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Bucesvara temple, also referred to as the Buceswara, Bucheshwara or Bhucheshvara temple, is a 12th-century Hindu temples in Koravangala village,
Karnataka Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnat ...
, India. The most sophisticated historical temple in the village, it is considered to be the flag-bearer of
Hoysala architecture Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its pe ...
and was built by a wealthy patron named Buchi during the reign of king Ballala. It is a twin temple with the two sanctums facing each other. The sanctum next to the larger mandapa opens to the east and is dedicated to Shiva, while the other near the two entrances is dedicated to Surya. Artworks of Shaivism, Vaishnavism, Shaktism and the Vedic deities are reverentially displayed, along with panels depicting scenes from the ''Ramayana'', the ''Mahabharata'', the ''Bhagavata Purana''. Also included are scenes of ''artha'' and ''kama'' (''mithuna'', amorous couples). The temple is protected as a monument of national importance by the
Archaeological Survey of India The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexand ...
.


Location and date

It is located in the village of Korvangla, about northeast from
Hassan Hassan, Hasan, Hassane, Haasana, Hassaan, Asan, Hassun, Hasun, Hassen, Hasson or Hasani may refer to: People *Hassan (given name), Arabic given name and a list of people with that given name *Hassan (surname), Arabic, Jewish, Irish, and Scottis ...
city in Karnataka, India.Foekema (1996), pp78-79 It is about southwest of Halebidu (Dorasamudra) – the primary capital of Hoysala kingdom in the 12th-century. The temple is to the north of the village and was built in 1173 AD by a rich officer called Buci (or Buchiraja). The inscription states that it marks the coronation of Hoysala King
Veera Ballala II Veera Ballala II ( kn, ವೀರ ಬಲ್ಲಾಳ 2) (r. 1173–1220 CE) was the most notable monarch of the Hoysala Empire. His successes against the Yadavas of Devagiri, the Southern Kalachuris, the Pandyas of Madurai and the wani ...
.Foekema (1996), p79 Koravangala was a major town in pre-14th century Karnataka, featuring at least six temples on the eastern banks of a manmade lake: *Two temples are within the Buceswara temple ''prakara'' (compound), these were built about 1173 CE; the second temple is to the eastern end of the complex and to the north of main temple; it is a smaller and simpler
Bhairava Bhairava (Sanskrit: भैरव ) or Kala Bhairava is a Shaivite and Vajrayāna deity worshiped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva associated with annihilation. In Trika system ''Bhaira ...
temple, a form of the Hindu god Shiva. *Three temples are to the north of Bucesvara temple – Govindesvara temple (Shiva), Nakesvara temple (Shiva) and a Surya temple, completed between 1160 and 1170 CE *One is almost totally ruined and to the east-northeast, likely also late 12th-century (it is unclear to whom this was dedicated) From the inscriptions found near these temples, it is evident that the northernmost temples here are about 15 to 20 years older than the Buchesvara temple. They were commissioned by Buci's older brothers, Govinda and Naka.


