|
Sound Object
In musique concrete and electronic music theory the term sound object (originally ''l'objet sonore'') is used to refer to a primary unit of sonic material and often specifically refers to recorded sound rather than written music using manuscript or a score. It was coined by Pierre Schaeffer in his publication ''Traité des objets musicaux'' (1966). Definitions Pierre Schaeffer According to Schaeffer: This unit of sound ound-objectis the equivalent to a unit of breath or articulation, a unit of instrumental gesture. The sound object is therefore an acoustic action and intention of listening. Schaeffer believed that the sound object should be free from its sonic origin (its sound source, or source bonding) so that a listener could not identify it, what he termed as acousmatic listening. Schaeffer's four functions of the "What Can be Heard" include: 1. A sonic entity is detected by its signal being picked up by the autonomous mechanism of hearing (ouïr) 2. The signalled sonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrete
Musique is the French word for music. Musique may also refer to: Music *Musique (disco band), a 1970s studio band produced by Patrick Adams *Musique, a British dance act consisting of Moussa Clarke and Nick Hanson best known for their 2001 song "New Year's Dub", which samples the U2 song "New Year's Day". Albums * ''Musique'' (album), a 2000 album by Theatre of Tragedy *'' Musique Vol. 1 1993–2005'', an anthology of Daft Punk tracks *''La Musique'' ( fr), an album by Dominique A, 2009 Songs *"Musique", a 1977 single by France Gall from '' Dancing Disco'', written by Michel Berger *"Musique", a song by Herb Alpert from Just You and Me, 1976 *"Musique", a song by Daft Punk from '' Musique Vol. 1 1993–2005'' * ''La Musique'' (Angelica), a 1967 song of Star Academy France See also *Musique concrète Musique concrète (; ): " problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Schaeffer
Pierre Henri Marie Schaeffer (English pronunciation: , ; 14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime. Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, at the core of which stands his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged in Europe from the utilization of new music technology developed in the post-war era, following the advance of electroacoustic and acousmatic music. Schaeffer's writings (which include writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acousmatic
Acousmatic sound is sound that is heard without an originating cause being seen. The word ''acousmatic'', from the French , is derived from the Greek word ''akousmatikoi'' (ἀκουσματικοί), which referred to probationary pupils of the philosopher Pythagoras who were required to sit in absolute silence while they listened to him deliver his lecture from behind a veil or screen to make them better concentrate on his teachings. The term was first used by the French composer and pioneer of musique concrète Pierre Schaeffer. In acousmatic art one hears sound from behind a "veil" of loudspeakers, the source cause remaining unseen. More generally, any sound, whether it is natural or manipulated, may be described as acousmatic if the cause of the sound remains unseen. The term has also been used by the French writer and composer Michel Chion in reference to the use of off-screen sound in film. More recently, in the article ''Space-form and the acousmatic image'' (2007), compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Husserl
Edmund Gustav Albrecht Husserl (; 8 April 1859 – 27 April 1938) was an Austrian-German philosopher and mathematician who established the school of Phenomenology (philosophy), phenomenology. In his early work, he elaborated critiques of historicism and of psychologism in logic based on analyses of intentionality. In his mature work, he sought to develop a systematic foundational science based on the so-called Bracketing (phenomenology), phenomenological reduction. Arguing that Transcendence (philosophy), transcendental consciousness sets the limits of all possible knowledge, Husserl redefined phenomenology as a Transcendental idealism, transcendental-idealist philosophy. Husserl's thought profoundly influenced 20th-century philosophy, and he remains a notable figure in contemporary philosophy and beyond. Husserl studied mathematics, taught by Karl Weierstrass and Leo Königsberger, and philosophy taught by Franz Brentano and Carl Stumpf. He taught philosophy as a ''Privatdozent' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Merleau-Ponty
Maurice Jean Jacques Merleau-Ponty. ( ; ; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art, politics, religion, biology, psychology, psychoanalysis, language, nature, and history. He was the lead editor of '' Les Temps modernes'', the leftist magazine he established with Jean-Paul Sartre and Simone de Beauvoir in 1945. At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in the human experience of the world. Merleau-Ponty understands perception to be an ongoing dialogue between one's lived body and the world which it perceives, in which perceivers passively and actively strive to express the perceived world in concert with others. He was the only major phenomenologist of the first half of the twentieth century to engage extensivel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Roads
