Raijin
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Raijin
, also known as , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder and storms in Japanese mythology and the Shinto religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese temples and shrines. He is usually depicted alongside Fūjin, the god of wind. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large hammers in his hands that he uses to play the drums. In some cases, Raijin is portrayed with three fingers which are said to represent the past, present and future. Two of the most notable sculptures of Raijin are located in the Sanjusangendo temple and the Taiy ...
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Raijin In Sanjūsangen-dō
, also known as , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder and storms in Japanese mythology and the Shinto religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese temples and shrines. He is usually depicted alongside Fūjin, the god of wind. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large hammers in his hands that he uses to play the drums. In some cases, Raijin is portrayed with three fingers which are said to represent the past, present and future. Two of the most notable sculptures of Raijin are located in the Sanjusangendo temple and the Taiyui ...
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Raitaro
Raitaro is a god of thunder in Japanese mythology. According to Japanese mythological traditions, the deity is also the son of Raijin , also known as , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder and storms in Japanese mythology and the Shinto religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beatin .... The tradition states that, when Raitaro was young, he was found by a farmer named Bimbo. References Japanese religious terminology Japanese mythology Thunder gods {{Japanese mythology ...
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Kaminarimon
The is the outer of two large entrance gates that ultimately leads to the Sensō-ji (the inner being the Hōzōmon) in Asakusa, Tokyo, Japan. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 m tall, 11.4 m wide and covers an area of 69.3 m2. The first gate was built in 941, but the current gate dates from 1960, after the previous gate was destroyed in a fire in 1865. History The Kaminarimon was first built in 941 AD by Taira no Kinmasa, a military commander. It was originally located near Komagata, but it was reconstructed in its current location in 1635. This is believed to be when the gods of wind and thunder were first placed on the gate. The gate has been destroyed many times throughout the ages. Four years after its relocation, the Kaminarimon burned down, and in 1649 AD, Tokugawa Iemitsu had the gate rebuilt along with several other of the major structures in the temple complex. The gate burned to the ground in 1757 AD and ag ...
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Sanjūsangen-dō
is a Buddhist temple of the Tendai sect in the Higashiyama district of Kyoto, Japan. The temple was founded in 1164 by Taira no Kiyomori for the cloistered Emperor Go-Shirakawa. It is officially known as and belongs to the Myōhō-in temple complex. Sanjūsangen-dō is most famous for its massively long ''hondō'' (main hall) dating from 1266 (Kamakura period) and designated a National Treasure of Japan, and the collection of sculptures it houses, including 1001 standing Thousand-armed Kannon, 28 standing attendants, a statue of Fūjin and a statue of Raijin, and the principal image of the temple, a big seated statue of Thousand-armed Kannon, all of them designated National Treasures in the category of sculptures, most of them dating to the Heian to Kamakura periods. History Sanjūsangen-dō was founded by the famous ''samurai'' and politician Taira no Kiyomori (1118-1181) in 1164 for the cloistered Emperor Go-Shirakawa. He built the temple in the emperor's own comp ...
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Emperor Of Japan
The Emperor of Japan is the monarch and the head of the Imperial House of Japan, Imperial Family of Japan. Under the Constitution of Japan, he is defined as the symbol of the Japanese state and the unity of the Japanese people, and his position is derived from "the will of the people with whom resides sovereign power". Imperial Household Law governs the line of Succession to the Japanese throne, imperial succession. The emperor is sovereign immunity, immune from prosecution by the Supreme Court of Japan. He is also the head of the Shinto religion. In Japanese language, Japanese, the emperor is called , literally "Emperor of heaven or "Heavenly Sovereign". The Japanese Shinto religion holds him to be the direct descendant of the sun goddess Amaterasu. The emperor is also the head of all national Orders, decorations, and medals of Japan, Japanese orders, decorations, medals, and awards. In English, the use of the term for the emperor was once common but is now considered obsolete ...
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Yomi
is the Japanese word for the land of the dead (World of Darkness). According to Shinto mythology as related in ''Kojiki'', this is where the dead go in the afterlife. Once one has eaten at the hearth of Yomi it is (mostly) impossible to return to the land of the living. Yomi in Japanese mythology is comparable to Hades or Sheol and is most commonly known for Izanami's retreat to that place after her death. Izanagi followed her there and upon his return he washed himself, creating Amaterasu, Susanoo, and Tsukuyomi-no-Mikoto in the process. This realm of the dead seems to have geographical continuity with this world and certainly cannot be thought of as a paradise to which one would aspire, nor can it appropriately be described as a hell in which one suffers retribution for past deeds; rather, all deceased carry on a gloomy and shadowy existence in perpetuity, regardless of their behavior in life. Many scholars believe that the image of Yomi was derived from ancient Japanese tombs ...
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Izanagi
Izanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally known as , is the creator deity (''kami are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the sp ...'') of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the Kamiyonanayo, seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo-no-Mikoto, Susanoo. Name His name is given in the ''Kojiki'' (ca. 712 AD) both as ''Izanagi-no-Kami'' (伊邪那岐神) and ''Izanagi-no-Mikoto'' (伊邪那岐命), while the ''Nihon Shoki'' (720 AD) ...
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Izanami
, formally known as , is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. Name Her name is given in the '' Kojiki'' (ca. 712 AD) both as ''Izanami-no-Kami'' (伊弉冉神) and ''Izanami-no-Mikoto'' (伊弉冉尊), while the '' Nihon Shoki'' (720 AD) refers to her as ''Izanami-no-Mikoto'', with the name written in different characters (伊邪那美命). The names ''Izanagi'' (''Izanaki'') and ''Izanami'' are often interpreted as being derived from the verb ( historical orthography ) or ''iⁿzanap''- from Western Old Japanese 'to invite' , with ''-ki'' / ''-gi'' ...
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Raijū
Raijū ( 雷獣, "thunder animal" or "thunder beast") is a legendary creature from Japanese mythology. Mythology Its body is composed of lightning and with the form of a white and blue wolf or dog (or even a wolf or dog wrapped in lightning) being the most common, although it can be represented with other forms such as tanuki, leopard, fox, weasel, marten, tiger, cat, bear, porcupine, tapir, elephant, rat, rabbit, bat, squirrel, boar, deer, badger, mongoose, civet, insectivoran, pangolin, monkey, rhinoceros, sea creature (usually a marine mammal such as a dugong, whale, dolphin, porpoise or seal, although it can also take form of a fish, mollusk or crustacean), insect, arachnid, millipede, centipede, qilin or dragon. It may also fly about as a ball of lightning (in fact, the creature may be an attempt to explain the phenomenon of lightning, such as ball lightning). Its cry sounds like thunder. Raiju is the companion of the Raijin, the Shinto god of lightning. While the beast i ...
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Paint
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house.) Usually, the object being painted must be over , although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as . History Paint was ...
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Gold Leaf
Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Silver-colored white gold is about 50% pure gold. Layering gold leaf over a surface is called gold leafing or gilding. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. In art Gold leaf is sometimes used in art in a "raw" state, without a gilding process. In cultures including the European Bronze Age it ...
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