|
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xavier Cugat
Xavier Cugat (; 1 January 1900 – 27 October 1990) was a Spanish musician and bandleader who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music. In New York City he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Life and career Cugat was born Francisco de Asís Javier Cugat Mingall de Bru y Deulofeu * ''One, Two, Three, Kick – Congas'' (Victor, 1941) * ''Cugat's Favorite Rhumbas'' (Columbia, 1945) * ''In Santiago, Chile'' (Tain't Chilly At All) (Columbia], 1948) * ''Siesta'' (Columbia, 1948) * ''Tropical Bouquets'' (Columbia, 1949) * ''Relaxing with Cugat'' (Columbia, 1952) * ''Dancetime with Cugat'' (RCA Victor, 1953) * ''Cugat's Favorite Rhumbas'' (Columbia, 1954) * ''Ole!'' (Columbia, 1955) * ''Mambo at the Waldorf'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballroom Dance
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boleros
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse '' canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Dance Pattern
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa. "Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1932 it was used a verb to denote the bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Music (genre)
Latin music ( Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Spain and Portugal) and the Latino United States inspired by Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish and/or Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. Following protests from Latinos in New York, a category for Latin music was created by National Recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lecuona Cuban Boys
The Lecuona Cuban Boys was a popular Cuban orchestra which toured the world for over forty years. The band was founded by Ernesto Lecuona, whose role was that of a patron-entrepreneur. He did not actually play with the band, but sometimes gave a piano recital before the band played. The core of the band was put together in 1931 as ''Orquesta Encanto''; the band changed name early in 1934. On tour in Europe, in 1934, Lecuona returned to Cuba, and Armando Oréfiche took charge of the band in Europe. Ernesto gave them the gift of his name, which, at the time, was a property well worth having, and the right to use a number of his compositions. The LCB was exceptionally strong in arrangements, compositions and instrumental quality (most of them could play two or three instruments). Their only weak spot was the lack of a really first-rate Cuban singer, but that was not so important as might seem because they played so often to non-Latin audiences. Some of their pick-up singers could sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Manisero
"El manisero", known in English as "The Peanut Vendor", is a Cuban son- pregón composed by Moisés Simons. Together with "Guantanamera", it is arguably the most famous piece of music created by a Cuban musician. "The Peanut Vendor" has been recorded more than 160 times,Listed in Díaz Ayala, Cristóbal 1988. ''Si te quieres por el pico divertir: historia del pregón musical latinoamericano''. Cubanacan, San Juan P.R. p317–322. ist fairly complete up to 1988/ref> sold over a million copies of the sheet music, and was the first million-selling 78 rpm single of Cuban music. History The score and lyrics of "El manisero" were by Moises Simons (1889–1945), the Cuban son of a Spanish musician. It sold over a million copies of sheet music for E.B. Marks Inc., and this netted $100,000 in royalties for Simons by 1943.Sublette, Ned 2004. ''Cuba and its music: from the first drums to the mambo''. Chicago. Chapter 17, p399. Its success led to a 'rumba craze' in the US and Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as '' montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Machín
Antonio Abad Lugo Machín (11 February 1903, in Sagua la Grande, Cuba – 4 August 1977, in Madrid, Spain) was a Spanish-Cuban singer and musician. His version of ''El Manisero'', recorded in New York, 1930, with Don Azpiazú's orchestra, was the first million record seller for a Cuban artist. Although this was labelled a rhumba, it was in reality a son pregón, namely, a song based on a street-seller's cry. Biography Machín was a mixed-race son of a Cuban woman, Leoncia Machín, and a Spanish father, José Lugo Padrón, who emigrated to Cuba from Galicia, Spain. Machín was one of sixteen children. His early years were difficult: he was forced to work at the age of eight to help pay some of his father's numerous debts. One day, he was in the street by his house singing quietly. A priest that walked by heard him and immediately encouraged him to sing at a party. He sang '' Ave María'' by Schubert. From that day on Machín was determined to become a singer. Machín's ambition was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harl McDonald
Harl McDonald (July 27, 1899 - March 30, 1955) was an American composer, conductor, pianist and teacher. McDonald was born in Boulder, Colorado, and studied at the University of California, Berkeley, the University of Redlands, and the Leipzig Conservatory. He was appointed a lecturer at the University of Pennsylvania in 1927 and enjoyed other appointments at the University including the Director of the Music Department and Director of the University's Choral Society and the University of Pennsylvania Glee Club. Among his students there was Ann Wyeth McCoy. In addition to his administrative duties with the University, McDonald composed numerous musical works and served on the board of directors of the Philadelphia Orchestra Association. He died in Princeton, New Jersey due to a stroke at the age of 55 while helping to direct the production of a motion picture film on orchestral music. His four symphonies are subtitled "The Santa Fe Trail" (#1 - 1933), "The Rhumba" (#2 - 1934), "La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enric Madriguera
Enric R. Madriguera (17 February 1902 – 7 September 1973) was a violinist of Catalan origin who was playing concerts as a child before he studied at the Barcelona Conservatory. (The Castilian form of his name is Enrique, which he sometimes used on records.) Biography He was born in Barcelona, Spain, and whilst still in his twenties he was lead violinist at Boston's and Symphony orchestras, before becoming the conductor of the Cuban Philharmonic. In the late 1920s, Madriguera played in Ben Selvin's studio orchestra at in New York, and served briefly as that company's director of Lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards " I'm Glad There Is You (In This World of Ordinary People)" and " It's The Dreamer In Me". His other major recordings were " Tailspin", " John Silver", " So Many Times", " Amapola", "Brazil ( Aquarela do Brasil)", " Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and " So Rare". He played clarinet on the seminal jazz standards " Singin' the Blues" in 1927 and the original 1930 recording of " Georgia on My Mind", which were inducted into the Grammy Hall of Fame. Early life Jimmy Dorsey was born in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