Curtis Roads (born May 9, 1951) is an American composer, author and computer programmer. He composes electronic and electroacoustic music, specializing in granular and pulsar synthesis. Career and music Born in Cleveland, Ohio, Roads studied composition at the California Institute of the Arts and the University of California San Diego. He is former chair and current vice chair of the Media Arts and Technology Program at the University of California, Santa Barbara.MAT: Faculty and Researchers ", ''Mat.UCSB.edu''. He has previously taught at the "Federico II", |
Microsound
Granular synthesis is a sound synthesis method that operates on the microsound time scale. It is based on the same principle as sampling. However, the samples are split into small pieces of around 1 to 100 ms in duration. These small pieces are called grains. Multiple grains may be layered on top of each other, and may play at different speeds, phases, volume, and frequency, among other parameters. At low speeds of playback, the result is a kind of soundscape, often described as a cloud, that is manipulated in a manner unlike that of natural sound sampling or other synthesis techniques. At high speeds, the result is heard as a note or notes of a novel timbre. By varying the waveform, envelope, duration, spatial position, and density of the grains, many different sounds can be produced. Both have been used for musical purposes: as sound effects, raw material for further processing by other synthesis or digital signal processing effects, or as complete musical works in their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sine Waves
A sine wave, sinusoidal wave, or sinusoid (symbol: ∿) is a periodic wave whose waveform (shape) is the trigonometric sine function. In mechanics, as a linear motion over time, this is '' simple harmonic motion''; as rotation, it corresponds to '' uniform circular motion''. Sine waves occur often in physics, including wind waves, sound waves, and light waves, such as monochromatic radiation. In engineering, signal processing, and mathematics, Fourier analysis decomposes general functions into a sum of sine waves of various frequencies, relative phases, and magnitudes. When any two sine waves of the same frequency (but arbitrary phase) are linearly combined, the result is another sine wave of the same frequency; this property is unique among periodic waves. Conversely, if some phase is chosen as a zero reference, a sine wave of arbitrary phase can be written as the linear combination of two sine waves with phases of zero and a quarter cycle, the ''sine'' and ''cosine'' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Wishart
Trevor Wishart (born 11 October 1946) is an English composer, based in York. Wishart has contributed to composing with digital audio media, both fixed and interactive. He has also written extensively on the topic of what he terms " sonic art", and contributed to the design and implementation of software tools used in the creation of digital music; notably, the Composers Desktop Project. Wishart was born in Leeds, West Riding of Yorkshire. He was educated at the University of Oxford (BA 1968), the University of Nottingham (MA 1969), and the University of York (PhD 1973). Although mainly a freelance composer, he holds an honorary position at the University of York. He was appointed as composer-in-residence at the University of Durham in 2006, and then at the University of Oxford Faculty of Music in 2010–11, supported by the Leverhulme Trust. Music Wishart's compositional interests deal mainly with the human voice, in particular with the transformation of it and the interpol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Smalley
Denis Arthur Smalley (born 1946 in Nelson, New Zealand) is a composer of electroacoustic music, with a special interest in acousmatic music. Biography Denis Smalley studied at the University of Canterbury and Victoria University in his native New Zealand, and later at the Paris Conservatoire with Olivier Messiaen, with the Groupe de Recherches Musicales (GRM), and at the University of York.John Young, "Smalley, Denis (Arthur)", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers; New York: Grove's Dictionaries of Music, 2001). He initially composed onto tape, but as early as the 1980s realised his works using computer software. His composition ''Pentes'' (1974) is regarded as one of the classics of electroacoustic music. Source sounds for his works may come from the environment—and are often the starting point for his pieces—but he may also develop highly sophisticated timbres from scratch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectromorphology
Spectromorphology is the perceived sonic footprint of a sound spectrum as it manifests in time. A descriptive spectromorphological analysis of sound is sometimes used in the analysis of electroacoustic music, especially acousmatic music. The term was coined by Denis Smalley in 1986 and is considered the most adequate English term to designate the field of sound research associated with the French writer, composer, and academic, Pierre Schaeffer . Schaeffer's work at INA/GRM in Paris, beginning in the late 1940s, culminated in the publication of the book Traité des objets musicaux in 1966. Smalley's notion of spectromorphology builds upon Schaeffer's theories relating to the use of a classification system for various categories of sound.(Thoresen:2007) Smalley's term refers to the descriptive analysis of perceived morphological developments in sound spectra over time, and it implies that the "spectro" cannot exist without the morphology: something has to be shaped and that s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
