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Sanding (dance)
Sanding, also known as sand jigging or sand dancing, is a type of dance performed as a series of slides and shuffles on a sand-strewn floor. In some instances, the sand is spread across an entire stage. In other cases, it is kept in a box that the dancer stays in throughout the dance. Originally a soft-shoe technique, scratching in sand can also add a different texture to the percussion of tap. There is no one type of shoe used to sand dance; traditional tap shoes are used alongside soft shoes and leather boots, all creating a distinctive sound. Willie "The Lion" Smith said of sanding, "You could really hear and feel the rhythm when the dancers shuffled around in a nice pair of patent-leather shoes". The early history of sand dancing is obscure but it seems to have developed as a variant of what in the 19th century was known as "jig dancing" or, more precisely, "straight jig" dancing (to distinguish it from Irish and Scottish dances in 6/8 time). As with other forms of variety the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie "The Lion" Smith
William Henry Joseph Bonaparte Bertholf Smith (November 23, 1893 – April 18, 1973), nicknamed "The Lion", was an American jazz and stride pianist. Early life William Henry Joseph Bonaparte Bertholf, known as Willie, was born in 1893 in Goshen, New York. His mother and grandmother chose his names to reflect different parts of his heritage: Joseph after Saint Joseph (Bible), Bonaparte (French), and Bertholf (biological father's last name). William and Henry which were added for "spiritual balance". When he was three, his mother married John Smith, and Smith was added as the boy's surname, after his stepfather. In his memoir Smith reports that his father, Frank Bertholf (incorrectly spelled Bertholoff in many sources), was Jewish. Smith's New York birth record shows him as William H. Bertholf, with father, Frank Bertholf, a white electrician from nearby Monroe, New York. Smith became at least somewhat conversant in Yiddish and studied Hebrew with children of a Jewish family who w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilson, Keppel And Betty
Wilson, Keppel and Betty formed a popular British music hall and vaudeville act in the middle decades of the 20th century. They capitalised on the fashion for Ancient Egyptian imagery following the discovery of the tomb of Tutankhamun. The " sand dance" that formed the highlight of their act was a parody of postures from Egyptian tomb paintings, combined with references to Arabic costume. The lithe and extremely lanky Wilson and Keppel, who wore long moustaches and make-up to emphasise the sharp angularity of their features and make them appear almost identical, demonstrated their impressive suppleness in adopting wild gestures and dancing in identical "stereo" movements, while Betty joined their antics. The act included a soft-shoe routine performed on a layer of sand spread on the stage to create a rhythmic scratching with their shuffling feet and was usually performed to the familiar '' Egyptian Ballet'' (1875), by Alexandre Luigini. Early careers Jack Wilson (30 January 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street (Manhattan), 155th Street on the north; Fifth Avenue on the east; and 110th Street (Manhattan), Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King, Jr., Boulevard (Manhattan), Martin Luther King Jr. Boulevard, Central Park, and 96th Street (Manhattan), East 96th Street. Originally a Netherlands, Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish American, Jewish and Italian American, Italian Americans in the 19th century, but African-American residents began to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Theater
The Apollo Theater is a music hall at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard (Seventh Avenue) and Frederick Douglass Boulevard (Eighth Avenue) in the Harlem neighborhood of Upper Manhattan in New York City. It is a noted venue for African-American performers, and is the home of ''Showtime at the Apollo'', a nationally syndicated television variety show which showcased new talent, from 1987 to 2008, encompassing 1,093 episodes; the show was rebooted in 2018. The theater, which has a capacity of 1,506, opened in 1913 as Hurtig & Seamon's Music Hall. It was designed by George Keister in the neo-Classical style. Alterations were made that year for showing movies, and it was renamed the Apollo Theater. (It was often referred to as the "125th Street Apollo" to distinguish it from the legitimate Apollo on 42nd Street). In 1924, the Minsky brothers leased the theater for burlesque shows. In 1934, it became a venue for black performers and was opened to black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Sims
