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Phonoscène
The Phonoscène was an antecedent of music videoKeazor, Henry and Wübbena, Thorsten (eds). "Introduction" to ''Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video'', transcript Verlag (2010) and was regarded by Michel Chion, Noël BurchNoël Burch, Burch, Noël. ''La Lucarne de l’infini. Naissance du langage cinématographique'' Paris, Nathan, 1991, chapter 10, p. 226, 5th footnote (quotation: "en puissance, le premier long métrage «parlant» !" ("in power, the first feature "talking" film !") English version: ''Life to those shadows'' University of California Press, Berkeley, BFI Londres, 1990 and Richard Abel (french cinema specialist), Richard Abel as a forerunner of sound film. The first Phonoscènes were presented by Léon Gaumont in 1902 in France. The first official presentation in the United Kingdom took place at Buckingham Palace in 1907.Thomas Schmitt, Schmitt, Thomas. ''The Genealogy of Clip Culture'', in Henry Keazor and Thorsten Wübben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dranem
Dranem (23 May 1869 – 13 October 1935) was a French comic singer, music hall, stage and film actor. History Born Armand Ménard, in Paris, he began working as an apprentice jeweler in a local shop before embarking on a career in entertainment. Adopting the singular stage name of Dranem, a palindromic anagram of "Menard," he made his debut performance in 1894. In 1895, he performed with fellow newcomers Félix Mayol and Max Dearly in the "Concert Parisien" from where he went on to become a leading music hall entertainer in his own comic absurdist genre. In 1899, he was signed to perform at the famous Eldorado Club, where he appeared regularly for the next twenty years. Dranem's comedic singing routine brought a loyal following, and his work made him a very wealthy man. In 1910, he purchased the Château de Ris in the town of Ris-Orangis south of Paris and established a charitable foundation to operate the large building as a senior citizens home for retired performers. On the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Mayol
Félix Mayol (18 November 1872 – 26 October 1941) was a French singer and entertainer. Career Mayol was born in Toulon, France. His parents, amateur singers and actors, arranged for Felix to make his debut stage at six years of age. In 1895, he went to the Montparnasse Quarter of Paris where he began a career in entertainment that spanned more than forty years. He adopted a campy effeminate manner on stage as part of his theatrical persona.Michael Freedland, ''Maurice Chevalier'', Morrow, 1981, p. 28. He sang the famous song "Viens poupoule, viens poupoule, viens...", and performed many songs by Théodore Botrel. In the early years of the 20th century some of Mayol's performances were captured by an early form of talking picture. He would record his voice, then the motion picture camera would film him as he lip-synced to the record. Several of his Phonoscènes exist. Other activities The teenaged Maurice Chevalier took a risk by impersonating Mayol in small-time cafe enter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mikado
''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.The longest-running piece of musical theatre was the operetta ''Les Cloches de Corneville'', which held the title until ''Dorothy (opera), Dorothy'' opened in 1886, which pushed ''The Mikado'' down to third place. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.H. L. Mencken, Mencken, H. L.]Article on ''The Mikado'', ''Baltimore Evening Sun'', 29 November 1910 ''The Mikado'' is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Greville
Sir Sidney Robert Greville (16 November 1866 – 12 June 1927) was a British civil servant and courtier who held several appointments in the Royal Households of the United Kingdom. Greville was a younger son of George Greville, 4th Earl of Warwick and Anne Charteris, and was educated at Marlborough College. He served as Assistant Private Secretary to the Under-Secretary of State for India in 1887 and as Private Secretary to Robert Cecil, 3rd Marquess of Salisbury when he was Prime Minister of the United Kingdom, Prime Minister between 1888 and 1892 and from 1896 to 1898. Greville was then appointed Equerry to the Edward VII, Prince of Wales until 1901, when he became Groom in Waiting to Edward VII until the king's death in 1910. He was invested as a Companion of the Order of the Bath in 1899 and as a Commander of the Royal Victorian Order in 1901. He continued in the post under George V until 1920. He was invested as a Knight Commander of the Royal Victorian Order, Knight Comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belle Époque
The Belle Époque or La Belle Époque (; French for "Beautiful Epoch") is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer: " European civilisation achieved its greatest power in global politics, and also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Little Michus
''Les p'tites Michu'' (The Little Michus) is an opérette in three acts, with music by André Messager and words by Albert Vanloo and Georges Duval (journalist), Georges Duval. The piece is set in Paris in the years following the French Revolution and depicts the complications ensuing after the identities of two girls become confused in their infancy. The opera opened at the Théâtre des Bouffes-Parisiens, Paris, on 16 November 1897 and ran for more than 150 performances. It became an international success, with productions in four continents, including an unusually long run of 400 performances in London, and had subsequent revivals in Paris. Background and first production After a considerable success in 1890 with his opéra comique ''La Basoche'' Messager had a series of failures later in the decade. Among these, ''Madame Chrysanthème (opera), Madame Chrysanthème'' (1893) played for 16 performances in Paris, ''Mirette (opera), Mirette'' (1894), written for London, had a dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Altman
Rick Altman is a professor of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa, Iowa City, United States. He has also publish Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ...ed under the name Charles F. Altman.Altman, Rick.A Semantic/Syntactic Approach To Film Genre, ''Cinema Journal'', Vol. 23, No. 3, Spring, 1984, p.15 References University of Iowa faculty Year of birth missing (living people) Living people {{US-academic-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Hippodrome
The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. ''Hippodrome'' is an archaic word referring to places that host horse races and other forms of equestrian entertainment. History Hippodrome The London Hippodrome was opened in 1900. It was designed by Frank Matcham for Moss Empires chaired by Edward Moss and built for £250,000 as a hippodrome for circus and variety performances. The venue gave its first show on 15 January 1900, a music hall revue entitled "Giddy Ostend" with Little Tich. The conductor was Georges Jacobi. Entry to the venue was through a bar, dressed as a ship's saloon. The performance space featured both a proscenium stage and an arena that sank into a 230 ft, 100,000 gallon water tank (about 400 tons, when full) for aquatic spectacles. The tank featured eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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