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Rude Boy
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms ''rude boy'' and ''rude girl'', among other variations like ''rudeboy'' and ''rudebwoy'', being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called "Windrush" generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms ''rude boy'' and ''rude girl'' are used in a way similar to gangsta, yardie, or badman. Jamaica The term ''rude boy'', and the rude boy subculture, arose from the poorer sections of Kingston, Jamaica, and was associated with violent discontented youths. Along with ska and rocksteady music, many rude boys favored sharp suits, thin ties, and pork pie or Trilby hats, showing an influence of the fashions of US jazz musicians and soul music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Buster
Cecil Bustamente Campbell (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists. Early life Cecil Bustamente Campbell was born in Orange Street in Kingston, Jamaica, Kingston, Jamaica, on 24 May 1938. His middle name was given to him by his family in honour of the Labour activist and first post-Independence Prime Minister Alexander Bustamante, William Alexander Clarke Bustamante. In the early 1940s, Campbell was sent to live with his grandmother in rural Jamaica where his family's commitment to the Christian faith, gave him his earliest musical experiences in the form of church singing as well as private family prayer and hymn meetings. Returning to live at Orange Street while still a young boy, Campbell attended the Central Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah A
According to the Book of Judges, Deborah (, ''Dəḇōrā'') was a prophetess of Judaism, the fourth Judge of pre-monarchic Israel, and the only female judge mentioned in the Hebrew Bible. Many scholars contend that the phrase, "a woman of Lappidoth", as translated from biblical Hebrew in Judges 4:4 denotes her marital status as the wife of Lapidoth.Van Wijk-Bos, Johanna WH. ''The End of the Beginning: Joshua and Judges''. Wm. B. Eerdmans Publishing, 2019. Alternatively, "lappid" translates as "torch" or "lightning", therefore the phrase, "woman of Lappidoth" could be referencing Deborah as a "fiery woman." Deborah told Barak, an Israelite general from Kedesh in Naphtali, that God commanded him to lead an attack against the forces of Jabin king of Canaan and his military commander Sisera (Judges 4:6–7); the entire narrative is recounted in chapter 4. Judges 5 gives the same story in poetic form. This passage, often called ''The Song of Deborah'', may date to as early a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudie Can't Fail
"Rudie Can't Fail" is a song by the English punk rock band the Clash, featured on their 1979 album '' London Calling''. The song was written by Joe Strummer and Mick Jones, who sing it as a duet. Composition Like some songs on ''London Calling'', "Rudie Can't Fail" has a strong reggae, rocksteady influence. Donald A. Guarisco of Allmusic described it as "an exuberant horn-driven number that mixes pop and soul elements in to spice up its predominantly reggae sound".Rudie Can't Fail at Lyrics "Rudie Can't Fail" praises the rude boys of |
The Clash
The Clash were an English Rock music, rock band formed in London in 1976. Billed as "The Only Band That Matters", they are considered one of the most influential acts in the original wave of British punk rock, with their music fusing elements of reggae, Dub music, dub, funk, ska, and rockabilly. The band also contributed to the and new wave music, new wave movements that followed. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones (The Clash guitarist), Mick Jones, bassist Paul Simonon, and drummer Topper Headon, Nicky "Topper" Headon. The Clash achieved critical and commercial success in the United Kingdom with the release of their debut album ''The Clash (album), The Clash'' (1977) and their second album ''Give 'Em Enough Rope'' (1978). Their experimental third album ''London Calling'', which was released in the UK in December 1979, earned them popularity in the United States, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Tone Records
2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records. History Jerry Dammers of the ska revival band the Specials started the record label in 1979. Chrysalis had wanted to sign the Specials, but Dammers arranged a label deal, for Chrysalis to fund 15 singles a year and release at least ten of those. The label spawned the 2 Tone (music genre), 2 Tone music and cultural movement, which was popular among skinheads, Rude Boy, rudies and some mod revivalists. The label stopped operating in 1986, though "2 Tone" is still used as an imprint for back catalogue issues. 2 Tone Records signed the Selecter, Madness (band), Madness and The Beat (British band), The Beat, but they all left within two years. 2 Tone Records acts signed a contract that allowed them to leave the label after releasing just one single, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Specials
The Specials, also known as the Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ( pork pie hats, tonic and mohair suits and loafers)". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work (often written by primary songwriter Dammers) presented overt political and social commentary. In 1980, their '' The Special AKA Live!'' EP, featuring lead track "Too Much Too Young", reached No. 1 on the UK Singles Chart. In 1981, the recession-themed single " Ghost Town" also hit No. 1 in the UK. After seven consecutive UK top 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Tone (music Genre)
Two-tone, or 2 tone, also known as ska-rock and ska revival, is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of the Specials, and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as the Specials, the Selecter and the Beat, featured a mix of black, white, and multiracial people. Originating in Coventry in the West Midlands of England in the late 1970s, it was part of the second wave of ska music. It followed on from the first ska music that developed in Jamaica in the 1950s and 1960s, infused with punk and new wave textures. Although two-tone's mainstream commercial appeal was largely limited to the UK, it influenced the ska punk movement that developed in the US in the late 1980s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skinhead
A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide. The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and working class pride, rejecting both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod (subculture)
Mod, from the word ''modernist'', is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed ''modernists'' because they listened to modern jazz. Elements of the mod subculture include fashion (often tailor-made suits), music (including soul, rhythm and blues and ska, but mainly jazz). They rode motor scooters, usually Lambrettas or Vespas. In the mid-1960s, members of the subculture listened to rock groups with rhythm and blues (R&B) influences, such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs. During the early to mid-1960s, as the mod movement grew and spread throughout Britain, certain elements of the mod scene be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamaican Diaspora
The Jamaican diaspora refers to the body of Jamaicans who have left the country of Jamaica, their descendants, and to a lesser extent the subsequent developments of their culture. Jamaicans can be found in the far corners of the world, but the largest pools of Jamaicans, outside of Jamaica itself, exist in the United States, United Kingdom, Canada, the Cayman Islands and all across the Caribbean Coast of Central America, namely Panama, Cuba, Costa Rica, Nicaragua, and Honduras. Reasons for emigration Early instances of Jamaican emigration were motivated by employment opportunities abroad. During the economic transition from slavery to wage labor, Indian-Jamaican migration to former slave industries (like sugar production) allowed select Black Jamaicans to find work in more skilled industries and to attain higher social statuses. Jamaicans of various skill levels supplied labor internationally, especially during the two phases of the Panama Canal's construction in the 1880s and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots reggae, roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, This music genre wasn't officially named until the 1980s, when the two words ''Dance'' and ''Hall'' (referring to the common venue) were joined to form ''Dancehall'', which was then promoted internationally for the first time. At that time digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican English, Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s; by the 1990s, it became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
