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Siguiriya
''Siguiriyas'' (; also ''seguiriyas'', ''siguerillas'', ''siguirillas'', ''seguidilla gitana'', etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin. Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here: : : '' 2 '' 4 '' 6 7 '' 9 10 1'' 12 This rhythm can be contrasted with the rhythmic pattern of the soleares, which also has 12 beats, but the accents fall differently. Taking the unusual accenting into account, it can technically be seen as a measure of 3/4 (counted in eighth notes) starting on "2", then a measure of 6/8 followed by the "1 and" of the 3/4. Every note is evenly spaced apart. For example: : : '' and '' and '' 2 3 '' 5 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Styles
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seguidilla
The seguidilla (; ; plural in both English and Spanish ''seguidillas''; diminutive of ''seguida'', which means "sequence" and is the name of a dance). Accessed May 2008. is an old Castilian folksong and dance form in quick triple time for two people with many regional variations. The music is generally in a major key and often begins on an offbeat. The term is also used for a Spanish stanza form with four to seven short, partly assonant lines in a characteristic rhythm. Types The earliest and most influential of the types of seguidilla are thought to originate in either La Mancha or Andalusia, having become typical of large parts of central Spain. Variants include the ''seguidilla manchega'' (from La Mancha) as well as the ''murciana'' from Murcia and the slightly faster '' sevillana'' of Seville. One of the most complex styles of seguidilla is the ''seguidilla flamenca'' or ''seguiriya''), which is used in flamenco music. Act I of Jacques Offenbach's opera ''La Périchole'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Jondo
''Cante jondo'' (Andalusian ) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with ''hondo'' ("deep") spelled with J () as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish. It is generally considered that the common traditional classification of flamenco music is divided into three groups of which the deepest, most serious forms are known as ''cante jondo''. Cultural references to ''cante jondo'' In 1922 the Spanish composer Manuel de Falla led in the organization of the Concurso de Cante Jondo for Granada. Many classical musicians, cultural and literary figures, including the young poet Federico García Lorca, participated in the program. The result was the memorable series of flamenco performances held at the Alhambra during June. Lorca had evidently used the title ' for a 1921 collection of poems, although he did not publish it fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicente Escudero
Vicente Escudero (27 October 1892 in Valladolid, Spain – 4 December 1980 in Barcelona) was a Spanish flamenco dancer. He was closely associated with the avant-garde of his time and brought modernist aesthetics to bear on his theory of dance. Escudero was one of the few theorists of his time to comment on the choreography and presentation of the male flamenco dance and his 'Decalogue' or ten rules for the male dancer are still respected today. As well as being the leading flamenco dancer of his era, he was a talented painter in the style, and his studies of flamenco are frequently exhibited. His work was admired by the Spanish modernist painter Joan Miró. Escudero also appeared in the films ''Castille On Fire'' (1960) and ''With the East Wind'' (1966). His first official performance was in 1920 at the Olympia Theatre in Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonás
Tonás () is a palo or type of flamenco songs. It belongs to the wider category of Cantes a palo seco, ''palos'' that are sung a cappella. Owing to this feature, they are considered by traditional flamencology to be the oldest surviving musical form of flamenco. This musical form originated in the Calé Romani subculture of Southern Spain. The first known flamenco singer, Tío Luis el de la Juliana, who lived in Jerez de la Frontera in the last third of the 18th century, was said to have excelled in this ''palo''. Other ''cantes a palo seco'', such as martinetes and debla, are sometimes classified under ''tonás'', while at other times they are referred to as ''palos'' on their own. The ''tonás'' were almost in disuse by the end of the 19th century. The reason seems to be that they were considered a difficult style by the general public, and resulted in Tonás on the near verge of disappearing. During the 1950s the tonás came back into use, with singers like Antonio Mairena, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Morente
Enrique Morente Cotelo (25 December 1942 – 13 December 2010), known as Enrique Morente, was a flamenco singer (in Spanish, cantaor) and a celebrated figure within the world of contemporary flamenco. After his orthodox beginnings, he plunged into experimentalism, writing new melodies for ''cante'' (flamenco singing) and jamming with musicians of all styles, without renouncing his roots in traditional flamenco singing, which he kept on cultivating despite criticism. "It hasn't been easy. First came the accusations of corruption of the music, of treachery in his struggle to disfigure what was already perfectly coded. When some albums and some categorical evidence of his knowledge of the classical approach laid these malicious comments bare, then came the most twisted condemnations. That the pace of the compás waned (just get a metronome and see for yourself), that he didn't really make you feel (are there really many true aficionados whose hair doesn't stand on end listening to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juanito Valderrama
Juan Valderrama Blanca (24 May 1916 – 12 April 2004), better known as Juanito Valderrama, was a Spanish flamenco and folk singer. Although he was known for singing copla, he always claimed to be a flamenco singer. Born in Torredelcampo, Juanito's recording career began in 1935 and lasted more than 60 years. Among his most famous songs is " El emigrante", written in 1949, a ballad for the millions of displaced Spaniards who fled the country in the years after the Spanish Civil War The Spanish Civil War ( es, Guerra Civil Española)) or The Revolution ( es, La Revolución, link=no) among Nationalists, the Fourth Carlist War ( es, Cuarta Guerra Carlista, link=no) among Carlists, and The Rebellion ( es, La Rebelión, link .... In 1960 he appeared in the film of the same name. He was romantically and professionally partnered with singer and actress Dolores Abril from 1954 until his death in 2004. The couple had two children, and Juana Dolores Valderrama, who both became s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genres
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and form in his book ''Form in Tonal Music''. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different form. However, Mozart's Rondo for Piano, K. 511 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camarón De La Isla
José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla (), was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century. Early life He was born in San Fernando, Cádiz, Spain, into a Spanish Romani family, the seventh of eight children. His mother was Juana Cruz Castro, a "Canastera", literally a basket weaver, and meaning from a wandering Roma family, and whose gift of singing was a strong early influence. His father, Juan Luis Monje, was also a singer as well as a blacksmith, and had a forge where Camarón worked as a boy. His uncle José nicknamed him ''Camarón'' (Spanish for "Shrimp") because he was blonde and fair skinned. When his father died of asthma, while still very young, the family went through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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