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Sightline
In architecture, sightlines are a particularly important consideration in the design of civic structures, such as a stage, arena, or monument. They determine the configuration of such items as theater and stadium design, road junction layout and urban planning. In cities such as London, construction within sightlines is restricted to protect the key views of famous landmarks Subjects that have a line of sight with one another are said to be intervisible, where intervisibility is the ability of viewers at separate places to see each other without any landform blocking their view. C-Value Good sightlines allow spectators to see all areas of a venue stage or field of play. To ensure this designers utilize the C-value, defined as the vertical distance from a spectator's eyes to sightline of the spectator directly behind. The C-value is determined in part by the rake, that is, the upward slope of the seating. The stadium bowl rake if based on consistent C-values will follow half ...
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Sightline To Far End Corner Flag
In architecture, sightlines are a particularly important consideration in the design of civic structures, such as a stage, arena, or monument. They determine the configuration of such items as theater and stadium design, road junction layout and urban planning. In cities such as London, construction within sightlines is restricted to protect the key views of famous landmarks Subjects that have a line of sight with one another are said to be intervisible, where intervisibility is the ability of viewers at separate places to see each other without any landform blocking their view. C-Value Good sightlines allow spectators to see all areas of a venue stage or field of play. To ensure this designers utilize the C-value, defined as the vertical distance from a spectator's eyes to sightline of the spectator directly behind. The C-value is determined in part by the rake, that is, the upward slope of the seating. The stadium bowl rake if based on consistent C-values will follow half ...
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Sightlines C-Value
In architecture, sightlines are a particularly important consideration in the design of civic structures, such as a stage, arena, or monument. They determine the configuration of such items as theater and stadium design, road junction layout and urban planning. In cities such as London, construction within sightlines is restricted to protect the key views of famous landmarks Subjects that have a line of sight with one another are said to be intervisible, where intervisibility is the ability of viewers at separate places to see each other without any landform blocking their view. C-Value Good sightlines allow spectators to see all areas of a venue stage or field of play. To ensure this designers utilize the C-value, defined as the vertical distance from a spectator's eyes to sightline of the spectator directly behind. The C-value is determined in part by the rake, that is, the upward slope of the seating. The stadium bowl rake if based on consistent C-values will follow half ...
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C-value Calculations Examination
C-value is the amount, in picograms, of DNA contained within a haploid nucleus (e.g. a gamete) or one half the amount in a diploid somatic cell of a eukaryotic organism. In some cases (notably among diploid organisms), the terms C-value and genome size are used interchangeably; however, in polyploids the C-value may represent two or more genomes contained within the same nucleus. Greilhuber ''et al.'' have suggested some new layers of terminology and associated abbreviations to clarify this issue, but these somewhat complex additions are yet to be used by other authors. Origin of the term Many authors have incorrectly assumed that the 'C' in "C-value" refers to "characteristic", "content", or "complement". Even among authors who have attempted to trace the origin of the term, there had been some confusion because Hewson Swift did not define it explicitly when he coined it in 1950. In his original paper, Swift appeared to use the designation "1C value", "2C value", etc., in re ...
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C-Value Section
C-value is the amount, in picograms, of DNA contained within a haploid nucleus (e.g. a gamete) or one half the amount in a diploid somatic cell of a eukaryotic organism. In some cases (notably among diploid organisms), the terms C-value and genome size are used interchangeably; however, in polyploids the C-value may represent two or more genomes contained within the same nucleus. Greilhuber ''et al.'' have suggested some new layers of terminology and associated abbreviations to clarify this issue, but these somewhat complex additions are yet to be used by other authors. Origin of the term Many authors have incorrectly assumed that the 'C' in "C-value" refers to "characteristic", "content", or "complement". Even among authors who have attempted to trace the origin of the term, there had been some confusion because Hewson Swift did not define it explicitly when he coined it in 1950. In his original paper, Swift appeared to use the designation "1C value", "2C value", etc., in re ...
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Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). ...
