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Segue
A segue (; ) is a smooth transition from one topic or section to the next. The term is derived from Italian ''segue'', which literally means "follows". In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term attacca is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In live performance, a segue can occur during a jam session, where the improvisation of the end of one song progresses into a new song. Segues can even occur between groups of musicians during live performance. For example, as one band finishes its set, members of the following act replace members of the first band one by one, until a complete band swap occurs. In recorded music, a segue is a seamless transition between one song and another. The effect is oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantastic Planet (album)
''Fantastic Planet'' is the third studio album by American alternative rock band Failure, released on August 13, 1996 by Slash Records and Warner Bros. Records. It was the last album released on Slash Records prior to its acquisition by London Recordings in 1996. The album was produced by Failure themselves in a process that took longer than their previous two albums, with one song being recorded and produced soon after being written, and repeating this process. Space rock themes are present in the lyrics, as well as various indirect references to drug addiction, drug-related experiences, and prostitution. The album is cyclical, in that the chiming sound effect which ends the final track "Daylight" begins the opening track "Saturday Saviour", and was the beginning of a system of numerically designated segues in Failure's studio work, which would continue on later albums. Despite receiving critical acclaim, the album failed to make an appearance on the ''Billboard'' 200 chart, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Mixing
Harmonic mixing or key mixing (also referred to as mixing in key) is a DJ's continuous mix between two pre-recorded tracks that are most often either in the same key, or their keys are relative or in a subdominant or dominant relationship with one another. The primary goal of harmonic mixing is to create a smooth transition between songs. Songs in the same key do not generate a dissonant tone when mixed. This technique enables DJs to create a harmonious and consonant mashup with any music genre. Traditional methods A commonly known method of using harmonic mixing is to detect the root key of every music file in the DJ collection by using a piano. The root key that fits the track perfectly may be used to create harmonic mash-ups with other tracks in the same key. The root key is also considered compatible with the subdominant, dominant and relative major/minor keys. A more advanced harmonic mixing theory has been proposed which accounts for the various modes as well ( aeoli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatmatching
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interstitial Program
In television programming, an interstitial television show (or wraparound program or wraparound segment) refers to a short program that is often shown between movies or other events, e.g. cast interviews after movies on premium channels. The term can also refer to a narrative bridge between segments within a program, such as the live action introductions to the animated segments in the Disney films ''Fantasia'' and ''Fantasia 2000'', or the Simpson family's interludes during their annual ''Treehouse of Horror'' episodes. Sometimes, if a program finishes earlier than expected, a short extra program may be inserted in the schedule to fill the time until the next scheduled program is due to start. American cable channel TBS commonly aired ''TV's Bloopers & Practical Jokes'' after shorter-than-average Braves games. For U.S. telecasts of the film '' The Wizard of Oz'' between 1959 and 1968, celebrity hosts appeared in wraparound segments. Opening credits especially designed by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gapless Playback
Gapless playback is the uninterrupted playback of consecutive audio tracks, such that relative time distances in the original audio source are preserved over track boundaries on playback. For this to be useful, other artifacts (than timing-related ones) at track boundaries should not be severed either. Gapless playback is common with compact discs, gramophone records, or tapes, but is not always available with other formats that employ compressed digital audio. The absence of gapless playback is a source of annoyance to listeners of music where tracks are meant to segue into each other, such as some classical music (opera in particular), progressive rock, concept albums, electronic music, and live recordings with audience noise between tracks. Causes of gaps Playback latency Various software, firmware and hardware components may add up to a substantial delay associated with starting playback of a track. If not accounted for, the listener is left waiting in silence as the player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
