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Sun Set
''Sun Set'' is a box set of various Klaatu rarities, outtakes, demos, live tracks and other recordings from 1973 to 1981. It was launched at the "KlaatuKon" 2005 convention in Toronto, Ontario, Canada. The final nine tracks on disc one are alternate versions of Klaatu's second album project, ''Hope''. Referred to as "The Orchestral ''Hope''", this included a track not present on the version of ''Hope'' which was originally released; "Epilogue," which joined "So Said the Lighthouse Keeper" and "Hope". Track listing Disc 1 # "Hanus of Uranus" (7" single) (Dee Long) # "Sub-Rosa Subway" (7" single) (John Woloschuk, Dino Tome) # "Cherie" (previously unreleased single mix) (Dee Long) # "Doctor Marvello" (7" single) (John Woloschuk) # "For You Girl" (7" single B-side) (Dee Long) # "California Jam" (7" single) (John Woloschuk, Dino Tome) # "True Life Hero" (TV mix) (Dee Long) # " Calling Occupants" (anti-adversary mix) (John Woloschuk, Terry Draper Terry Edward Draper is a Canadian ...
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Klaatu (band)
Klaatu () was a Canadian rock group formed in 1973 by the duo of John Woloschuk and Dee Long. They named themselves after an ambassador, Klaatu, from an extraterrestrial confederation who visits Earth with his companion robot Gort in the film ''The Day the Earth Stood Still''. After recording two non-charting singles, the band added drummer Terry Draper to the line-up; this trio constituted Klaatu throughout the rest of the band's recording career. In Canada, the band is remembered for several hits, including "California Jam" (1974), " Calling Occupants of Interplanetary Craft" (1976) and "Knee Deep in Love" (1980). In the U.S. "Calling Occupants" backed with "Sub-Rosa Subway" was a minor double-sided hit and their only chart entry, peaking at No. 62 in 1977. Internationally, the group's pop-influenced style of progressive rock has led to them being known as the "Canadian Beatles". Musical style Klaatu has variously been described by critics and journalists as progressive ...
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Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Space Rock
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers and lyrical themes of outer space and science fiction. The genre emerged in late 1960s psychedelia and progressive rock bands such as Pink Floyd, Hawkwind, and Gong who explored a "cosmic" sound. Similar sounds were pursued in the early 1970s West German ''kosmische Musik'' ("cosmic music") scene. Later, the style was taken up in the mid-1980s by Spacemen 3, whose "drone-heavy" sound was avowedly inspired by and intended to accommodate drug use. By the 1990s, space rock developed into shoegazing, stoner rock and post-rock with bands such as the Verve, Flying Saucer Attack, and Orange Goblin. History Origins: 1950s-1960s Humanity's entry into outer space provided ample subject matter for rock and roll and ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Terry Brown (record Producer)
Terry Brown is a British record producer involved in a variety of work. He has been noted for his involvement with the Canadian rock band Rush. Brown produced every album by the band from '' Fly by Night'' (1975) up to ''Signals'' (1982). He was also involved with the English pop rock band Cutting Crew, and the Canadian progressive rock band Klaatu. History Terry Brown is referred to fondly by the band Rush as "Broon" in the liner notes for their albums. This nickname appears in the title of the instrumental piece " Broon's Bane" from their live album '' Exit...Stage Left''. On this same record, Geddy Lee jokingly introduces the song "Jacob's Ladder" as having been written by "T. C. Broonsie", another reference to Brown and a pun on the name of Big Bill Broonzy. He also appears as the uncredited voice of the hypnotist on the Dream Theater album '' Metropolis Pt. 2: Scenes from a Memory''. Brown has also engineered, produced or mixed for many other artists, including Sonny and C ...
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Toronto, Ontario
Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. Toronto is an international centre of business, finance, arts, sports and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world. Indigenous peoples have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designate ...
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Hope (Klaatu Album)
''Hope'' is the second album by the Canadian rock band Klaatu and their first concept album. Released in September 1977, it won a Juno Award for "Best Engineered Album" and a Canadian Music Critics award for "Best Album" that same year. The album follows the loose concept of space travelers visiting a distant planet. An alternate version of ''Hope'' was released in 2005 as part of the group's ''Sun Set'' collection of rarities. The alternate version on ''Sun Set'' includes the complete contributions of the London Symphony Orchestra, which had largely been removed from the version released in 1977. The alternate version also includes a short unreleased track, "Epilogue," which had originally been intended to be placed between "So Said the Lighthouse Keeper" and "Hope." ''Hope'' was remastered and re-issued in 2012 by the band's members, and was released on the band's independent record label Klaatunes. Musical style A reviewer for Julian Cope's Head Heritage described ''Hope'' ...
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Sub-Rosa Subway
"Sub-Rosa Subway" is a song written by the Canadian rock band Klaatu, from their album '' 3:47 EST'', describing the efforts of Alfred Ely Beach to create the Beach Pneumatic Transit, the New York City Subway's precursor. His work is described as secretive (hence ''sub rosa''). The song peaked at No. 62 on the Billboard Hot 100 chart in 1977. The song is best known for sparking the rumour that the band was the Beatles in disguise. Two minutes and fifty seconds into the song, a long message in Morse code plays in the background. John Woloschuk, in an article in the fan magazine ''The Morning Sun'', finally provided a translation of the code: ''"From Alfred, heed thy sharpened ear — A message we do bring — Starship appears upon our sphere — Through London's sky come spring."'' The harpsichord sound on the song was created by recording a tack piano with the tape recorder running at half-normal speed. Charts Personnel ;Album version *John Woloschuk - lead vocals, backing ...
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Calling Occupants Of Interplanetary Craft
"Calling Occupants of Interplanetary Craft" is a power ballad by Canadian rock band Klaatu, originally released in 1976 on their first album '' 3:47 EST''. The song opened night transmission of the pirate radio station Radio Caroline. The year following its release, American soft rock duo the Carpenters covered the song, using a crew of 160 musicians. The Carpenters' version reached the top 10 in the UK and Canada, and charted at number 1 in Ireland. Origin John Woloschuk, a member of Klaatu and one of the song's composers, said: Charts Personnel *John Woloschuk - lead vocals, backing vocals, piano, organ, synthesizer, bass guitar *Dee Long - backing vocals, mellotron, synthesizer, electric guitar * Terry Draper - lead vocals, backing vocals, drums, tympani, percussion * Terry Brown - backing vocals Carpenters version The Carpenters' version from their ''Passage'' album charted worldwide and appeared on several of their hits compilations. The song title appears on the Carp ...
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Terry Draper
Terry Edward Draper is a Canadian musician who was the drummer and one of three songwriters for the 1970s progressive rock band Klaatu.Brown, Dan (April 4, 2000). "When the music's over: Rock and roll is a vicious game, but not half as rough as what comes next – as a handful of Canada's former rock gods can attest", ''National Post'', p. B10. Career Before becoming a successful musician, Draper had a construction business with a speciality in roofing. Draper co-wrote the song " Calling Occupants of Interplanetary Craft", which was not only successful with his band Klaatu, but also became a Top-40 hit for the Carpenters when they covered it in 1977. Draper also co-wrote the Klaatu songs "Prelude" in 1977 and "December Dream" in 1981, which was a tribute to John Lennon. He went on to record several solo albums in his home studio in Oak Ridges, Ontario after the break-up of the band in 1981. His former Klaatu bandmates Dee Long and John Woloschuk made appearances on his album ...
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