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Rembetika
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetiko Rock
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetes
A rebetis (Greek: ρεμπέτης ; pl. rebetes ρεμπέτες {{IPA, e(m)ˈbetes}) is a musician involved in the scene of the Greek musical genre of rebetiko, which flourished between 1920 and 1955. Prominent ''rebetes'' include: *Rita Abatzi * Babis Tsertos *Yiorgos Batis *Sotiria Bellou * Anestis Delias *Roza Eskenazi * Mihalis Genitsaris * Dimitris Gogos (Bayianderas) * Giannis Eitziridis (Yovan Tsaous) * Apostolos Hatzichristos * Manolis Hiotis * Manolis Chrysafakis * Anna Chrysafi * Apostolos Nikolaidis *Marika Ninou *Giannis Papaioannou *Vangelis Papazoglou * Stratos Pagioumtzis * Stelios Perpiniadis (Stellakis) *Kostas Roukounas *Kostas Skarvelis *Prodromos Tsaousakis *Vassilis Tsitsanis *Markos Vamvakaris (Markos) * Kostas Kaplanis * Andonis Kalyvopoulos * A. Kostis * Antonis Dalgas * Giorgos Theologitis (Katsaros) * Stelios Keromytis * Giorgos Mouflouzelis * Giorgos Kavouaras * Odysseas Moshonas ''Note'': Sometimes (not without controversy) this definition is extended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast (maqam)
Rast Panjgah (or Rast; fa, راست پنج گاه) is the name of a ''dastgah'' (musical mode) in Iranian music and of a '' maqam'' in Arabic and related systems of music. ''Rast'' () is a Persian word meaning "right" or "direct". Rast is regarded as the basic ''dastgah'' in Iranian music and later on was adopted in Arabic and Turkish makam music, in the same way as the major scale in Western music, though it is rather different from the major scale in detail. ''Rast'' features a half-flat third and a half-flat seventh scale degree In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals a ...s. Middle eastern Sephardic Jews liken the word ''rast'' to "head" from the Hebrew word ''rosh''. Therefore, they have a tradition of applying maqam rast to the prayers whenever they begin a new Tora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called ''makam'', ''dastgah'' or ''echos'', are a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major And Minor
In Western music, the adjectives major and minor may describe a chord, scale, or key. As such, composition, movement, section, or phrase may be referred to by its key, including whether that key is major or minor. Intervals Some intervals may be referred to as ''major'' and ''minor''. A major interval is one semitone larger than a minor interval. The words ''perfect'', ''diminished'', and ''augmented'' are also used to describe the quality of an interval. Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented). Unisons, fourths, fifths, and octaves and their compound interval must be perfect (or, rarely, diminished or augmented). In Western music, a minor chord "sounds darker than a major chord". Kamien, Roger (2008). ''Music: An Appreciation'', 6th Brief Edition, p. 46. . Scales and chords The other uses of ''major'' and ''minor'' generally refer to scales and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
țambal
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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