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Shur (mugham)
“Shur”( az, Şur) – is one of the great mughams (a multifrequency vocal-instrumental composition) and one of seven main Mode (music), modes in Music of Azerbaijan, Azerbaijani music. This is the second mode and consists of 1-0.5-1 tone, which is created in the result of amalgamation of three tetra-chords with reach method of the first tetra-chord. Shur mode is the most used mode in Ashik art. Shur creates joyful lyrical mood at listener. Subgenres of Shur includes: Bardasht, Maye, Salmak, Shur-Shahnaz, Busalik, Bayaty-Turk, Shikasteyi-Fars, Mubarriga, Ashiran, Semai-Shams, Hijaz, Shakh Khatai, Sarenj, Gemengiz, Nishibi-Feraz, space for Shur. Mugams relating to the Shur are: Shahnaz, Sarenj, Arazbary (mugham), Arazbary, Osmani, Rahab, Neva.There are seven main modes and three auxiliary modes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham
Mugham ( az, Muğam) or Mughamat ( az, Muğamat) is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Azerbaijan
Azerbaijani music ( Azerbaijani: Azərbaycan musiqisi) is the musical tradition of the Azerbaijani people from Azerbaijan Republic. Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies.Энциклопедический музыкальный словарь, 2-е изд., Москва, 1966 (''Encyclopedical Music Dictionary'' (1966-1967), 2nd ed., Moscow) Music from Azerbaijan has a branch mode system, where chromatisation of major and minor scales is of great importance. Classical music In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Opera and Ballet The emergence of opera and ballet in Azerbaijan is associated with the Imperial Russian and Soviet era of Azerbaijani history when Aze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik ( az, aşıq, ; tr, âşık; fa, عاشیق) or ashugh ( hy, աշուղ; ka, აშუღი) is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as '' hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or ''saz'') in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis) and non-Turkic cultures of South Caucasus (primarily Armenian and Georgian). In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 The word ''ashiq'' ( ar, عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ''ishq'' ( ar, عشق, "love"), which in turn may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arazbary (mugham)
"Arazbary" ( az, Arazbarı) is one of the rhythmic Azerbaijani mughams belonging to the Zerbi mughams. The poetic text consists of folk bayats. At the end of each stanza, the words "ay zalym" ("Oh, villain!") are repeated. Arazbary, like the ashik melodies, is included in then creative heritage of ashik masters. Further, they were used, along with other elements of Azerbaijani folk music, in musical works of the classical European tradition. In particular, the composer Uzeyir Hajibeyov created a symphonic version of arazbary and used it (along with eirats, segah and other forms of mugham) in the first Azerbaijani opera "Leyli and Majnun ''Layla & Majnun'' ( ar, مجنون ليلى ; Layla's Mad Lover) is an old story of Arab origin, about the 7th-century Bedouin poet Qays ibn al-Mulawwah and his ladylove Layla bint Mahdi (later known as Layla al-Aamiriya). "The Layla ...", written in 1908 by the Azerbaijani poet Fuzuli based on the poem of the same name. Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Maqam
Arabic maqam ( ar, مقام, maqām, literally "rank"; ') is the system of melodic modes used in traditional Arabic music, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabian art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from major, neutral, and minor seconds. Each ''maqam'' is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the ''maqam'' system. ''Maqamat'' can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fikret Amirov
Fikret Mashadi Jamil oghlu Amirov ( az, Fikrət Məşədi Cəmil oğlu Əmirov; November 22, 1922, Ganja – February 20, 1984, Baku) was a prominent Soviet and Azerbaijani composer. Biography Fikret Amirov grew up in an atmosphere of Azerbaijani folk music. His father, Mashadi Jamil Amirov, was a famous mugam singer ("''xanəndə''"), who played tar and composed, including the 1915 opera '' Seyfal mulk''. During his childhood and early adolescence, Fikret began composing pieces for the piano. Upon his graduation from the Ganja Music College, Amirov entered the Azerbaijan State Conservatoire, now known as the Baku Music Academy, where he was a student of Boris Zeidman and Uzeyir Hajibeyov. In 1941, when Nazi Germany attacked the USSR, Amirov, 19 at the time, was drafted to the Soviet army. He was wounded near Voronezh, hospitalized and demobilized from the military service, returning to Baku to continue his studies at the Azerbaijan State Conservatoire. Amirov's music wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AzTV
AzTV or Azerbaijan Television ( az, Azərbaycan Televiziyası) is a state-controlled national television channel in Azerbaijan. It is the oldest television channel in the country, having first broadcast from Baku on 14 February 1956 in what was then the Azerbaijan Soviet Socialist Republic, Soviet Union. Organisation The channel has been owned since 2005 by the Azerbaijan Television and Radio Broadcasting Closed Joint-stock Company ( az, Azərbaycan Televiziya və Radio Verilişləri Qapalı Səhmdar Cəmiyyəti, links=no), of which the national government is the only shareholder. This company also owns the channels İdman Azərbaycan TV ''(Sport Azerbaijan TV)'' and Mədəniyyət TV ''(Culture TV)''. In 2007, an application by AzTV to join the European Broadcasting Union was rejected after the channel was found to be too closely associated with the ruling government. Programming The channel starts its daily broadcast by airing National anthem of Azerbaijan. Programming on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahram Mansurov
Bahram Meshadi Suleyman oglu Mansurov ( az, Bəhram Məşədi Süleyman bəy oğlu Mansurov / , ; 12 February 1911, Baku – 14 May 1985, Baku) was a Soviet and Azerbaijani Tar (lute) player. He also served as People's Artist of the Azerbaijan SSR (10.01.1978).Respublikanın teatr xadimlərinə Azərbaycan SSR fəxri adlarının verilməsi haqqında Azərbaycan SSR Ali Sove Rəyasət Heyətinin 10 yanvar 1978-ci il tarixli Fərmanı — anl.az Biography Bahram Mansurov was born in a well-to-do family of . His father, Meshadi Suleyman bey Mansurov, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijani Music
Azerbaijani music ( Azerbaijani: Azərbaycan musiqisi) is the musical tradition of the Azerbaijani people from Azerbaijan Republic. Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies.Энциклопедический музыкальный словарь, 2-е изд., Москва, 1966 (''Encyclopedical Music Dictionary'' (1966-1967), 2nd ed., Moscow) Music from Azerbaijan has a branch mode system, where chromatisation of major and minor scales is of great importance. Classical music In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Opera and Ballet The emergence of opera and ballet in Azerbaijan is associated with the Imperial Russian and Soviet era of Azerbaijani history when Aze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
