively ventilated the house. The atrium was the most important room of the ancient Roman house. The main entrance led into it; patrones received their clientes there, and marriages, funerals, and other ceremonies were conducted there. In earlier and more modest homes, the atrium was the common room used for most household activities; in richer homes, it became mainly a reception room, with private life moving deeper into the (larger) house. The atrium was generally the most elaborate room, with the finest finishings, wall paintings, and furnishings. The atrium was entered either through a shop or by a straight, narrow passage from the street. The smaller, ...
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Domus
In ancient Rome, the ''domus'' (: ''domūs'', genitive: ''domūs'' or ''domī'') was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word '' domestic'' comes from Latin ''domesticus'', which is derived from the word ''domus''. Along with a ''domus'' in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city. The elite classes of Roman society constructed their residences with elaborate marble decorations, inlaid marble paneling, door jambs and columns as well as expensive paintings and frescoes. Many poor and lower-middle-class Romans lived in crowded, d ...
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Windcatcher
A windcatcher, wind tower, or wind scoop () is a traditional architectural element used to create cross ventilation and passive cooling in buildings. Windcatchers come in various designs, depending on whether local prevailing winds are unidirectional, bidirectional, or multidirectional, on how they change with altitude, on the daily temperature cycle, on humidity, and on how much dust needs to be removed. Despite the name, windcatchers can also function without wind. Neglected by modern architects in the latter half of the 20th century, the early 21st century saw them used again to increase ventilation and cut power demand for air-conditioning. Generally, the cost of construction for a windcatcher-ventilated building is less than that of a similar building with conventional heating, ventilation, and air conditioning (HVAC) systems. The maintenance costs are also lower. Unlike powered air-conditioning and fans, windcatchers are silent and continue to function when the electr ...
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Tsubo-niwa
A is a type of very small garden in Japan. have been described as "quasi-indoor gardens", and are a key feature of some traditional Japanese homes, such as the (). They are valued for their beauty and for bringing nature into the building. Some are also impluviums that collect rainwater; others contain groundwater wells. They are traditional locations for (handwashing). They also provide light and ventilation. As the floorboards in a traditional Japanese building are usually raised above the ground, a is an area without the wooden flooring; the floorboards surrounding a garden may form a veranda called an . Etymology and terminology The term stems from , a unit of measurement (equal to 1×1 , the size of two tatami (flooring and sleeping mats), roughly ), and , meaning "garden". Other spellings of translate to "container garden", and a may differ in size from the unit of measurement. A number of different terms exist to describe the function of townhouse gardens. C ...
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Roman Architecture
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today. Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and ...
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Peristyle
In ancient Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture, a peristyle (; ) is a continuous porch formed by a row of columns surrounding the perimeter of a building or a courtyard. ''Tetrastoön'' () is a rarely used archaic term for this feature. The peristyle in a Greek temple is a ''peristasis (architecture), peristasis'' (). In the Christian Church architecture, ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister. Etymology The Greek word περίστυλον ''perístylon'' is composed of περί ''peri'', "around" or "surrounded", and στῦλος ''stylos'', "column" or "pillar", together meaning "surrounded by columns/pillars". It was Latinised into synonyms ''peristylum'' and ''peristylium''. In Greek architecture A peristyle was mostly used as a courtyard in Ancient Greece, but in the homes of people who were in the upper class or if they owned s ...
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Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ...
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The Tablinum Of The House Of Menander (Regio I), Pompeii (14978936569)
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ...
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Arabic Language
Arabic (, , or , ) is a Central Semitic languages, Central Semitic language of the Afroasiatic languages, Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns language codes to 32 varieties of Arabic, including its standard form of Literary Arabic, known as Modern Standard Arabic, which is derived from Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as ( "the eloquent Arabic") or simply ' (). Arabic is the List of languages by the number of countries in which they are recognized as an official language, third most widespread official language after English and French, one of six official languages of the United Nations, and the Sacred language, liturgical language of Islam. Arabic is widely taught in schools and universities around the wo ...
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Mashrabiya
A ''mashrabiya'' or ''mashrabiyya'' () is an architectural element which is characteristic of traditional Islamic architecture, architecture in the Islamic world and beyond. It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass. It was traditionally used to windcatcher, catch wind and for passive cooling. Jars and basins of water could be placed in it to cause evaporative cooling. It is most commonly used on the street side of the building; however, it may also be used internally on the ''sahn'' (courtyard) side. The term ''mashrabiya'' is sometimes used of similar lattices elsewhere, for instance in a ''takhtabush''. It is similar to Indian ''jali''. It has been used since the Middle Ages, reached a peak during the Ottoman period, but fell into decline in the late 19th century and the first half of the 20th century. However, interest in sustainable architecture has contribute ...
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