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Stunt
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double. Types of stunt effects Practical effects One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performan ...
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Stunt Performer
A stunt performer, often called a stuntman or stuntwoman and occasionally stuntperson or stunt-person, is a trained professional who performs daring acts, often as a career. Stunt performers usually appear in films or on television, as opposed to a daredevil, who performs for a live audience. When they take the place of another actor, they are known as stunt doubles. Overview A stuntman or stuntwoman typically performs stunts intended for use in a film or dramatized television. Stunts seen in films and television include car crashes, falls from great height, drags (for example, behind a horse), and explosions. There is an inherent risk in the performance of all stunt work. There is maximum risk when the stunts are performed in front of a live audience. In filmed performances, visible safety mechanisms can be removed by editing. In live performances the audience can see more clearly if the performer is genuinely doing what they claim or appear to do. To reduce the risk of injury ...
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Stunt Pyrotechnics Luc Viatour
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double. Types of stunt effects Practical effects One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performan ...
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Stunt 1298471366
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double. Types of stunt effects Practical effects One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performan ...
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Stunt Double
In filmmaking, a double is a person who substitutes FOR another actor such that the person's face is not shown. There are various terms associated with a double based on the specific body part or ability they serve as a double for, such as stunt double, "dance double", "butt double" and "hand double". Types of doubles Body double A body double or photography double is used in certain specific shots to replace the credited actor of a character. The body double's face is obscured to maintain the illusion that they are the same character; usually by shooting their body at an angle that leaves their face out (such as by showing the body double from the back) or in post-production by superimposing the original actor's face over the body double's. The double's face is usually not seen on-camera, particularly when they do not facially resemble the actor; a wig will usually be employed if the double's hair color is different from that of the main actor. This is in contrast to a st ...
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Rémy Julienne
Rémy Julienne (17 April 1930 – 21 January 2021) was a French driving stunt performer and coordinator, assistant director and occasional actor. He was also a rallycross champion and 1956 French motorcross champion. Early life Julienne was born in 1930, the son of café owners in the town of Cepoy, 110 km south-east of Paris. During World War II, he was dared by children evacuated from Paris to ride a bicycle across the local canal, which inspired him to start riding motocross. Career In his early 20's Julienne became French motocross champion in 1957, which brought him to the attention of eminent stunt co-coordinator Gil Delamare. Through Delamare, Julienne's first screen appearance in 1964 was replacing actor Jean Marais, and in 1966 he played a German army motorcyclist in ''La Grande Vadrouille''. After Delamare's tragic death during a stunt in 1966, Julienne stepped-in and agreed to fulfill contracts Delamare had signed with various film studios. Julienne's scientif ...
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Ormer Locklear
Ormer Leslie "Lock" Locklear (October 28, 1891 – August 2, 1920) was an American daredevil stunt pilot and film actor. His popular flying circus caught the attention of Hollywood, and he starred in ''The Great Air Robbery'' (1919), a screenplay about the mid-air piracy of a US airmail plane. In his next film, ''The Skywayman'', the plane crashed during a climactic dive, when the lighting team supposedly failed to douse the lights on cue, so Locklear was dazzled and flew blindly into the ground, dying instantly with his co-pilot Milton "Skeets" Elliott. The scene remained on the film. Early life Born in Greenville, Texas, Locklear was raised in Fort Worth. In 1911, Locklear met Calbraith Perry Rodgers, who landed his plane in Fort Worth to unclog a fuel line. After meeting Rodgers, Locklear became fascinated with aviation and airplanes. Shortly thereafter, Locklear and his brother constructed their own glider. Upon completing his education, Locklear went to work as a carpe ...
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Stunt Flying
Stunt flying refers to any stunts performed in an aircraft. It encompasses aerobatics, wing walking, and transferring from one airplane to another or to a moving vehicle on the ground, such as an automobile or train, and vice versa. History From the Wright brothers to World War I The Wright brothers showed that motor-powered flight was possible, with their first sustained flight on 17 December 1903. Aerobatics followed within a decade. Frenchman Adolphe Pégoud was the first to fly inverted, on 1 September 1913. On 9 September, Russian Pyotr Nesterov flew the first loop. World War I (1914–1918) was a major impetus to the development of aerobatics. Those who mastered it were more likely to survive dogfights. The 1920s: era of the barnstormer After the war ended, some of these pilots used the skills they had mastered by barnstorming to earn a living, traveling across the country performing stunts and providing rides. It was helpful that the US government was selling plentiful ...
