Silva (Spanish Strophe)
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Silva (Spanish Strophe)
In Spanish poetry, a silva is a poetic form consisting of in eleven- and seven- syllable lines: hendecasyllables (''endecasílabos'') and heptasyllables (''heptasílabos''), the majority of which are rhymed although there is no fixed order or rhyme, nor is there a fixed number of lines. Silvas are used by persons of high rank, usually in soliloquies, and for highly emotional narration and description. The use of the silva can be found in Luis de Góngora's ''Soledades ''Las Soledades'' (''Solitudes'') is a poem by Luis de Góngora, composed in 1613 in silva (Spanish strophe) in hendecasyllables (lines of eleven syllables) and heptasyllables (seven syllables). Góngora intended to divide the poem in four par ...''. External linksSpanish Metrification By A. Robert Lauer {{poetry-stub Poetic forms ...
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Spanish Poetry
This article concerns poetry in Spain. Medieval Spain The Medieval period covers 400 years of different poetry texts and can be broken up into five categories. Primitive lyrics Since the findings of the Kharjas, which are mainly two, three, or four verses, Spanish lyrics, which are written in Mozarabic dialect, are perhaps the oldest of Romance Europe. The Mozarabic dialect has Latin origins with a combination of Arabic and Hebrew fonts. The epic Many parts of '' Cantar de Mio Cid'', '' Cantar de Roncesvalles'', and ''Mocedades de Rodrigo'' are part of the epic. The exact portion of each of these works is disputed among scholars. The Minstrels, over the course of the 12th to the 14th centuries, were driving force of this movement. The Spanish epic likely emanated from France. There are also indications of Arabic and Visigoth. It is usually written in series of seven to eight syllables within rhyming verse. Mester de clerecía The cuaderna vía is the most distinctive ve ...
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Poetic Form
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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Luis De Góngora
Luis de Góngora y Argote (born Luis de Argote y Góngora; ; 11 July 1561 – 24 May 1627) was a Spanish Baroque lyric poet and a Catholic priest. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called ''culteranismo'', also known as ''Gongorismo''. This style existed in stark contrast to Quevedo's ''conceptismo''. Biography Góngora was born to a noble family in Córdoba, where his father, Francisco de Argote, was ''corregidor,'' or judge. In a Spanish era when purity of Christian lineage (limpieza de sangre) was needed to gain access to education or official appointments, he adopted the surname of his mother, Leonor de Góngora.Asociación Cultural ...
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Soledades
''Las Soledades'' (''Solitudes'') is a poem by Luis de Góngora, composed in 1613 in silva (Spanish strophe) in hendecasyllables (lines of eleven syllables) and heptasyllables (seven syllables). Góngora intended to divide the poem in four parts that were to be called "Soledad de los campos" (Solitude of the fields), "Soledad de las riberas" (Solitude of the riverbanks), "Soledad de las selvas" (Solitude of the forests), and "Soledad del yermo" (Solitude of the wasteland). However, Góngora only wrote the "dedicatoria al Duque de Béjar" (dedication to the Duke of Béjar) and the first two ''Soledades'', the second of which remained unfinished. From the time of their composition, ''Soledades'' inspired a great debate regarding the difficulty of its language and its mythological and erudite references. It was attacked by the Count of Salinas and Juan Martínez de Jáuregui y Aguilar (who composed an ''Antidote against the Soledades''). The work, however, was defended by Sal ...
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