Stylus Fantasticus
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Stylus Fantasticus
The stylus fantasticus (or stylus phantasticus) is a style of early baroque music, especially for the instrumental music. Description and history The root of this music is organ toccatas and fantasias, particularly derived from those of Claudio Merulo (1533–1604), organist at St Mark's Basilica in Venice. A later practitioner in Rome was Girolamo Frescobaldi, and his German student Froberger took the style north with him. There were constant flows of Italian musicians north to Bavaria and Saxony, of German musicians south to Italy (such as Hans Leo Hassler and Heinrich Schütz), and of musicians who had careers in both Austria and Italy (such as Sances and Turini). The author, scientist and inventor, a true baroque polymath, Athanasius Kircher describes the stylus fantasticus in his book, ''Musurgia Universalis'': :"The fantastic style is especially suited to instruments. It is the most free and unrestrained method of composing, it is bound to nothing, neither to any words ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral from 1718 until increasing deafness led to his retirement from that post in 1728. Mattheson's chief occupation from 1706 was as a professional diplomat. He had studied English in school and spoke it fluently. He became tutor to the son of the English ambassador Sir John Wich and then secretary to the ambassador. ...
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Johann Schop
Johann Schop (ca. 1590 – 1644) was a German violinist and composer, much admired as a musician and a technician, who was a virtuoso and whose compositions for the violin set impressive technical demands for that area at that time. In 1756 Leopold Mozart commented on the difficulty of a trill (music), trill in a work by Schop, probably composed before 1646. He worked in Hamburg. He published books of violin music in 4 to 6 parts; some of his music was performed at the Peace of Westphalia celebrations. His melody ''Werde munter, mein Gemüte'' of 1641 was used by Johann Sebastian Bach for the chorale movements (6 and 10) of his Bach cantata, cantata ''Herz und Mund und Tat und Leben, BWV 147''. The sixth movement is ''Wohl mir, daß ich Jesum habe'', and the tenth movement is ''Jesu bleibet meine Freude''. Under the English title, ''Jesu, Joy of Man's Desiring'', Bach's chorale has been arranged for different instruments, notably for piano by Myra Hess, and has gained wide p ...
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Pavel Josef Vejvanovsky
Pavel (Bulgarian, Russian, Serbian and Macedonian: Павел, Czech, Slovene, Romanian: Pavel, Polish: Paweł, Ukrainian: Павло, Pavlo) is a male given name. It is a Slavic cognate of the name Paul (derived from the Greek Pavlos). Pavel may refer to: People Given name *Pavel I of Russia (1754–1801), Emperor of Russia *Paweł Tuchlin (1946–1987), Polish serial killer *Pavel (film director), an Indian Bengali film director * Surname *Ágoston Pável (1886–1946), Hungarian Slovene writer, poet, ethnologist, linguist and historian *Andrei Pavel (born 1974), Romanian tennis coach and former professional tennis player *Claudia Pavel (born 1984), Romanian pop singer and dancer also known as Claudia Cream *Elisabeth Pavel (born 1990), Romanian basketball player *Ernst Pavel, Romanian sprint canoeist who competed in the early 1970s *Harry Pavel (born 1951), German wheelchair curler, 2018 Winter Paralympian *Marcel Pavel (born 1959), Romanian folk singer *Pavel Pave ...
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Johann Adam Reincken
Johann Adam Reincken (also ''Jan Adams, Jean Adam'', ''Reinken, Reinkinck, Reincke, Reinicke, Reinike''; Baptism, baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer. He was one of the most important composers of the 17th century, a friend of Dieterich Buxtehude and a major influence on Johann Sebastian Bach; however, very few of his works survive to this day. Life The widespread claims about Reincken's exceptional longevity stem from Johann Mattheson, who, writing in 1722, gave his date of birth as 27 April 1623. However, Reincken himself stated (on the title page of ''Hortus musicus'') that his birthplace was Deventer, and no records were found there to support Mattheson's claim. A "Jan Reinse" was baptized in Deventer on 10 December 1643; this is the date currently accepted by most scholars, although it is in many ways as problematic as that given by Mattheson. Reincken received primary music education in Deventer in 1650–1654, from Luca ...
