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Rembetiko
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gre ...
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Rebetiko Rock
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gre ...
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Rebetes
A rebetis (Greek: ρεμπέτης ; pl. rebetes ρεμπέτες {{IPA, e(m)ˈbetes}) is a musician involved in the scene of the Greek musical genre of rebetiko, which flourished between 1920 and 1955. Prominent ''rebetes'' include: *Rita Abatzi * Babis Tsertos *Yiorgos Batis *Sotiria Bellou * Anestis Delias *Roza Eskenazi * Mihalis Genitsaris * Dimitris Gogos (Bayianderas) * Giannis Eitziridis (Yovan Tsaous) * Apostolos Hatzichristos * Manolis Hiotis * Manolis Chrysafakis * Anna Chrysafi * Apostolos Nikolaidis *Marika Ninou *Giannis Papaioannou *Vangelis Papazoglou * Stratos Pagioumtzis * Stelios Perpiniadis (Stellakis) *Kostas Roukounas *Kostas Skarvelis *Prodromos Tsaousakis *Vassilis Tsitsanis *Markos Vamvakaris (Markos) * Kostas Kaplanis * Andonis Kalyvopoulos * A. Kostis * Antonis Dalgas * Giorgos Theologitis (Katsaros) * Stelios Keromytis * Giorgos Mouflouzelis * Giorgos Kavouaras * Odysseas Moshonas ''Note'': Sometimes (not without controversy) this definition is extended ...
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Rast (maqam)
Rast Panjgah (or Rast; fa, راست پنج گاه) is the name of a ''dastgah'' (musical mode) in Iranian music and of a '' maqam'' in Arabic and related systems of music. ''Rast'' () is a Persian word meaning "right" or "direct". Rast is regarded as the basic ''dastgah'' in Iranian music and later on was adopted in Arabic and Turkish makam music, in the same way as the major scale in Western music, though it is rather different from the major scale in detail. ''Rast'' features a half-flat third and a half-flat seventh scale degree In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals a ...s. Middle eastern Sephardic Jews liken the word ''rast'' to "head" from the Hebrew word ''rosh''. Therefore, they have a tradition of applying maqam rast to the prayers whenever they begin a new Tora ...
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