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Siciliana
The siciliana or siciliano (also known as the sicilienne or the ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow or time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key. It was used for arias in Baroque operas, and often appears as a movement in instrumental works. Loosely associated with Sicily, the siciliana evokes a pastoral mood, and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale. History and notable examples In a 2006 book, Raymond Monelle found musicologists' attempts to trace the style to any authentic tradition in Sicily inconclusive, though he did trace its origins back to Italian Renaissance madrigals from the 1500s, in triple time with dotted rhythms.Raymond Monelle (2006). ''The Musical Topic: Hunt, Military and Pastoral'', p.215 ff. Indiana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siciliano Rhythms
The siciliana or siciliano (also known as the sicilienne or the ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow or time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key. It was used for arias in Baroque operas, and often appears as a movement in instrumental works. Loosely associated with Sicily, the siciliana evokes a pastoral mood, and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale. History and notable examples In a 2006 book, Raymond Monelle found musicologists' attempts to trace the style to any authentic tradition in Sicily inconclusive, though he did trace its origins back to Italian Renaissance madrigals from the 1500s, in triple time with dotted rhythms.Raymond Monelle (2006). ''The Musical Topic: Hunt, Military and Pastoral'', p.215 ff. Indiana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1053
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonatas And Partitas For Solo Violin (Bach)
The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterly and expressive works ever written for solo violin. The set was completed by 1720 but was not published until 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's ''Sonatas and Partitas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Schmidt-Isserstedt
Hans Schmidt-Isserstedt (5 May 190028 May 1973) was a German conductor and composer. After studying at several music academies, he worked in German opera houses between 1923 and 1945, first as a répétiteur and then in increasingly senior conducting posts, ending as Generalmusikdirektor of the Deutsche Oper Berlin. After the Second World War, Schmidt-Isserstedt was invited by the occupying British forces to form the NDR Elbphilharmonie Orchestra, Northwest German Radio Symphony Orchestra, of which he was musical director and chief conductor from 1945 to 1971. He was a frequent guest conductor for leading symphony orchestras around the world, and returned to opera from time to time, including appearances at Glyndebourne Festival Opera, Glyndebourne and Royal Opera House, Covent Garden as well as the Hamburg State Opera. Schmidt-Isserstedt was known for his transparent orchestral textures, strict rhythmic precision, and rejection of superfluous gestures and mannerisms on the rostru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulikki Rautawaara
Terttu Aulikki Rautawaara (May 2, 1906, Vaasa — December 29, 1990, Helsinki) was a Finnish soprano. She was famous for her interpretation of works by Edvard Grieg and Jean Sibelius, including some of the first recordings of Sibelius made outside Scandinavia. She played the part of Countess Almaviva in Mozart's ''The Marriage of Figaro'', in the first ever opera performed at the Glyndebourne festival (1934), and continued to play a number of parts in operas staged in Glyndebourne in the 1930s. She recorded many duets with Peter Anders, among others. She also appeared in British and German films in the 1930s (''e.g.'' the German comedy ''Alles hört auf mein Kommando''). In 1945, Jean Sibelius dedicated the ''Hymn to Thaïs'' to her. Aulikki Rautawaara was briefly married to the Finnish composer Erik Bergman Erik Valdemar Bergman (24 November 1911, in Nykarleby – 24 April 2006, in Helsinki) was a composer of classical music from Finland. Bergman's style ranged widely, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Concerto (Corelli)
Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli, known commonly as the ''Christmas Concerto'', was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714 as part of Corelli's '' Twelve concerti grossi, Op. 6''. The concerto bears the inscription ' (made for the night of Christmas). Its composition date is uncertain, but there is a record of Corelli having performed a Christmas concerto in 1690 for the enjoyment of his new patron. The concerto is scored for an ensemble consisting of two concertino violins and cello, ripieno strings and continuo. The work is structured as a ''concerto da chiesa'', in this case expanded from a typical four movement structure to six: Each relatively short movement provides multiple tempi and a range of major and minor suspensions. The concerto is generally no longer than fifteen minutes, ending with Corelli's famous ''Pastorale ad libitum'', a peaceful finale in the pastorale form. References * ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devil's Trill Sonata
The Violin Sonata in G minor, B.g5, more familiarly known as the ''Devil's Trill Sonata'' (Italian: ''Il trillo del diavolo''), is a work for solo violin (with figured bass accompaniment) by Giuseppe Tartini (1692–1770). It is the composer's best-known composition, notable for its technically difficult passages. A typical performance lasts 15 minutes. Background Tartini allegedly told the French astronomer Jérôme Lalande that he had dreamed that the devil had appeared to him and had asked to be Tartini's servant and teacher. At the end of the music lesson, Tartini handed the devil his violin to test his skill, which the devil began to play with virtuosity, delivering an intense and magnificent performance. So singularly beautiful and executed with such superior taste and precision was the Devil's performance, that the composer felt his breath taken away. The complete story is told by Tartini himself in Lalande's ''Voyage d'un François en Italie'': One night, in the year 1713 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Tartini
Giuseppe Tartini (8 April 1692 – 26 February 1770) was an Italian composer and violinist of the Baroque era born in the Republic of Venice. Tartini was a prolific composer, composing over a hundred of pieces for the violin with the majority of them being violin concertos. However, today, he is most famously remembered for his Violin Sonata in G Minor (the Devil's Trill Sonata). Biography Tartini was born on 8 April 1692 in Pirano (now part of Slovenia), a town on the peninsula of Istria, in the Republic of Venice to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranese families. It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. Tartini studied violin first at the ''collegio delle Scuole Pie'' in Capodistria (today Koper). He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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