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Giovanni Antonio Pandolfi (musician)
omenicoGiovanni Antonio Pandolfi ealli'' (1624 – ) was an Italian composer and violinist. Life and works Pandolfi was born in Montepulciano in 1624, where he was baptised on 27 November, the second son of Giovanni Battista Pandolfi and the fourth son of his father's second wife, Verginia Bartalini, the widow of Mario Mealli. His name at baptism was Domenico; it would appear that he adopted the names Giovanni Antonio on entering religious orders at some stage of his life. His father was the servant of a lawyer. Pandolfi's stepbrother Lorenzo, at the age of around 8, had become a castrato singer at the court of Kraków. Another stepbrother, Giovan Battista Mealli, became a singer in Venice, where Domenico and the rest of the family joined him around 1630 following the death of old Pandolfi.Longo (2014). The annals of the court of Ferdinand Charles, Archduke of Austria in Innsbruck record that Giovanni Antonio Pandolfi Mealli was employed at the court in 1660. He is believed to ...
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Dietrich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of Den ...
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Antonio Bertali
Antonio Bertali (March 1605–17 April 1669) was an Italian composer and violinist of the Baroque era. He was born in Verona and received early music education there from Stefano Bernardi. Probably from 1624, he was employed as court musician in Vienna by Emperor Ferdinand II. In 1649, Bertali succeeded Giovanni Valentini as court ''Kapellmeister''. He died in Vienna in 1669 and was succeeded in his post by Giovanni Felice Sances. Bertali's compositions are in the manner of other northern Italian composers of the time and include operas, oratorios, a large number of liturgical works, and chamber music. Particularly his operas are notable for establishing the tradition of Italian ''opera seria'' in Vienna. Approximately half of his work is now lost; copies survive made by Bertali's contemporary, Pavel Josef Vejvanovský, some of the pieces are currently in possession of Vienna's Hofbibliothek, the library of the Kremsmünster Abbey and the Kroměříž archive. The most imp ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Nicolaus à Kempis
Nicolaus à Kempis, Nicolaus a Kempis or Nicolaes a Kempis (c. 1600 – buried in Brussels on 11 August 1676) was a Flemish composer and organist active in Brussels in the middle of the 17th century. He is known for introducing the latest innovations from Italy into Flemish polyphonic music.A Kempis
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Life

Not much is known about a Kempis. He was born around 1600, but it is unknown where. Because of his knowledge of contemporary Italian music, some musicologists have opined that he came from northern Italy, perhaps from but there is no evidence for this. Current research is considering the possibility that Kempis was never in Italy and that he only came into conta ...
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Johann Heinrich Schmelzer
Johann Heinrich Schmelzer (c. 1620–1623between 29 February and 20 March 1680) was an Austrian composer and violinist of the middle Baroque era. Almost nothing is known about his early years, but he seems to have arrived in Vienna during the 1630s, and remained composer and musician at the Habsburg court for the rest of his life. He enjoyed a close relationship with Emperor Leopold I, was ennobled by him, and rose to the rank of ''Kapellmeister'' in 1679. He died during a plague epidemic only months after getting the position. Schmelzer was one of the most important violinists of the period, and an important influence on later German and Austrian composers for violin. He made substantial contributions to the development of violin technique and promoted the use and development of sonata and suite forms in Austria and South Germany. He was the leading Austrian composer of his generation, and an influence on Heinrich Ignaz Biber. Biography Schmelzer was born in Scheibbs, Lower Aus ...
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Heinrich Ignaz Biber
Heinrich Ignaz Franz Biber ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied Violin Repertoire, Centering on Work ...
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