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Shairi
A ''shairi'' ( ka, შაირი, ), also known as Rustavelian quatrain, is the name of a particular poetic form, or a monorhymed quatrain. It was used by the Georgian poet Shota Rustaveli in ''The Knight in the Panther's Skin''. It consists of four 16-syllable lines, with a caesura between syllables eight and nine. While there are stanzas with as many as five syllables rhyming, generally shairi uses either feminine or dactylic rhyme. It is worth noticing that despite the feminine and dactylic forms of rhyme, Georgian ''shairi''’s stress is very weak due to the nature of the Georgian language, which is characterized by dynamic and very weak stress placed on antepenultimate syllable in words longer than two syllables and on penult Penult is a linguistics term for the second to last syllable of a word. It is an abbreviation of ''penultimate'', which describes the next-to-last item in a series. The penult follows the antepenult and precedes the ultima. For example, the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knight In The Panther's Skin
''The Knight in the Panther's Skin'' ( ka, ვეფხისტყაოსანი, tr literally "the one with the skin of a tiger") is a Georgian medieval epic poem, written in the 12th or 13th century by Georgia's national poet Shota Rustaveli. A definitive work of the Georgian Golden Age, the poem consists of over 1600 Rustavelian Quatrains and is considered to be a "masterpiece of the Georgian literature". Until the early 20th century, a copy of this poem was part of the dowry of every bride. Although the poem takes place in the fictional settings of "India" and "Arabia", events in these distant lands are but a colorful allegory of the rule of Queen Tamar of Georgia, and the size and glory of the Kingdom of Georgia in its Golden Age. It tells the friendship of two heroes, Avtandil and Tariel, and their quest to find the object of love, Nestan-Darejan, an allegorical embodiment of Queen Tamar. These idealized heroes and devoted friends are united by courtly love, generosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monorhymed
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. The term "monorhyme" describes the use of one ( mono) type of repetitious sound (rhyme). This is common in Arabic, Latin and Welsh work, such as ''The Book of One Thousand and One Nights'', e.g. ''qasida'' and its derivative ''kafi''. Some styles of monorhyme use the end of a poem's line to utilize this poetic tool. The Persian '' ghazal'' poetry style places the monorhyme before the refrain in a line. This is seen in the poem "Even the Rain" by Agha Shahid Aili: :"''What will suffice for a true-love knot? Even the rain?'' :'' But he has bought grief's lottery, bought even the rain.''" The monorhyme ''knot'' is introduced before the line’s refrain or pause. The corresponding rhyme ''bought'' is used in the next line. Although these are not the last words of the lines in the poem, monorhyme is incorporated in identical rhyme schemes in each line. Example An example of monorhyme is the poem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shota Rustaveli
Shota Rustaveli ( ka, შოთა რუსთაველი, c. 1160 – after c. 1220), mononymously known simply as Rustaveli, was a medieval Georgian poet. He is considered to be the pre-eminent poet of the Georgian Golden Age and one of the greatest contributors to Georgian literature. Rustaveli was the author of ''The Knight in the Panther's Skin'', a Georgian national epic poem. Biography Little, if anything, is known about Rustaveli from contemporary sources. Shota Rustaveli was born in 1166. He started serving Queen Tamar as a Minister of Finance in 1191. His poem itself, namely the prologue, provides a clue to his identity: the poet identifies himself as "a certain Rustveli." "Rustveli" is not a surname, but a territorial epithet that can be interpreted as "of/from/holder of Rustavi". Later Georgian authors from the 15th through 18th centuries are more informative; they are almost unanimous in identifying him as Shota Rustaveli, a name that is preserved on a fresco a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminine Rhyme
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgian Language
Georgian (, , ) is the most widely-spoken Kartvelian language, and serves as the literary language or lingua franca for speakers of related languages. It is the official language of Georgia and the native or primary language of 87.6% of its population. Its speakers today number approximately four million. Classification No claimed genetic links between the Kartvelian languages and any other language family in the world are accepted in mainstream linguistics. Among the Kartvelian languages, Georgian is most closely related to the so-called Zan languages (Megrelian and Laz); glottochronological studies indicate that it split from the latter approximately 2700 years ago. Svan is a more distant relative that split off much earlier, perhaps 4000 years ago. Dialects Standard Georgian is largely based on the Kartlian dialect. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antepenult
In linguistics, the ultima is the last syllable of a word, the penult is the next-to-last syllable, and the antepenult is third-from-last syllable. In a word of three syllables, the names of the syllables are antepenult-penult-ultima. Etymology Ultima comes from Latin ''ultima (syllaba)'' "last (syllable)". Penult and antepenult are abbreviations for ''paenultima'' and ''antepaenultima''. Penult has the prefix ''paene'' "almost", and antepenult has the prefix ''ante'' "before". Classical languages In Latin and Ancient Greek, only the three last syllables can be accented. In Latin, a word's stress is dependent on the weight or length of the penultimate syllable; in Greek, the place and type of accent is dependent on the length of the vowel in the ultima. See also *Pitch accent **Acute accent ***Oxytone, paroxytone, proparoxytone **Circumflex ***Perispomenon, properispomenon **Grave accent ***Barytone *Rhyme *Stress (linguistics) *Syllable References *Herbert Weir Smyth Herber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penult
Penult is a linguistics term for the second to last syllable of a word. It is an abbreviation of ''penultimate'', which describes the next-to-last item in a series. The penult follows the antepenult and precedes the ultima. For example, the main stress falls on the penult in such English words as ''banána'', and ''Mississíppi'', and just about all words ending in –ic such as músic, frántic, and phonétic. Occasionally, "penult" refers to the last word but one of a sentence. The terms are often used in reference to languages like Latin and Ancient Greek, where the position of the pitch accent or stress of a word only falls on one of the last three syllables, and sometimes in discussing poetic meter. In certain languages, such as Welsh and Polish, stress is always on the penult. in the World Atlas of Language S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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