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Soko Guru
Saka guru, or soko guru in Javanese, is the four main posts which supported certain Javanese buildings, e.g. the pendopo, the house proper and the mosque. The saka guru is the most fundamental element in Javanese architecture because it supports the entire roof of the building. Because of its importance, the saka guru is imbued with symbolism and treated with certain rituals. Structure and construction The saka guru construction is employed in buildings that are constructed with a joglo-type or tajug-type (pyramidal) roofs. The joglo type roof is only reserved for the house of the nobles, while the tajug-type roof is used to support sacred buildings e.g. mosques or temples. In Javanese architecture, walls are merely boundaries of room and the exterior with no structural purposes. The main structural columns/posts of a Javanese house (the saka guru) supports directly the roof and not the wall. Each of these four main posts sits on top of an ''umpak'', three-dimensional trapezoid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraton Yogyakarta2-5
Kraton may refer to: *Kraton (Indonesia), an Indonesian name for ''palace'' *Kraton, East Java, a subdistrict located in Pasuruan Regency, East Java, Indonesia *Kraton, Yogyakarta, a subdistrict located in Yogyakarta, Special Region of Yogyakarta, Indonesia *Kraton (polymer), a family of polymers produced by Kraton Corporation *Craton, an old and stable part of the continental crust, formerly spelled ''kraton'' {{Disambig, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cooperative
A cooperative (also known as co-operative, co-op, or coop) is "an autonomous association of persons united voluntarily to meet their common economic, social and cultural needs and aspirations through a jointly owned and democratically-controlled enterprise".Statement on the Cooperative Identity. ''.'' Cooperatives are democratically controlled by their members, with each member having one vote in electing the board of directors. Cooperatives may include: * businesses owned and managed by the people who consume th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumah Adat
''Rumah adat'' are traditional houses built in any of the vernacular architecture styles of Indonesia, collectively belonging to the Austronesian architecture. The traditional houses and settlements of the several hundreds ethnic groups of Indonesia are extremely varied and all have their own specific history. It is the Indonesian variants of the whole Austronesian architecture found all over places where Austronesian people inhabited from the Pacific to Madagascar each having their own history, culture and style. Ethnic groups in Indonesia are often associated with their own distinctive form of ''rumah adat''.Dawson (1994), p. 10 The houses are at the centre of a web of customs, social relations, traditional laws, taboos, myths and religions that bind the villagers together. The house provides the main focus for the family and its community, and is the point of departure for many activities of its residents.Dawson (1994), p. 8 Villagers build their own homes, or a community pools ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendopo
A pendhapa or pandhapa ( Javanese: ꦥꦼꦤ꧀ꦝꦥ or ꦥꦤ꧀ꦝꦥ, Indonesian spelling: pendapa, nonstandard spelling: pendopo) is a fundamental element of Javanese architecture unique in the southern central part of Java; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word ''pendhapa'' is cognate to the Sanskrit word ''mandapa'' ("hall"). The Dutch writer Multatuli in his colonial reformist novel ''Max Havelaar'' described the pendhapa thus: "After a broad-brimmed hat, an umbrella, or a hollow tree, a 'pendoppo' icis certainly the most simple representation of the idea 'roof'." Derived from ancient Javanese architectural elements, pendhapa are common ritual spaces primarily intended for ceremony, and also for a purposes such as receiving guests in the compounds of wealthy Javanese, and even as cottage industry work spaces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraton Ngayogyakarta Hadiningrat
The Royal Palace of Yogyakarta ( id, Keraton Ngayogyakarta Hadiningrat, jv, ꦏꦿꦠꦺꦴꦤ꧀ꦔꦪꦺꦴꦒꦾꦏꦂꦠꦲꦢꦶꦤꦶꦔꦿꦠ꧀) is a palace complex in the city of Yogyakarta, Yogyakarta Special Region, Indonesia. It is the seat of the reigning Sultan of Yogyakarta and his family. The complex is a center of Javanese culture, and contains a museum displaying royal artifacts. It is guarded by the Yogyakarta Kraton Guards ( Indonesian: ''Prajurit Keraton Ngayogyakarta Hadiningrat''). History The complex was built in 1755–1756 ( AJ 1682) for Hamengkubuwono I, the first Sultan of Yogyakarta.OBYEK PENELITIAN http://elib.unikom.ac.id/ It was one of the monarch's first acts after the signing of the |
Kejawèn
