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Sukanasi
In Hindu temple architecture a sukanasa ( sa, शुकनास, IAST: śukanāsa) or sukanasi is an external ornamented feature over the entrance to the garbhagriha or inner shrine. It sits on the face of the sikhara tower (in South India, the vimana) as a sort of antefix. The forms of the sukanasa can vary considerably, but it normally has a vertical face, very often in the form of a large gavaksha or "window" motif, with an ornamental frame above and to the sides, forming a roughly triangular shape. In discussing temples in Karnataka local authors tend to use "sukanasi" (the preferred form in these cases) as a term for the whole structure of the antarala or ante-chamber from the floor to the top of the sukanasa roof above. It often contains an image of the deity to whom the temple is dedicated inside this frame, or other figurative subjects. The vertical face may be the termination of a horizontally-projecting structure of the same shape, especially in temples with an antaral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.Hardy (1995), p. 320, p. 321, p. 324, p. 325, p. 329, p. 332, p. 334, p. 339, p. 340, p. 346Foekema (1996), p. 53, p. 37, p. 71, p. 81, p. 41, p. 43, p. 83 Study of the Hoysala architectural style has revealed a negligible Indo-Aryan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nageshvara-Chennakeshava Temple Complex, Mosale
The Nageshvara-Chennakeshava temple complex, sometimes referred to as the Nagesvara and Chennakesava temples of Mosale, are a pair of nearly identical Hindu temples in the village of Mosale near Hassan city, Karnataka, India. One for Shiva, other for Vishnu, this pair is a set of highly ornamented stone temples, illustrating the Hoysala architecture. These temples also include panels of artwork related to the goddess tradition of Hinduism (Shaktism) and Vedic deities. Another notable feature of these temples is the artwork in their ceilings, how the ''shilpins'' (artisans) integrated the historic pre-Hoysala architectural innovations from the Chalukya era. Further, the temples include north Indian Bhumija and south Indian Vesara aedicules on the outer walls above the panels.Foekema (1996), pp81-82 It is unclear when this temple pair was built, but given the style and architectural innovations embedded therein, it was likely complete before 1250 CE. According to Dhaky – an arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kedareshvara Temple, Balligavi
The Kedareshvara temple (also spelt Kedareshwara or Kedaresvara) is located in the town of Balligavi (known variously in ancient inscriptions as Belagami, Belligave, Ballagamve and Ballipura), near Shikaripura in the Shimoga district of Karnataka state, India. Dotted with centres of learning (''agrahara''), Balligavi was an important city during the 11th - 12th century Western Chalukya rule. The term ''Anadi Rajadhani'' (ancient capital) used in medieval inscriptions to describe this town tells a tale of great antiquity. Art historian Adam Hardy classifies the style involved in the construction of the temple as "Later Chalukya, non mainstream, relatively close to mainstream". He dates the temple to late 11th century, with inscriptional evidence of additions made up to 1131, by the Hoysalas during their control over the region. The building material used is soapstone. The Archaeological Survey of India classifies the style of architecture as distinctly Hoysala.Hardy (1995), p324 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattadakal Si1479
Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka (India). Located on the west bank of the Malaprabha River in Bagalakote district, this UNESCO World Heritage Site is from Badami and about from Aihole, both of which are historically significant centres of Badami Chalukya architecture, Chalukya monuments.World Heritage Sites – Pattadakal – More Detail Archaeological Survey of India, Government of India (2012) The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI). UNESCO has described Pattadakal as "a harmonious blend of architectural forms from northern and southern India" and an illustration of "eclectic art" at its height. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellora
Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 CE., Quote: "These 34 monasteries and temples, extending over more than 2 km, were dug side by side in the wall of a high basalt cliff, not far from Aurangabad, in Maharashtra. Ellora, with its uninterrupted sequence of monuments dating from A.D. 600 to 1000, brings the civilization of ancient India to life. Not only is the Ellora complex a unique artistic creation and a technological exploit but, with its sanctuaries devoted to Hinduism, it illustrates the spirit of tolerance that was characteristic of ancient India." Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattadakal
Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka (India). Located on the west bank of the Malaprabha River in Bagalakote district, this UNESCO World Heritage Site is from Badami and about from Aihole, both of which are historically significant centres of Chalukya monuments.World Heritage Sites – Pattadakal – More Detail Archaeological Survey of India, Government of India (2012) The monument is a protected site under Indian law and is managed by the (ASI). UNESCO has described Pattadakal as "a harmonious ble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanjavur
Thanjavur (), also Tanjore, Pletcher 2010, p. 195 is a city in the Indian state of Tamil Nadu. Thanjavur is the 11th biggest city in Tamil Nadu. Thanjavur is an important center of South Indian religion, art, and architecture. Most of the Great Living Chola Temples, which are UNESCO World Heritage Monuments, are located in and around Thanjavur. The foremost among these, the Brihadeeswara Temple, is located in the centre of the city. Thanjavur is also home to Tanjore painting, a painting style unique to the region. Thanjavur is the headquarters of the Thanjavur District. The city is an important agricultural centre located in the Kaveri Delta and is known as the ''Rice bowl of Tamil Nadu''. Thanjavur is administered by a municipal corporation covering an area of and had a population of 290,720 in 2011. Roadways are the major means of transportation, while the city also has rail connectivity. The nearest airport is Tiruchirapalli International Airport, located away from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihadisvara Temple
Brihadishvara Temple, called Rajarajesvaram () by its builder, and known locally as ''Thanjai Periya Kovil'' ("Thanjavur Big Temple") and ''Peruvudaiyar Kovil'', is a Shaivite Hindu temple built in a Chola architectural style located on the south bank of the Cauvery river in Thanjavur, Tamil Nadu, India.Thanjavur Encyclopaedia Britannica It is one of the largest Hindu temples and an exemplar of . It is also called ''Dakshina Meru'' (" |
Bucesvara Temple, Koravangala
Bucesvara temple, also referred to as the Buceswara, Bucheshwara or Bhucheshvara temple, is a 12th-century Hindu temples in Koravangala village, Karnataka, India. The most sophisticated historical temple in the village, it is considered to be the flag-bearer of Hoysala architecture and was built by a wealthy patron named Buchi during the reign of king Ballala. It is a twin temple with the two sanctums facing each other. The sanctum next to the larger mandapa opens to the east and is dedicated to Shiva, while the other near the two entrances is dedicated to Surya. Artworks of Shaivism, Vaishnavism, Shaktism and the Vedic deities are reverentially displayed, along with panels depicting scenes from the ''Ramayana'', the ''Mahabharata'', the ''Bhagavata Purana''. Also included are scenes of ''artha'' and ''kama'' (''mithuna'', amorous couples). The temple is protected as a monument of national importance by the Archaeological Survey of India. Location and date It is located in the v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Art
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms. The origin of Indian art can be traced to prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hinduism, Buddhism, Jainism, Sikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups. In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media and provides most of the best remains. Many of the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Empire
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
