Sound-effects
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Sound-effects
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since the ...
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Foley Artist
In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. These reproduced sounds, named after sound-effects artist Jack Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.Singer, Philip R. "Art Of Foley". Marblehead Publishing Co. Web. 1 July 2010. Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts, requiring filmmakers to Foley the sounds. The best Foley art is so well integrated in ...
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Foley (filmmaking)
In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. These reproduced sounds, named after sound-effects artist Jack Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.Singer, Philip R. "Art Of Foley". Marblehead Publishing Co. Web. 1 July 2010. Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts, requiring filmmakers to Foley the sounds. The best Foley art is so well integrated in ...
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Sound Editor (filmmaking)
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final Audio mixing (film and television), sound mixing or Audio mastering, mastering of a television program, motion picture, video game, or any production involving recorded sound, recorded or sound synthesis, synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of Sound design#Film, motion picture sound design. The Academy of Motion Picture Arts and Sciences recognizes the artistic contribution of exceptional sound editing with the Academy Award for Best Sound Edi ...
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Various Hard Sound Effects Devices
Various may refer to: * Various (band), an English dubstep/electronic music duo * Various artists, a term for a compilation album containing pieces by various musicians * Various authors, a book containing works by several writers * ''The Various'', a children's fantasy novel by Steve Augarde See also * Various & Gould, a Berlin-based artist duo * ''Various Artists – Archives Vol. 4'', an album by Steve Vai * ''Various Failures'', a compilation album by American experimental rock band Swans * ''The Various Haunts of Men'', a novel by Susan Hill * ''Various Positions'', an album by Leonard Cohen ** Various Positions Tour * Various Positions (film), ''Various Positions'' (film), a 2002 film directed by Ori Kowarsky * Varius (other) * ...
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Snow White And The Seven Dwarfs (1937 Film)
''Snow White and the Seven Dwarfs'' is a 1937 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on the 1812 German fairy tale by the Brothers Grimm, it is the first full-length traditionally animated feature film and the first Disney animated feature film. The story was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences. ''Snow White'' premiered at the Carthay Circle Theatre in Los Angeles, California on December 21, 1937. It was a critical and commercial success and, with international earnings of more than $8 million during its initial release (compared to its $1.5 million budget), it briefly held the record of highest-grossing sound film ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ...
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Das Boot
''Das Boot'' (, English: "The Boat") is a 1981 West German war film written and directed by Wolfgang Petersen, produced by Günter Rohrbach, and starring Jürgen Prochnow, Herbert Grönemeyer, and Klaus Wennemann. It has been exhibited both as a theatrical release and a TV miniseries (1985). There are also several different home video versions as well as a director's cut supervised by Petersen in 1997. An adaptation of Lothar-Günther Buchheim's 1973 German novel of the same name based on his experiences aboard , the film is set during World War II and follows ''U-96'' and its crew, as they set out on a hazardous patrol in the Battle of the Atlantic. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country. Development began in 1979. Several American directors were considered three years earlier before the film was shelved. D ...
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Klaus Doldinger
Klaus Doldinger (born 12 May 1936) is a German saxophonist known for his work in jazz and as a film music composer. He was the recipient of 1997's Bavarian Film Awards. Life and work Doldinger was born in Berlin, Germany, and entered a Düsseldorf conservatory in 1947, originally studying piano and then clarinet, graduating in 1957. In his student years, Doldinger gained professional performing experience, starting in 1953 in the German Dixieland band ''The Feetwarmers'', and recording with them in 1955. Later that year he founded Oscar's Trio' modeled on Oscar Peterson's work. During the 1960s, he worked as a tenor saxophonist, working with visiting American jazz musicians, Beat groups like Ian and the Zodiacs and recording in his own right. Doldinger's recurring jazz project Passport, started in 1971 (then called "Klaus Doldinger's Passport"), still enjoys success in Germany. In its influence it was sometimes called the European version of Weather Report. At various time ...
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Sound Synthesis
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ...
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John Barry (composer)
John Barry Prendergast (3 November 1933 – 30 January 2011) was a British composer and conductor of film music. He composed the scores for eleven of the ''James Bond'' films between 1963 and 1987, as well as arranging and performing the "James Bond Theme" for the first film in the series, 1962's '' Dr. No''. He wrote the Grammy- and Academy Award-winning scores to the films ''Dances with Wolves'' and ''Out of Africa'', as well as the scores of ''The Scarlet Letter'', ''Chaplin'', '' The Cotton Club'', ''Game of Death'', ''The Tamarind Seed'', ''Mary, Queen of Scots'' and the theme for the television series ''The Persuaders!'', in a career spanning over 50 years. In 1999, he was appointed with an OBE for services to music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, ...
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