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Shinpa
(also rendered ''shimpa'') is a form of theater in Japan, usually featuring melodramatic stories, contrasted with the more traditional ''kabuki'' style. It later spread to cinema. Art form The roots of ''Shinpa'' can be traced to a form of agitation propaganda theater in the 1880s promoted by Liberal Party members Sadanori Sudo and Otojirō Kawakami. Theatre historians have characterized Shinpa as a transitional movement, closely associated with the Meiji restoration, whose primary rationale was the rejection of "old" values in favor of material that would appeal to a partially westernized urban middle class which still maintained some traditional habits of thought. Some of the innovations associated with Shinpa included: shortened performance times, the occasional re-introduction of female performers to the stage, the abolition of teahouses that had previously controlled ticket sales, the use of contemporary patriotic events as subject matter, and the frequent adaptation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shingeki
was a leading form of theatre in Japan that was based on modern realism. Born in the early years of the 20th century, it sought to be similar to modern Western theatre, putting on the works of the ancient Greek classics, William Shakespeare, Molière, Henrik Ibsen, Anton Chekov, Tennessee Williams, and so forth. As it appropriated Western realism, it also introduced women back onto the Japanese stage. History Historical background The origin of Shingeki is linked to various movements and theatre companies. Scholars associate its origin with the kabuki reform movement, the founding of the Bungei Kyokai (Literary Arts Movement) in 1906, and the Jiyū Gekijō (Free Theatre) in 1909.Jortner, David, et al., editors. ''Modern Japanese Theatre and Performance''. Lexington Books, 2006. The Meiji Restoration in 1868 had led to the introduction of Western drama, singing, and acting onto the Japanese stage, as well as bringing the conventions of realism. In the late 19th century, and earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure Film Movement
The was a trend in film criticism and filmmaking in 1910s and early 1920s Japan that advocated what were considered more modern and cinematic modes of filmmaking. Critics in such magazines as ''Kinema Record'' and ''Kinema Junpo'' complained that existing Japanese cinema was overly theatrical. They said it presented scenes from kabuki and shinpa theater as is, with little cinematic manipulation and without a screenplay written with cinema in mind. Women were even played by onnagata. Filmmakers were charged with shooting films with long takes and leaving the storytelling to the benshi in the theater instead of using devices such as close-ups and analytical editing to visually narrate a scene. The novelist Jun'ichiro Tanizaki was an important supporter of the movement. Critics such as Norimasa Kaeriyama eventually became filmmakers to put their ideas of what cinema is into practice, with Kaeriyama directing ''The Glow of Life'' at the Tenkatsu Studio in 1918. This is often consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Japan
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. ''Tokyo Story'' (1953) ranked number three in ''Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning '' Citizen Kane'', while Akira Kurosawa's '' Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kadoka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaeko Mizutani
Yaeko Mizutani I (1 August 1905 – 1 October 1979) (水谷八重子 in Japanese, or しょだい みずたに やえこ in kana) was "grande dame of the Japanese stage" and in film from the 1920s through the 1970s. Mizutani's daughter is also an actress called Yaeko Mizutani, so the elder Mizutani is sometimes referred to with an "I" after her name. Early life Mizutani was born in Kagurazaka, Tokyo, daughter of Toyozo and Tome Matsuno. Her father was a watchmaker who died when Yaeko was a small child. She was raised in the household of her older sister and her brother-in-law, writer , whose family name she also used. She attended Futaba Girls' High School. Career Theatre Mizutani began acting in plays as a child. She formed an outdoor theatre company with as a young woman, and she was active in several experimental and artistic theatre companies in the mid-1920s. There is an audio recording of her performing in 1929, in ''Shishi ni Kuwareru Onna'' (''The Woman Eate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masao Inoue (actor)
was a Japanese film and stage actor and film director who contributed to the development of film and stage art in Japan. Career Born in Ehime Prefecture, Inoue first appeared on stage at age 17. Starting out in traveling theatrical troupes, he made his debut on the Tokyo stage in 1905 as a member of Hōyō Ii's troupe. He soon became a prominent performer in shinpa theater, and in 1910 founded the Shin Jidaigeki Kyōkai. He also started his own acting school in 1936 and was elected to the Japan Art Academy in 1949. Inoue was an early supporter of cinema and directed a reformist film, ''The Captain's Daughter'' (Taii no musume, 1917) for Kobayashi Shōkai, at the time of the Pure Film Movement. He is most famous in the West for his starring role in Teinosuke Kinugasa's experimental masterpiece '' A Page of Madness'' (1926), which he helped support by refusing payment for his services. Selected filmography As actor * '' Kantsubaki'' (寒椿) (1921) * ''Aa mujō'' (噫無情) ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Genres
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Theater
Theater in Korea or Korean theater are theater performances which were originally done in courtyards, but which have now moved to stages. Korean theater is performed in the Korean language, and is generally made up of Korean people. Rising to prominence in Ancient Korea, Korean theater remains vibrant today and is now gaining popularity around the world. Korean theater before the 20th century was more 'performance' than ' drama'. There were no plot-driven dramas, and all the performative presentations, including dance, shaman ritual, and circus, were called ''Nolum'' (놀음) or ''Yeonhee'' (연희), which means 'playing'. Up until the 19th century, the two leading forms of Korean public theater were '' Talchum'' (탈춤) and '' Pansori'' (판소리). Talchum literally translates to "mask-dance". Multiple players wearing masks performed a loosely fixed text through dance, dialogue and song. Since the performers were able to conceal their identities, many of the plays that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōtarō Hanayagi
Shōtarō, Shotaro or Shoutarou (written: 正太郎, 昭太郎, 正太朗, 章太郎, 庄太郎, 祥太郎 or 翔太郎) is a masculine Japanese given name. Notable people with the name include: *, Japanese photographer *, Japanese photographer *, Japanese footballer *, Japanese footballer *, Japanese writer *, Japanese cyclist *, Japanese manga artist *, Japanese photographer *, Japanese voice actor and singer *Shotaro Mamiya (間宮 祥太朗, born 1993), real name Shotaro Mawatari (馬渡祥太朗), Japanese actor *, Japanese K-pop idol in NCT *, Japanese writer See also * 7594 Shotaro, a main-belt asteroid *Shōta is a common masculine Japanese given name. Possible writings Shōta can be written using different kanji characters and can mean: *消太, "erase, thick" *正太, "correct, thick" *翔太, "soar, thick" *章太, "composition, thick" *奨太, "rew ... * Shotacon {{DEFAULTSORT:Shotaro Japanese masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rokurō Kitamura
Rokurō, Rokuro or Rokurou (written: or ) is a masculine Japanese given name. Notable people with the name include: *, Japanese businessman *, Japanese film director *, Japanese voice actor *, Japanese rower *, Imperial Japanese Navy admiral Fictional characters *, a character in the video game '' Tales of Berseria'' {{DEFAULTSORT:Rokuro Japanese masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living National Treasures Of Japan
is a Japanese popular term for those individuals certified as by the Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