Architecture

All temples in this village follow the square plan per the classical Sanskrit texts on Hindu architecture. The most sophisticated of these is the Bucesvara temple, which is more massive and better preserved. Dhaky – a scholar known for his studies on Indian temple architecture, states that the Bucesvara is "in severak respects a truly notable building". It is a ''divikuta'' (two shrines) that face each other. These shrines are connected by a closed ''
mantapa A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, ...
'' (hall) and an open ''mantapa''. At the eastern end of the complex and to the north of main temple is a smaller and simpler
Bhairava Bhairava (Sanskrit: भैरव ) or Kala Bhairava is a Shaivite and Vajrayāna deity worshiped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva associated with annihilation. In Trika system ''Bhaira ...
temple, a form of the Hindu god Shiva. In the main interconnected long temple, the sanctum contains an image of Surya (the Sun god in Hinduism). Foekema calls this as the "staggered square plan" or the "cross in square", a square with three projections per side. The main large shrine is dedicated to Shiva. The temple consists of tritala ''vimana'' (three storey sanctum superstructure), a ''gudha-mandapa'' and a ''ranga-mandapa''. The vimana consists of karnas, kutastambhas, bhadras and a kapili.Kamath (2001), p134 The ''shikara'' is beautifully executed with detailed carving, a fine example of Nataraja with the Hoysala crest,Foekema (1996), p80 and near perfect ''kalasa'' at the very top. On the walls is a balanced display of the Hindu traditions – Shaivism, Vaishnavism and Shaktism.Foekema (1996), p27 The eastern shrine, which contains a Shiva
linga A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional ...
has a similar plan; a ''Sukhanasi'' (called "nose") which is a low protrusion of the tower over the shrine and is built over the vestibule which connects the ''
vimana Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also men ...
'' (cella) to the hall.Foekema (1996), p22 The halls are adjoining. The ceiling art in the open hall is of fine quality and the pillars have a glossy finish. The pillars of the ''mantapa'' (hall) are bell shaped, a design achieved by turning with lathes.Kamath (2001), p135 According to Foekema, the temple decorative feature pre-Hoysala style, that is those prevalent before the Hoysala times. In this type of decoration, below the superstructure (tower), an eaves that projects about half a meter runs all around the temple. Below the eaves are decorative miniature towers (the
aedicula In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, ...
) on
pilaster In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wal ...
s. The miniature towers (turrets) are in various styles; ''nagara'', '' dravida'', ''
vesara Vesara is a hybrid form of Indian temple architecture, with South Indian plan and a shape that features North Indian details. This fusion style likely originated in the historic architecture schools of the Dharwad region. It is common in the survi ...
'', and ''
bhumija Bhumija is a variety of north Indian temple architecture marked by how the rotating square-circle principle is applied to construct the ''shikhara'' (superstructure or spire) on top of the sanctum. Invented about the 10th-century in the Malwa regi ...
''. The large wall images of deities and their attendants are placed below these decorative towers. These images include among others: Bhairava (a version of the god Shiva), the goddess
Saraswati Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a g ...
and
Durga Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around c ...
, Maheshvara,
Narasimha Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end rel ...
,
Brahma Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 21 ...
, and
Venugopala Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within t ...
. Below these images, the base of the wall comprises five different horizontal moldings, one of which is a row of blocks.Foekema (1996), p28 The three niches on the south side have survived, and these show Saptamatrikas, Ganesha and Saraswati. The north side niches contained reliefs too, but are now empty.


Gallery

File:A profile of Bucesvara temple at Koravangala.JPG, Close up profile of shrine and its superstructure (''shikhara'') File:Relief at Bucesvara temple at Koravangla.JPG, An
aedicula In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, ...
bounded by decorative swirls in
bas-relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
File:Shrine outer wall relief in the Bucesvara temple at Koravangala.JPG, Wall bas-relief depicting Vishnu carried by Garuda File:Koravangala Shri Bucheswara Temple - From the North Side.jpg, Narasimha avatar of Vishnu in the center File:Open mantapa leading to sanctum in the Bucesvara temple at Koravangala.JPG, Lathe turned pillars inside the ''mahamantapa'' (open hall) File:Shrine outer wall relief in the Bucesvara temple at Koravangala 1.JPG, Shrine outer wall relief File:Domical bay ceiling in the Bucesvara temple at Koravangala 2.JPG, Ceiling with lotus File:Bucheshwara Temple , Koravangala - 2nd Shrine.jpg, Dancing Ganesha at the center File:Elephant baluster at lateral entrance into open mantapa of the Bucesvara temple at Koravangala.JPG, Elephant baluster, one of two entrances File:Ornated Vimana of Shri Bucheswara Temple , Koravangala.jpg, Ornate tower superstructure File:Shri Bucesvara temple - South West Side View-9314.jpg, Side View File:A profile of Bucesvara temple at Koravangala 2.JPG, South-west corner view


References


Bibliography

*Gerard Foekema, A Complete Guide to Hoysala Temples, Abhinav, 1996 * * *''Blazing Trail of Golden Era - Tourist Guide of Hassan District'', Karnataka tourism


External links

{{commons category
Hassan District Tourism
Religious buildings and structures completed in 1173 12th-century Hindu temples Hindu temples in Hassan district