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Barnstorming
Barnstorming was a form of entertainment in which stunt pilots performed tricks individually or in groups that were called flying circuses. Devised to "impress people with the skill of pilots and the sturdiness of planes," it became popular in the United States during the Roaring Twenties. Barnstormers were pilots who flew throughout the country to sell airplane rides and perform stunts. Charles Lindbergh first began flying as a barnstormer. Barnstorming was the first major form of civil aviation in the history of aviation. History Background The Wright brothers and Glenn Curtiss had early flying exhibition teams, with solo flyers like Lincoln Beachey and Didier Masson also popular before World War I, but barnstorming did not become a formal phenomenon until the 1920s. The first barnstormer, taught to fly by Curtiss in 1909, was one Charles Foster Willard, who is also credited as the first to be shot down in an airplane when an annoyed farmer broke his propeller firing ...
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Bobby Ore
Bobby Ore (born January 1949) is an American stunt driver. Ore got his start in working with automobiles at a young age, fixing and repairing old vehicles to sell at a profit – then learning to drive and handle them in many different ways. Ore moved on to become a stunt driver working on movies, television shows, and professional engagements including movies such as ''Gone in 60 Seconds'', ''Project Swordfish'', ''Dukes of Hazzard'', and many more. Ore has also had bit roles in acting in movies such as ''Charlie's Angels'' as well as performing stunts. Bobby has raced in NASCAR, SCCA, Funny car dragsters and more. He has also gone on to start a driving school for stunt driving and military/tactical driving beginning in 1995 to train aspiring stuntmen and stuntwomen, people looking to have fun, and corporate events. World record Ore holds a ''Guinness Book of World Records'' record for longest distance in a London double decker bus on 2 wheels for 810 feet. Business Ore origi ...
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Wing Walking
Wing walking is the act of moving along the wings of an aeroplane (most commonly a biplane) during flight, sometimes transferring between planes. It originated as a daredevil stunt in the aerial barnstorming shows of the 1920s, and became the subject of several Hollywood movies. An early exponent was Ormer Locklear, who was killed performing a dive on film. Charles Lindbergh began his aviation career as a wing walker. Early development The earliest known instance of standing on the wing of a powered aircraft was an experimental flight in England involving a biplane built by Colonel Samuel Franklin Cody on 14 January 1911. At Laffan's Plain, Cody took his two stepsons for a flight, with them standing on the lower wing. In August 1913, Commandant Felix locked the controls of his "Nieuport-Dunne" biplane over France and climbed out along the lower wing, leaving the plane to fly itself. An early wing walker who performed daring stunts was American Ormer Locklear. In November 1918, Lo ...
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The Matrix
''The Matrix'' is a 1999 science fiction action film written and directed by the Wachowskis. It is the first installment in ''The Matrix'' film series, starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano, and depicts a dystopian future in which humanity is unknowingly trapped inside the Matrix, a simulated reality that intelligent machines have created to distract humans while using their bodies as an energy source. When computer programmer Thomas Anderson, under the hacker alias "Neo", uncovers the truth, he joins a rebellion against the machines along with other people who have been freed from the Matrix. ''The Matrix'' is an example of the cyberpunk subgenre of science fiction. The Wachowskis' approach to action scenes was influenced by Japanese animation and martial arts films, and the film's use of fight choreographers and wire fu techniques from Hong Kong action cinema influenced subsequent Hollywood action film productions. T ...
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Wire Fu
Wire fu is an element or style of Hong Kong action cinema used in fight scenes. It is a combination of two terms: "wire work" and "kung fu". Wire fu is used to describe a subgenre of kung fu movies where the stuntmen's or actor's skill is augmented with the use of wires and pulleys, as well as other stage techniques, usually to perform fight-scene stunts and give the illusion of super-human ability (or qinggong). It is exemplified by the work of Tsui Hark, Yuen Woo-ping, and Jet Li. Hollywood has subsequently adapted the style for the American film industry. Almost all modern wuxia movies fall in this category. Not all martial arts films use wire work. In practice The basic concept is not very complex and originates in the mechanical effects of stagecraft. Planning and persistence are important, as it often requires many takes to perfect the stunt. Typically, a harness is hidden under the actor's costume, and a cable and pulley system is attached to the harness. When live sets ...
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