Suspension Of Disbelief
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Suspension Of Disbelief
Suspension of disbelief, sometimes called willing suspension of disbelief, is the avoidance of critical thinking or logic in examining something unreal or impossible in reality, such as a work of speculative fiction, in order to believe it for the sake of enjoyment. Aristotle first explored the idea of the concept in its relation to the principles of theater; the audience ignores the unreality of fiction in order to experience catharsis. Origin The poet and aesthetic philosopher Samuel Taylor Coleridge introduced the English-language term "suspension of disbelief" in 1817 and suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend judgement concerning the implausibility of the narrative. Coleridge sought to revive the use of fantastic elements in poetry and developed a concept to support how a modern, enlightened audience might continue to enjoy such types of literature. The term resulted from a phil ...
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Critical Thinking
Critical thinking is the analysis of available facts, evidence, observations, and arguments to form a judgement. The subject is complex; several different definitions exist, which generally include the rational, skeptical, and unbiased analysis or evaluation of factual evidence. Critical thinking is self-directed, self-disciplined, self- monitored, and self- corrective thinking. It presupposes assent to rigorous standards of excellence and mindful command of their use. It entails effective communication and problem-solving abilities as well as a commitment to overcome native egocentrism and sociocentrism. History The earliest records of critical thinking are the teachings of Socrates recorded by Plato. These included a part in Plato's early dialogues, where Socrates engages with one or more interlocutors on the issue of ethics such as question whether it was right for Socrates to escape from prison. The philosopher considered and reflected on this question and came to the conc ...
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Academica (Cicero)
The ''Academica'' (also ''On Academic Skepticism,'' ''Academica Liberi,'' ''Academic Books'') is work in a fragmentary state written by the Academic Skeptic philosopher, Cicero, published in two editions. The first edition is referred to as the ''Academica Priora.'' It was released in May 45 BCE and comprised two books, known as the ''Catulus'' and the ''Lucullus.'' The ''Catulus'' has been lost. Cicero subsequently extensively revised and expanded the work, releasing a second edition comprising four books. Except for part of Book 1 and 36 fragments, all of the second edition has been lost. The second edition is referred to as ''Academica Posteriora'' or ''Academica Liberi'' or ''Varro.'' The ''Academica'' was the second of five books written by Cicero in his attempt to popularise Greek philosophy in Ancient Rome, and it is the only one of the five books that exclusively focused on promoting Academic Skepticism, the school of Hellenistic philosophy to which Cicero belonged. It was ...
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Journal Of Philosophy
''The Journal of Philosophy'' is a monthly peer-reviewed academic journal on philosophy, founded in 1904 at Columbia University. Its stated purpose is "To publish philosophical articles of current interest and encourage the interchange of ideas, especially the exploration of the borderline between philosophy and other disciplines." Subscriptions and online access are managed by the Philosophy Documentation Center. The Journal was ranked the second highest-quality philosophy journal in a poll conducted on the popular philosophy blog Leiter Reports, and is widely regarded as one of the most prestigious journals in the field. The journal also publishes the Dewey, Woodbridge, and Nagel Lectures series held at Columbia University. History The journal was founded at Columbia University in 1904 as ''The Journal of Philosophy, Psychology and Scientific Methods'', under the editorship of Professor J. E. Woodbridge and Professor James McKeen Cattell.Iris Bean, "Brief History of the Jour ...
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JSTOR
JSTOR (; short for ''Journal Storage'') is a digital library founded in 1995 in New York City. Originally containing digitized back issues of academic journals, it now encompasses books and other primary sources as well as current issues of journals in the humanities and social sciences. It provides full-text searches of almost 2,000 journals. , more than 8,000 institutions in more than 160 countries had access to JSTOR. Most access is by subscription but some of the site is public domain, and open access content is available free of charge. JSTOR's revenue was $86 million in 2015. History William G. Bowen, president of Princeton University from 1972 to 1988, founded JSTOR in 1994. JSTOR was originally conceived as a solution to one of the problems faced by libraries, especially research and university libraries, due to the increasing number of academic journals in existence. Most libraries found it prohibitively expensive in terms of cost and space to maintain a comprehen ...
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Horror Movie
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced ...
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Kendall Walton
Kendall Lewis Walton (born 1939) is an American philosopher, the Emeritus Charles Stevenson Collegiate Professor of Philosophy and Professor of Art and Design at the University of Michigan. His work mainly deals with theoretical questions about the arts and issues of philosophy of mind, metaphysics, and philosophy of language. His book ''Mimesis as Make Believe: On the Foundations of the Representational Arts'' develops a theory of make-believe and uses it to understand the nature and varieties of representation in the arts. He has also developed an account of photography as transparent, defending the idea that we see through photographs, much as we see through telescopes or mirrors, and written extensively on pictorial representation, fiction and the emotions, the ontological status of fictional entities, the aesthetics of music, metaphor, and aesthetic value. Education and career Walton studied as an undergraduate at the University of California, Berkeley, originally pursuing ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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