Howard "Sandman" Sims (January 24, 1917 – May 20, 2003) was an African-American tap dancer who began his career in vaudeville. He was skilled in a style of dancing that he performed in a wooden sandbox of his own construction, and acquired his nickname from the sand he sprinkled to alter and amplify the sound of his dance steps. "They called the board my Stradivarius," Sims said of his sandbox. From the 1950s to the year 2000, Sims was a regular attraction—a "fixture"—at Harlem's noted Apollo Theater, comedically ushering failed acts offstage with a hook, broom or other prop. He was also involved in New York City's Hoofers Club, a venue primarily for black tap dancers. As part of the resurgence of interest in tap dancing in the 1980s, Sandman Sims served as a cultural ambassador, representing the United States with dance performances around the world. He was featured in the 1989 dance film '' Tap'', along with Sammy Davis Jr., Gregory Hines and Savion Glover, demonstrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Browne (dancer)
Harriet "Quicksand" Browne (August 7, 1932 – September 1, 1997) was an American tap dancer, educator and choreographer who was best known for her innovation in sanding. Browne got a job dancing in the chorus but shortly afterwards got pregnant and had a son, which put a temporary stop to her dancing career. After the birth of her son, she resumed dancing as a soloist and as a member of the chorus in clubs around Chicago. During the 1950s, she toured with Cab Calloway's band. After she got a job in the chorus at a club in Greenwich Village, although she continued to tour, she settled in New York City. She began teaching at the Bronx Dance Theatre during the 1970s. She opened her own studio during the 1980s and founded the Aristaccato Tap Company. Browne specialized in sanding. She appeared on stage with performers such as Flip Wilson, Betty Carter, Dinah Washington, Della Reese, T-Bone Walker, Sister Sledge and The Pointer Sisters. She performed with tap dancers including Bunny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Davis, Jr
Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, dancer, actor, comedian, film producer and television director. At age three, Davis began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally, and his film career began in 1933. After military service, Davis returned to the trio and became an overnight sensation following a nightclub performance at Ciro's (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced by African-American and Jewish communities.Sammy Davis Jr. Biography Biography.com. Retrieved June 6, 2013.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill "Bojangles" Robinson
Bill Robinson, nicknamed Bojangles (born Luther Robinson; May 25, 1878 – November 25, 1949), was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television. According to dance critic Marshall Stearns, "Robinson's contribution to tap dance is exact and specific. He brought it up on its toes, dancing upright and swinging," adding a "hitherto-unknown lightness and presence." His signature routine was the stair dance, in which he would tap up and down a set of stairs in a rhythmically complex sequence of steps, a routine that he unsuccessfully attempted to patent. He is also credited with having popularized the word ''copacetic'' throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Burns
George Burns (born Nathan Birnbaum; January 20, 1896March 9, 1996) was an American comedian, actor, writer, and singer, and one of the few entertainers whose career successfully spanned vaudeville, radio, film and television. His arched eyebrow and cigar-smoke punctuation became familiar trademarks for over three-quarters of a century. He and his wife Gracie Allen appeared on radio, television and film as the comedy duo Burns and Allen. At the age of 79, Burns experienced a sudden career revival as an amiable, beloved and unusually active comedy elder statesman in the 1975 film ''The Sunshine Boys'', for which he won the Academy Award for Best Supporting Actor. Burns was only a Tony Award shy of being one of the few EGOT award recipients in the American entertainment industry, winning an Emmy, a Grammy, and an Oscar. Burns became a centenarian in 1996, continuing to work until just weeks before his death of cardiac arrest at his home in Beverly Hills, shortly after his hundr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variety Theatre
Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compère (master of ceremonies) or host. The variety format made its way from the Victorian era stage in Britain and America to radio and then television. Variety shows were a staple of English language television from the late 1940s into the 1980s. While still widespread in some parts of the world, such as in the United Kingdom with the ''Royal Variety Performance'', and South Korea with '' Running Man'', the proliferation of multichannel television and evolving viewer tastes have affected the popularity of variety shows in the United States. Despite this, their influence has still had a major effect on late night television whose late-night talk shows and NBC's variety series ''Saturday Night Live'' (which originally premiered in 1975) have rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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