Sound-on-disc
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Sound-on-disc
Sound-on-disc is a class of sound film processes using a phonograph or other disc to record or play back sound in sync with a motion picture. Early sound-on-disc systems used a mechanical interlock with the movie projector, while more recent systems use timecode. Examples of sound-on-disc processes France * The Chronophone (Léon Gaumont) "Filmparlants" and phonoscènes 1902–1910 (experimental), 1910–1917 (industrial)Thomas Louis Jacques Schmitt, « The genealogy of clip culture » in Henry Keazor, Thorsten Wübbena (dir.) ''Rewind, Play, Fast Forward'', transcript, United States * Vitaphone introduced by Warner Bros. in 1926 * Phono-Kinema, short-lived system, invented by Orlando Kellum in 1921 (used by D. W. Griffith for ''Dream Street'') * Digital Theater Systems United Kingdom * British Phototone, short-lived UK system using 12-inch discs, introduced in 1928-29 ('' Clue of the New Pin'') Other * Systems with the film projector linked to a phonograph or cylinder phono ...
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Phonoscène
The Phonoscène was an antecedent of music videoKeazor, Henry and Wübbena, Thorsten (eds). "Introduction" to ''Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video'', transcript Verlag (2010) and was regarded by Michel Chion, Noël BurchNoël Burch, Burch, Noël. ''La Lucarne de l’infini. Naissance du langage cinématographique'' Paris, Nathan, 1991, chapter 10, p. 226, 5th footnote (quotation: "en puissance, le premier long métrage «parlant» !" ("in power, the first feature "talking" film !") English version: ''Life to those shadows'' University of California Press, Berkeley, BFI Londres, 1990 and Richard Abel (french cinema specialist), Richard Abel as a forerunner of sound film. The first Phonoscènes were presented by Léon Gaumont in 1902 in France. The first official presentation in the United Kingdom took place at Buckingham Palace in 1907.Thomas Schmitt, Schmitt, Thomas. ''The Genealogy of Clip Culture'', in Henry Keazor and Thorsten Wübben ...
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Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ...
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Cylinder Phonograph
Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their era of greatest popularity (c. 1896–1916), these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium. Early development In December 1877, Thomas Edison and his team invented the phonograph using a thin sheet of tin foil wrapped around a hand-cranked, grooved metal cylinder. Tin foil was not a practical recording medium for either commercial or artistic purposes, and the crude hand-cranked phonograph was only marketed as a novelty, to little or no profit. Edison moved on to developing a practical incandescent electric light, and the next improvements to sound recording technology were made by others. Foll ...
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History Of Film
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mo ...
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Film Sound Production
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century Film format, formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or movie projector, image projection. The format characteristics should be clearly definable in several listed parameter ...
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Sound-on-film
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record. History Sound on film can be dated back to the early 1880s, when Charles E. Fritts filed a patent claiming the idea. In 1923 a patent was filed by E. E. Ries, for a variable density soundtrack recording, which was submitted to the SMPE (now SMPTE), which used the mercury vapor lamp as a modulating device to create a variable-density soundtrack. Later, Case Laboratories and Lee De Forest attempted to commercialize this process, when they developed an Aeolite glow lamp, which was deployed at Movietone Newsreel at the Roxy Theatre ...
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Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ...
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Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ...
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Chronomégaphone
Compressed air gramophones were gramophones which employed compressed air and a pneumatic amplifier to amplify the recorded sound. One of the earliest versions was the , designed by the Anglo-Irish engineer Sir Charles Parsons. It was capable of producing sufficient volume to broadcast public music performances from the top of the Blackpool Tower, and was said to be loud enough to cause people to vacate the front rows of seats in an auditorium.http://www.douglas-self.com/MUSEUM/COMMS/auxetophone/auxetoph.htm "The Auxetophone & Other Compressed-Air Gramophones" Retrieved 19 June 2012 The Auxetophone was sold in the United States as the Victor Auxetophone. Pneumatic Amplifier A was realised by using a sensitive valve, which required little force to operate, to modulate the flow of a stream of compressed air. The basic principle of the valves used in these devices was to pass the stream of compressed air through two partially overlapping combs. The sound vibrations to be amplifie ...
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Gaumont Film Company
The Gaumont Film Company (, ), often shortened to Gaumont, is a French film studio headquartered in Neuilly-sur-Seine, France. Founded by the engineer-turned-inventor Léon Gaumont (1864–1946) in 1895, it is the oldest extant film company in the world, established before other studios such as Pathé (founded in 1896), Titanus (1904), Nordisk Film (1906), Universal, Paramount, and Nikkatsu (founded in 1912). Gaumont predominantly produces, co-produces, and distributes films, and in 2011, 95% of Gaumont's consolidated revenues came from the film division. The company is increasingly becoming a TV series producer with its American subsidiary Gaumont International Television as well as its existing French production features. Gaumont is run by Nicolas Seydoux (President), Sidonie Dumas (General Director), and Christophe Riandee (Deputy General Director). History Originally dealing in photographic apparatus, the company began producing short films in 1897 to promote its make of ...
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Selig Polyscope
The Selig Polyscope Company was an American motion picture company that was founded in 1896 by William Selig in Chicago. The company produced hundreds of early, widely distributed commercial moving pictures, including the first films starring Tom Mix, Harold Lloyd, Colleen Moore, and Roscoe "Fatty" Arbuckle. Selig Polyscope also established Southern California's first permanent movie studio, in the historic Edendale district of Los Angeles. Ending film production in 1918, the business, based on its film production animals, became an animal and prop supplier to other studios and a zoo and amusement park attraction in East Los Angeles until the Great Depression in the 1930s. In 1947, William Selig and several other early movie producers and directors shared a special Academy Honorary Award to acknowledge their role in building the film industry. History William Selig had worked as a magician and minstrel show operator on the west coast in California. Later on, in Chicago, he ...
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