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Emery Theatre
The Emery Theatre, or Emery Auditorium, is a historic, acoustically exceptional theater located in the Over-the-Rhine neighborhood of Cincinnati, Ohio. The building was constructed in 1911 as the home for a trade school (the Ohio Mechanics Institute), but its large, impressive auditorium was intended for public use. The design of the Emery Theatre is based on the "isacoustic curve" principles that were first proposed by John Scott Russell. The theatre was built with two balconies and a total of 2,211 seats. It was one of the first concert halls in the United States to have no obstructed seats. The Emery was the home of the Cincinnati Symphony Orchestra, who performed there from January 6, 1912 until 1936 when they moved to the larger Music Hall. The quality of acoustics in the Emery Theatre is legendary. The famous conductor Leopold Stokowski compared its acoustics to that of Carnegie Hall in New York City. Many world-renowned performing artists and Broadway stars have appeared ...
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Auditorium Building
The Auditorium Building in Chicago is one of the best-known designs of Louis Sullivan and Dankmar Adler. Completed in 1889, the building is located at the northwest corner of South Michigan Avenue and Ida B. Wells Drive. The building was designed to be a multi-use complex, including offices, a theater, and a hotel. As a young apprentice, Frank Lloyd Wright worked on some of the interior design. The Auditorium Theatre is part of the Auditorium Building and is located at 50 East Ida B. Wells Drive. The theater was the first home of the Chicago Civic Opera and the Chicago Symphony Orchestra. It currently hosts the season performances of the Joffrey Ballet. The building was added to the National Register of Historic Places on April 17, 1970. It was declared a National Historic Landmark in 1975, and was designated a Chicago Landmark on September 15, 1976. In addition, it is a historic district contributing property for the Chicago Landmark Historic Michigan Boulevard Distri ...
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John Scott Russell
John Scott Russell FRSE FRS FRSA (9 May 1808, Parkhead, Glasgow – 8 June 1882, Ventnor, Isle of Wight) was a Scottish civil engineer, naval architect and shipbuilder who built '' Great Eastern'' in collaboration with Isambard Kingdom Brunel. He made the discovery of the wave of translation that gave birth to the modern study of solitons, and developed the wave-line system of ship construction. Russell was a promoter of the Great Exhibition of 1851. Early life John Russell was born on 9 May 1808 in Parkhead, Glasgow, the son of Reverend David Russell and Agnes Clark Scott. He spent one year at the University of St. Andrews before transferring to the University of Glasgow. It was while at the University of Glasgow that he added his mother's maiden name, Scott, to his own, to become John Scott Russell. He graduated from Glasgow University in 1825 at the age of 17 and moved to Edinburgh where he taught mathematics and science at the Leith Mechanics' Institute, achieving the hig ...
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20210301 C VALUE DERIVATION PAGE 3
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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20210301 C VALUE DERIVATION PAGE 2b
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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C VALUE DERIVATION GRAPHIC 2b
C, or c, is the third letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''cee'' (pronounced ), plural ''cees''. History "C" comes from the same letter as "G". The Semites named it gimel. The sign is possibly adapted from an Egyptian hieroglyph for a staff sling, which may have been the meaning of the name ''gimel''. Another possibility is that it depicted a camel, the Semitic name for which was ''gamal''. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)". In the Etruscan language, plosive consonants had no contrastive voicing, so the Greek ' Γ' (Gamma) was adopted into the Etruscan alphabet to represent . Already in the Western Greek alphabet, Gamma first took a '' form in Early Etruscan, then '' in Classical Etru ...
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C VALUE DERIVATION GRAPHIC 1b
C, or c, is the third letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''cee'' (pronounced ), plural ''cees''. History "C" comes from the same letter as "G". The Semites named it gimel. The sign is possibly adapted from an Egyptian hieroglyph for a staff sling, which may have been the meaning of the name ''gimel''. Another possibility is that it depicted a camel, the Semitic name for which was ''gamal''. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)". In the Etruscan language, plosive consonants had no contrastive voicing, so the Greek ' Γ' (Gamma) was adopted into the Etruscan alphabet to represent . Already in the Western Greek alphabet, Gamma first took a '' form in Early Etruscan, then '' in Classical Etru ...
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