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Rude Boy
Rude boy, rudeboy, rudie, rudi, and rudy are slang terms that originated in 1960s Jamaican street culture, and that are still used today. In the late 1970s, there was a revival in England of the terms ''rude boy'' and ''rude girl'', among other variations, being used to describe fans of two-tone ska. The use of these terms moved into the more contemporary ska punk movement as well. In the UK, the terms rude boy and rude girl are used in a way similar to gangsta, yardie or badman. Jamaica The term ''rude boy'', and the rude boy subculture, arose from the poorer sections of Kingston, Jamaica, and was associated with violent discontented youths. Along with ska and rocksteady music, many rude boys favored sharp suits, thin ties, and pork pie or Trilby hats, showing an influence of the fashions of US jazz musicians and soul music artists. Well-known cowboy and gangster/outlaw films from that period were also influential factors in shaping the rude boy image, as scholars like Rob Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slang
Slang is vocabulary (words, phrases, and linguistic usages) of an informal register, common in spoken conversation but avoided in formal writing. It also sometimes refers to the language generally exclusive to the members of particular in-groups in order to establish group identity, exclude outsiders, or both. The word itself came about in the 18th century and has been defined in multiple ways since its conception. Etymology of the word ''slang'' In its earliest attested use (1756), the word ''slang'' referred to the vocabulary of "low" or "disreputable" people. By the early nineteenth century, it was no longer exclusively associated with disreputable people, but continued to be applied to usages below the level of standard educated speech. In Scots dialect it meant "talk, chat, gossip", as used by Aberdeen poet William Scott in 1832: "The slang gaed on aboot their war'ly care." In northern English dialect it meant "impertinence, abusive language". The origin of the word is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah A
According to the Book of Judges, Deborah ( he, דְּבוֹרָה, ''Dəḇōrā'', " bee") was a prophetess of the God of the Israelites, the fourth Judge of pre-monarchic Israel and the only female judge mentioned in the Bible. Many scholars contend that the phrase, "a woman of Lappidot", as translated from biblical Hebrew in Judges 4:4 denotes her marital status as the wife of Lappidot.Van Wijk-Bos, Johanna WH. ''The End of the Beginning: Joshua and Judges''. Wm. B. Eerdmans Publishing, 2019. Alternatively, "lappid" translates as "torch" or "lightning", therefore the phrase, "woman of Lappidot" could be referencing Deborah as a "fiery woman." Deborah told Barak, an Israelite general from Kedesh in Naphtali, that God commanded him to lead an attack against the forces of Jabin king of Canaan and his military commander Sisera (Judges 4:6–7); the entire narrative is recounted in chapter 4. Judges chapter 5 gives the same story in poetic form. This passage, often called ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Calling
''London Calling'' is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records. The Clash recorded the album with producer Guy Stevens at Wessex Sound Studios in London during August, September and November 1979, following a change in management and a period of writer's block for songwriters Joe Strummer and Mick Jones. Bridging a traditional punk rock sound and a new wave aesthetic, ''London Calling'' reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock. Themes include social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood. The album was a top ten chart success in the UK, and its lead single "London Calling" was a top 20 single. The album has sold over five million copie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudie Can't Fail
"Rudie Can't Fail" is a song by the English punk rock band the Clash, featured on their 1979 album ''London Calling''. The song was written by Joe Strummer and Mick Jones, who sing it as a duet. Composition Like some songs on ''London Calling'', "Rudie Can't Fail" has a strong reggae, rocksteady influence. Donald A. Guarisco of Allmusic described it as "an exuberant horn-driven number that mixes pop and soul elements in to spice up its predominantly reggae sound".Rudie Can't Fail at Lyrics "Rudie Can't Fail" praises the s of |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Tone Records
2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records. History Jerry Dammers of the ska revival band the Specials started the record label in 1979. Chrysalis had wanted to sign the Specials, but Dammers arranged a label deal, for Chrysalis to fund 15 singles a year and release at least ten of those. The label spawned the 2 Tone music and cultural movement, which was popular among skinheads, rudies and some mod revivalists. The label stopped operating in 1986, though "2 Tone" is still used as an imprint for back catalogue issues. 2 Tone Records signed the Selecter, Madness and The Beat, but they all left within two years. 2 Tone Records acts signed a contract that allowed them to leave the label after releasing just one single, which was unusual in the record industry. Madness and The Beat both took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Specials
The Specials, also known as The Special AKA, are an English Two-tone (music genre), 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall (singer), Terry Hall and Neville Staple on vocals, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, Jerry Dammers on keyboards, John Bradbury (drummer), John Bradbury on drums, and Dick Cuthell and Rico Rodriguez (musician), Rico Rodriguez on horn. Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk rock, punk. Lyrically, they present a "more focused and informed political and social stance". The band wore mod (subculture), mod-style "1960s period rude boy outfits (pork pie hats, tonic and mohair suits and loafers)". In 1980, the song "Too Much Too Young", the lead track on their ''The Special AKA Live!'' Extended play, EP, reached No. 1 on the UK Singles Chart. In 1981, the recessi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skinhead
A skinhead is a member of a subculture which originated among working class youths in London, England, in the 1960s and soon spread to other parts of the United Kingdom, with a second working class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working class solidarity, skinheads (often shortened to "skins" in the UK) are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide. The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod (subculture)
Mod, from the word modernist, is a subculture that began in London and spread throughout Great Britain and elsewhere, eventually influencing fashions and trends in other countries, and continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed ''modernists'' because they listened to modern jazz. Elements of the mod subculture include fashion (often tailor-made suits); music (including soul, rhythm and blues, ska and mainly jazz) and motor scooters (usually Lambretta or Vespa). In the mid-1960s, the subculture listened to power pop rock groups with mod following, such as the Who and Small Faces, after the peak Mod era. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs. During the early to mid-1960s, as mod grew and spread throughout the UK, certain elements of the mod scene became engaged in well-publicised clashes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaican Diaspora
The Jamaican diaspora refers to the body of Jamaicans who have left the island of Jamaica, their dispersal and to a lesser extent the subsequent developments of their culture. Jamaicans can be found in the far corners of the world, but the largest pools of Jamaicans, outside of Jamaica itself, exist in the United States, United Kingdom, Canada, other Caribbean islands, and all across the Caribbean Coast of Central America, namely Panama, Cuba, Costa Rica, Nicaragua, and Honduras. Reasons for emigration Early instances of Jamaican emigration were motivated by employment opportunities abroad. During the economic transition from slavery to wage labor, Indian-Jamaican migration to former slave industries (like sugar production) allowed select Black Jamaicans to find work in more skilled industries and to attain higher social statuses. Jamaicans of various skill levels supplied labor internationally, especially during the two phases of the Panama Canal's construction in the 1880s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
