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Responsories
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsories (Reger)
The Responsories by the German composer Max Reger are 20 short settings of mostly biblical texts in English, to be used as responsories in Lutheran church services. Composed in 1911, they were first published in Philadelphia in 1914 as ''The Responsories''. History Reger composed the responsories in 1911 to English texts for Luther D. Reed, a professor of liturgy who wanted to use contemporary music in services of the American Lutheran Church. Reed was interested in a return to older forms of services such as vespers which call for responsorial singing. In the summer of 1911, the organist Harry G. Archer travelled to Germany and requested a setting by Reger of the texts on Reed's behalf. Reger, who spoke no English, is reported to have asked Archer for a detailed translation, explaining the meaning of single words and marking stressed syllables. Reger wrote the music and apparently had the manuscript checked, as later changes show. The compositions were completed in September 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenebrae Responsories, Op
Tenebrae (—Latin for "darkness") is a religious service of Western Christianity held during the three days preceding Easter Day, and characterized by gradual extinguishing of candles, and by a "strepitus" or "loud noise" taking place in total darkness near the end of the service. Tenebrae was originally a celebration of matins and lauds of the last three days of Holy Week (Maundy Thursday, Good Friday, and Holy Saturday) in the evening of the previous day (Holy Wednesday, Maundy Thursday and Good Friday) to the accompaniment of special ceremonies that included the display of lighted candles on a special triangular candelabra. Modern celebrations called Tenebrae may be of quite different content and structure, based for example on the Seven Last Words or readings of the Passion of Jesus. They may be held on only one day of Holy Week, especially Spy Wednesday (Holy Wednesday). They may be held during the daylight hours and the number of candles, if used, may vary. Tenebrae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy Of The Hours
The Liturgy of the Hours (Latin: ''Liturgia Horarum'') or Divine Office (Latin: ''Officium Divinum'') or ''Opus Dei'' ("Work of God") are a set of Catholic prayers comprising the canonical hours, often also referred to as the breviary, of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and sanctifying the day with prayer." The term "Liturgy of the Hours" has been retroactively applied to the practices of saying the canonical hours in both the Christian East and West–particularly within the Latin liturgical rites–prior to the Second Vatican Council, and is the official term for the canonical hours promulgated for usage by the Latin Church in 1971. Before 1971, the official form for the Latin Church was the ''Breviarium Romanum'', first published in 1568 with major editions through 1962. The Liturgy of the Hours, like many other forms of the canonical hours, consists primarily of psalms supplemented by hymns, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Week
Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, which includes Eastern Orthodox, Eastern Catholic and Eastern Lutheran traditions, Holy Week occurs the week after Lazarus Saturday and starts on the evening of Palm Sunday. In the denominations of the Western Christianity, which includes the Roman Catholicism, Lutheranism, Moravianism, Anglicanism, Methodism and Reformed Christianity, it begins with Palm Sunday and concludes on Easter Sunday. For all Christian traditions it is a moveable observance. In Eastern Rite Churches, Holy Week starts after 40 days of Lent and two transitional days, namely Saturday of Lazarus (Lazarus Saturday) and Palm Sunday. In the Western Christian Churches, Holy Week falls on the last week of Lent or Sixth Lent Week. Holy Week begins with the commemoratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matins
Matins (also Mattins) is a canonical hour in Christian liturgy, originally sung during the darkness of early morning. The earliest use of the term was in reference to the canonical hour, also called the vigil, which was originally celebrated by monks from about two hours after midnight to, at latest, the dawn, the time for the canonical hour of lauds (a practice still followed in certain orders). It was divided into two or (on Sundays) three nocturns. Outside of monasteries, it was generally recited at other times of the day, often in conjunction with lauds. In the Byzantine Rite these vigils correspond to the aggregate comprising the midnight office, orthros, and the first hour. Lutherans preserve recognizably traditional matins distinct from morning prayer, but "matins" is sometimes used in other Protestant denominations to describe any morning service. In the Anglican daily office, the hour of matins (also spelled mattins) is a simplification of matins and lauds from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chant
A chant (from French ', from Latin ', "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music). Chant as a spiritual practice Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chanting may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development. Some examples include chant in African, Hawaiian, and Native American, Assyrian and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rutter
John Milford Rutter (born 24 September 1945) is an English composer, conductor, editor, arranger, and record producer, mainly of choral music. Biography Born on 24 September 1945 in London, the son of an industrial chemist and his wife, Rutter grew up living over the Globe pub on London's Marylebone Road. He was educated at Highgate School where fellow pupils included John Tavener, Howard Shelley, Brian Chapple and Nicholas Snowman, and as a chorister there took part in the first (1963) recording of Britten's ''War Requiem'' under the composer's baton. He then read music at Clare College, Cambridge, where he was a member of the choir. While still an undergraduate, he had his first compositions published, including the Shepherd's Pipe Carol. He served as director of music at Clare College from 1975 to 1979 and led the choir to international prominence. In 1981, Rutter founded his own choir, the Cambridge Singers, which he conducts and with which he has made many recordings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Dismas Zelenka
Jan Dismas Zelenka (16 October 1679 – 23 December 1745), baptised Jan Lukáš Zelenka was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and mastery of counterpoint. Zelenka was raised in Central Bohemia, educated in Prague and Vienna, and spent his professional life in Dresden. The greatest success during his career was the performance of the extensive composition ''Sub olea pacis et palma virtutis'' in the presence of the Emperor Charles VI, shortly after his coronation as king of Bohemia in 1723. Life Early life Zelenka was born in Louňovice pod Blaníkem, a market town southeast of Prague, in Bohemia. He was the eldest of eight children born to Marie Magdalena (née Hájek) and Jiří Zelenka. The middle name Dismas is probably his confirmation name. Zelenka's father Jiří was a schoolmaster and organist in Louňovice, and was likely his first music teacher. Nothing more is known with certainty about Zelen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them ''in flagrante delicto''. Biography Early life Gesualdo's family had acquired the principality of Venosa in what is now the Province of Potenza, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother Luigi, though some sources have stated that he was born on March 8. Older ones give the year of birth as 1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was Carlo Borromeo, later Saint Charles Borromeo. His mother was the niece of Pope Pius IV. Most likely Carlo was born at Venosa, then par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