''Kejawèn'' ( jv, ꦏꦗꦮꦺꦤ꧀, Kajawèn) or Javanism, also called Kebatinan, ''Agama Jawa'', and '' Kepercayaan'', is a Javanese religious tradition, consisting of an amalgam of animistic, Buddhist, and Hindu aspects. It is rooted in Javanese history and religiosity, syncretizing aspects of different religions. Definitions The term ''kebatinan'' is being used interchangeably with ''kejawèn'', ''Agama Jawa'' and '' Kepercayaan'', although they are not exactly the same: * Kebatinan: "the science of the inner", "inwardness", derived from the Arabic word ''batin'', meaning "inner" or "hidden". * Kejawèn: "Javanism", the culture and religious beliefs and practices of the Javanese people of Central Java and East Java. It is "not a religious category, but refers to an ethic and a style of life that is inspired by Javanist thinking". * Agama Jawa: "the Javanese religion" * Kepercayaan: "belief", "faith", full term: ''Kepercayaan kepada Tuhan Yang Maha Esa'', "Believer in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Culture
Javanese culture is the culture of the Javanese people. Javanese culture is centered in the provinces of Central Java, Yogyakarta and East Java in Indonesia. Due to various migrations, it can also be found in other parts of the world, such as Suriname (where 15% of the population are of Javanese descent), the broader Indonesian archipelago region, Cape Malay, Malaysia, Singapore, Netherlands and other countries. The migrants bring with them various aspects of Javanese cultures such as music, traditional dances and art of shadow play. The migration of Javanese people westward has created the coastal Javanese culture that is distinct from inland Sundanese culture in West Java and Banten. Being the largest ethnic group, the Javanese culture and people influence Indonesian politics and culture, a process sometimes described as Javanisation. Literature Javanese literature tradition is among the earliest and the oldest surviving literature traditions in Indonesia. The transla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dewi Sri
Dewi Sri or Shridevi (Javanese language, Javanese: ꦢꦺꦮꦶꦱꦿꦶ, Balinese language, Balinese: ᬤᬾᬯᬶᬲ᭄ᬭᬶ, Dewi Sri)(Sundanese language, Sundanese: ᮑᮄ ᮕᮧᮠᮎᮤ ᮞᮀᮠᮡᮀ ᮃᮞᮢᮤ, Nyai Pohaci Sanghyang Asri) is the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java (island), Java, Bali and Lombok, Indonesia. The cult of the rice goddess has its origin in the prehistoric Rice domestication, domestication, development and propagation of Rice production in Indonesia, rice cultivation in Asia, possibly brought by Austroasiatic languages, Austroasiatic or Austronesian peoples, Austronesian population that finally migrated and settled in the archipelago. Similar but slightly different rice spirits mythologies are widespread among Ethnic groups in Indonesia, Indonesian ethnicities and also neighboring countries. The mythology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafter
A rafter is one of a series of sloped structural members such as wooden beams that extend from the ridge or hip to the wall plate, downslope perimeter or eave, and that are designed to support the roof shingles, roof deck and its associated loads. A pair of rafters is called a ''couple''. In home construction, rafters are normally made of wood. Exposed rafters are a feature of some traditional roof styles. Applications In recent buildings there is a preference for trussed rafters on the grounds of cost, economy of materials, off-site manufacture, and ease of construction, as well as design considerations including span limitations and roof loads (weight from above). Types in traditional timber framing There are many names for rafters depending on their location, shape, or size (see below). The earliest surviving roofs in Europe are of common rafters on a tie beam; this assembly is known as a "closed couple". Later, principal rafters and common rafters were mixed, which is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendopo
A pendhapa or pandhapa ( Javanese: ꦥꦼꦤ꧀ꦝꦥ or ꦥꦤ꧀ꦝꦥ, Indonesian spelling: pendapa, nonstandard spelling: pendopo) is a fundamental element of Javanese architecture unique in the southern central part of Java; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word ''pendhapa'' is cognate to the Sanskrit word ''mandapa'' ("hall"). The Dutch writer Multatuli in his colonial reformist novel ''Max Havelaar'' described the pendhapa thus: "After a broad-brimmed hat, an umbrella, or a hollow tree, a 'pendoppo' icis certainly the most simple representation of the idea 'roof'." Derived from ancient Javanese architectural elements, pendhapa are common ritual spaces primarily intended for ceremony, and also for a purposes such as receiving guests in the compounds of wealthy Javanese, and even as cottage industry work spaces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma (attribute)
The lotus, ''Nelumbo nucifera'', is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism, Jainism and Sikhism. In Asian art a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. Hinduism Hindus revere it with the divinities Vishnu and Lakshmi often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a pale pink lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
