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Samisen
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen Diagram
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fretles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen Compare
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fretles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouta (music)
Kouta may refer to: * Katsutaro Kouta (1904–1974), Japanese singer * Kouta (music), a genre of music * Anthony Koutoufides, Australian rules footballer * See also * * Kota (other) Kota or KOTA may refer to: People and languages * Kōta (given name), a masculine Japanese given name * Kota Brahmin, a sub-caste of Brahmins in Karnataka * Kota people (India), a tribe in the Nilgiri hills of Tamil Nadu, South India ** Kota lang ... * Kuta (other) {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrylic Resin
186 px, Polyhydroxyethylmethacrylate is a typical acrylate resin. An acrylic resin is a thermoplastic or thermosetting plastic substance typically derived from acrylic acid, methacrylic acid and acrylate monomers such as butyl acrylate and or methacrylate monomers such as methyl methacrylate. Thermoplastic acrylics designate a group of acrylic resins typically containing both a high molecular weight and a high glass transition temperature which exhibit lacquer dry capability. Acrylic resins designed for use in two component systems for crosslinking with isocyanate are referred to as polyols and are made with the monomers previously mentioned as well as hydroxy monomers such as hydroxy ethyl methacrylate. Acrylic resins are produced in different liquid carriers such as a hydrocarbon solvent (solventborne acrylics or solution acrylics solventborne acrylic selector) or water in which case they are referred to as emulsions or dispersions and they are also provided in 100% solids be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivory
Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished ivory pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagauta
is a kind of traditional Japanese music played on the and used in kabuki theater, primarily to accompany dance and to provide reflective interludes. History It is uncertain when the was first integrated into kabuki, but it was sometime during the 17th century; Malm argues that it was probably before 1650. The first reference to as music appears in the second volume of (1703). However, there is no musical notation in this collection, meaning that it is only possible to make observations about lyrics, which tend to be longer than other texts. By the 18th century, the had become an established instrument in kabuki, when the basic forms and classifications of crystallized as a combination of different styles stemming from the music popular during the Edo period. is considered a subset of . Many of the "classic" repertoire was composed in the 19th century, which is the time of the best-known composers as well. Many pieces are based on Noh theater, partly due to the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jivari
''Javārī'', (also: 'joārī', 'juvārī', 'jvārī' (alternately transcribed 'jawārī', 'jowārī', 'joyārī', 'juwārī', and 'jwārī')) in Indian classical music refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. ''Javari'' can refer to the acoustic phenomenon itself and to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called in Japanese sawari, is used on some traditional Japanese instruments as well. Under the strings of tanpuras, which are unfretted (unstopped), and occasionally under those bass drone strings of sitars and surbahars which are seldom fret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sawari
In traditional Japanese music, ''sawari'' is the name of a buzzy sound quality, or timbre, that is often found in and/or expected of certain traditional stringed instruments. In the shamisen, for example, the sound quality is produced by the first, or lowest string, which is purposely laid lower than the rest of the strings at the nut of the instrument. This placement of the string allows the string not only to have a characteristic buzzy timbre, but it also allows it to resonate sympathetically when the other strings are plucked. In modern versions of the instrument, the neck of the shamisen is equipped with an adjustment device that allows the player to raise or lower the 1st string at will, thereby adjusting the quality of the "sawari." The device itself is often called "sawari" by shamisen players and makers. The biwa, particularly the satsuma biwa is another Japanese instrument which is known for its sawari. The make of the instrument is such that the strings are stopped by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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