|
Sprezzatura
''Sprezzatura'' () is an Italian word that first appears in Baldassare Castiglione's 1528 ''The Book of the Courtier'', where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". It is the ability of the courtier to display "an easy facility in accomplishing difficult actions which hides the conscious effort that went into them". ''Sprezzatura'' has also been described "as a form of defensive irony: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask of apparent reticence and nonchalance". The word has entered the English language; the Oxford English Dictionary defines it as "studied carelessness", especially as a characteristic quality or style of art or literature, although it is also used in the aesthetic context. History During his stay in Spain as Ambassador of the Holy See (1524-1529), and inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Book Of The Courtier
''The Book of the Courtier'' ( it, Il Cortegiano ) by Baldassare Castiglione is a lengthy philosophical dialogue on the topic of what constitutes an ideal courtier or (in the third chapter) court lady, worthy to befriend and advise a Prince or political leader. Inspired by the Spanish court during his time as Ambassador of the Holy See (1524–1529), Castiglione set the narrative of the book in his years as a courtier in his native Duchy of Urbino. The book quickly became enormously popular and was assimilated by its readers into the genre of prescriptive courtesy books or books of manners, dealing with issues of etiquette, self-presentation, and morals, particularly at princely, or royal courts, books such as Giovanni Della Casa's ''Galateo '' (1558) and Stefano Guazzo's ''The civil conversation'' (1574). The ''Book of the Courtier'' was much more than that, however, having the character of a drama, an open-ended philosophical discussion, and an essay. It has also been seen as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Castiglione
Baldassare Castiglione, Count of Casatico (; 6 December 1478 – 2 February 1529),Dates of birth and death, and cause of the latter, fro, ''Italica'', Rai International online. was an Italian courtier, diplomat, soldier and a prominent Renaissance author. Castiglione wrote ''Il Cortegiano'' or ''The Book of the Courtier'', a courtesy book dealing with questions of the etiquette and morality of the courtier. It was very influential in 16th-century European court circles. Biography Castiglione was born in Casatico, near Mantua (Lombardy) into a family of the minor nobility, connected through his mother, Luigia Gonzaga, to the ruling Gonzagas of Mantua. In 1494, at the age of sixteen, Castiglione was sent to Milan, then under the rule of Duke Ludovico Sforza, to begin his humanistic studies at the school of the renowned teacher of Greek and editor of Homer Demetrios Chalkokondyles (Latinized as Demetrius Calcondila), and Georgius Merula. In 1499, Castiglione's father died unex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glamour (presentation)
Glamour is the impression of attraction or fascination that a particularly luxurious or elegant appearance creates, an impression which intensifies reality. Typically, a person, event, location, technology, or product such as a piece of clothing can be glamorous or add glamour. "Glamour" originally referred to a magic spell, an illusion said to be cast by witches. Virginia Postrel says that for glamour to be successful it nearly always requires sprezzatura—an appearance of effortlessness, and to appear distant—transcending the everyday, to be slightly mysterious and somewhat idealised, but not to the extent it is no longer possible to identify with the person. Glamorous things are neither opaque, hiding all, nor transparent showing everything, but translucent, favourably showing things. The early Hollywood star system in particular specialised in Hollywood glamour where they systematically glamorised their actors and actresses. Glamour can be confused with a style, which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian (language)
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Literature
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italian people, Italians or in Languages of Italy, other languages spoken in Italy, often languages that are closely related to Italian language#History, modern Italian, including Regional Italian, regional varieties and vernacular dialects. Italian literature begins in the 12th century, when in different regions of the Italian Peninsula, peninsula the Italian vernacular started to be used in a literary manner. The ''Salv'a lo vescovo senato, Ritmo laurenziano'' is the first extant document of Italian literature. An early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan language, Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School became notable for being the first style in standard Italian. Dante Alighieri, one of the greatest of Italian poets, is notable for being the aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibui
''Shibui'' (渋い) (adjective), ''shibumi'' (渋み) (noun), or ''shibusa'' (渋さ) (noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, such as ''iki'' and ''wabi-sabi'', ''shibui'' can apply to a wide variety of subjects, not just art or fashion. Shibusa is an enriched, subdued appearance or experience of intrinsically fine quality with economy of form, line, and effort, producing a timeless tranquility. Shibusa includes the following essential qualities: * Shibui objects appear to be simple overall, but they include subtle details, such as textures, that balance simplicity with complexity. * This balance of simplicity and complexity ensures that one does not tire of a shibui object, but constantly finds new meanings and enriched beauty that cause its aesthetic value to grow over the years. * Shibusa walks a fine line between contrasting aesthetic concepts such as elegant and rough or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flirting
Flirting or coquetry is a social and sexual behavior involving spoken or written communication, as well as body language. It is either to suggest interest in a deeper relationship with the other person or, if done playfully, for amusement. It usually involves speaking and behaving in a way that suggests a mildly greater intimacy than the actual relationship between the parties would justify. This may be accomplished by communicating a sense of playfulness or irony. Double entendres (where one meaning is more formally appropriate, and another more suggestive) may be used. Body language can include flicking the hair, eye contact, brief touching, open stances, proximity, and other gestures. Flirting may be done in an under-exaggerated, shy or frivolous style. Vocal communication of interest can include, for example, * Alterations in vocal tone (such as pace, volume, and intonation), * Challenges (including teasing, questions, qualifying, and feigned disinterest) that may serve to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino 016
Pietro is an Italian language, Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of The Virgin (Raphael)
''The Marriage of the Virgin'', also known as ''Lo Sposalizio'', is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca di Brera. History In the later years of the 15th century, patrons in Citta di Castello sent three commissions to Raphael's teacher Pietro Perugino which, in Perugino's absence, were completed by Raphael.McCurdy (1917), p. 84. ''The Marriage of the Virgin'', featuring the theme of the Marriage of the Virgin, was the last of these. Evidently inspired by one of Perugino's paintings, also known as ''Marriage of the Virgin'', Raphael finished his own work, according to the date placed next to his signature, in 1504.Champlin and Perkins (1913), p. 380. This particular piece was commissioned by one Filippo degli Albezzini to hang in a chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Perugino")
