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Pub Song
In English popular culture, the "traditional" pub songs typified by the Cockney " knees up" mostly come from the classics of the music hall, along with numbers from film, the stage and other forms of popular music. The tradition is continued in the UK by acts such as Chas & Dave and a Tribute to Chas and Dave called Gertcha, many of whose works are in a 'pub song' format. Typical songs include: *" Any Old Iron" *"Daddy Wouldn't Buy Me a Bow Wow" *" Knees Up Mother Brown" *"My Old Man's a Dustman" *" Nellie Dean" *" Underneath the Arches" *" Where Did You Get That Hat?" See also *List of public house topics *Pub rock (Australia) *Pub rock (United Kingdom) Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock a ... References {{DEFAULTSORT:Pub Song Folk music genres Pubs Drinking son ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and ...
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Nellie Dean
"(You're My Heart's Desire, I Love You) Nellie Dean" is a sentimental ballad in common time by Henry W. Armstrong, published in 1905 by M. Witmark & Sons of New York City. The original sheet music is scored in B-flat major for voice and piano and marked '' andante moderato''. It was taken up in 1907 by the British music hall singer Gertie Gitana, becoming her most famous song. It subsequently became popular in the UK as a pub song, particularly the chorus (''There's an old mill by the stream, Nellie Dean…''), which was often sung by itself. A book published in 1977 claimed that "The song most often sung in pubs during the present century must surely be ''Nellie Dean''." Armstrong also performed the song himself. In 1945, when he was 66, ''Billboard'' magazine reported he "picked up an extra hand from the British seamen with his throating of 'Nellie Dean'" during a show in Brooklyn put on by the entertainment unit of the Songwriters' Protective Association. Ellen (Nelly) ...
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Folk Music Genres
Folk or Folks may refer to: Sociology *Nation *People * Folklore ** Folk art ** Folk dance ** Folk hero ** Folk music *** Folk metal *** Folk punk *** Folk rock ** Folk religion * Folk taxonomy Arts, entertainment, and media * Folk Plus or Folk +, an Albanian folk music channel * Folks (band), a Japanese band * ''Folks!'', a 1992 American film People with the name * Bill Folk (born 1927), Canadian ice hockey player * Chad Folk (born 1972), Canadian football player * Elizabeth Folk (c. 16th century), British martyr; one of the Colchester Martyrs * Eugene R. Folk (1924–2003), American ophthalmologist * Joseph W. Folk (1869–1923), American lawyer, reformer, and politician * Kevin Folk (born 1980), Canadian curler * Nick Folk (born 1984), American football player * Rick Folk (born 1950), Canadian curler * Robert Folk (born 1949), American film composer Other uses * Folk classification, a type of classification in geology * Folks Nation, an alliance of American street gangs ...
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Pub Rock (United Kingdom)
Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes of the time. Although short-lived, pub rock was live rock played in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub rockers sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclast ...
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Pub Rock (Australia)
Pub rock is a style of Australian rock and roll popular throughout the 1970s and 1980s, and that was still influencing contemporary Australian music in the 2000s. The term came from the venues where most of these bands originally played — inner-city and suburban pubs. These often noisy, hot, small and crowded venues were not always ideal as music venues and favoured loud, simple songs based on drums and electric guitar riffs. The Australian version of pub rock incorporates hard rock, blues rock, and/or progressive rock. In the '' Encyclopedia of Australian Rock and Pop'' (1999), Australian musicologist Ian McFarlane described how, in the early 1970s, Billy Thorpe & The Aztecs, Blackfeather, and Buffalo pioneered Australia's pub-rock movement. Australian rock music journalist Ed Nimmervoll declared, " e seeds for Australian heavy rock can be traced back to two important sources, Billy Thorpe's Seventies Aztecs and Sydney band Buffalo". Origins The emergence of the Aust ...
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List Of Public House Topics
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing ...
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Where Did You Get That Hat?
"Where Did You Get That Hat?" is a comic song which was composed and first performed by Joseph J. Sullivan at Miner's Eighth Avenue Theatre in 1888. It was a great success and has since been performed by many others including J. C. Heffron, Stanley Holloway, Al Simmons and Dave Barnes. The song is now also a very popular piece performed for musical theatre exams (grades 4 to 8) and music hall concerts. Bing Crosby included the song in a medley on his album ''101 Gang Songs ''101 Gang Songs'' is an LP recorded in December 1960 by Bing Crosby for his own company, Project Records and distributed by Warner Bros. (W 2R-1401) and the RCA Victor Record Club in 1961 with lyric sheets to help the listener join in with the si ...'' (1961). A broadside ballad in the Bodleian library indicates that this song was written by James Ralmaz (rather than Joseph Sullivan) and performed by J. C. Heffron. References 1888 songs Comedy songs Novelty songs Vaudeville songs {{song-stu ...
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Underneath The Arches (song)
"Underneath the Arches" is a 1932 popular song with words and music by Bud Flanagan, and additional lyrics by Reg Connelly. It was one of the most famous songs of the duo Flanagan and Allen. According to a television programme broadcast in 1957, Bud Flanagan said that he wrote the song in Derby in 1927, and first performed it a week later at the Pier Pavilion, Southport. It refers to the arches of Derby's Friargate Railway Bridge and to the street homeless men who slept there during the Great Depression. Singing Sculpture The Flanagan and Allen recording was used as part of the performance art piece ''The Singing Sculpture'', by artists Gilbert & George, premiered in 1969. The artists stood on a table, their hands and heads covered in multi-coloured metallic powder, and sang along with the recording while they moved. At times the performance would last for a day.Wroe, Nicholas (2 March 2012"Gilbert & George: Lives in Art"'The Guardian'' Covers The song has also been covered ...
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King Of Skiffle
''King of Skiffle'' is an album by Lonnie Donegan. A CD version of the album was released in the United Kingdom on 18 February 1998 by Castle Music. The CD was also released by Pickwick under the title ''The Best of Lonnie Donegan''. The first single from the album that was released was a version of Lead Belly's "Rock Island Line". It was the first debut record to go gold in the UK, and reached the Top 10 in the United States. One of the songs, "My Old Man's a Dustman", reached #1 in the UK Singles Chart in April 1960. It was ranked #29 on the "Top 100 Hits of 1960" chart from Canadian Top 40 radio station, CHUM. The other main hits from the album are "Cumberland Gap" and "Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?)" The latter was featured decades later in the Dr. Demento radio program, a show specializing in novelty songs. The song also appears on the Dr. Demento 20th anniversary two-disc set. Track listing All tracks composed by Lonnie Donegan; e ...
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British Popular Music
British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk music, jazz, pop and rock music. These forms of music have particularly flourished in Britain, which, it has been argued, has influenced popular music disproportionately to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically ...
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Knees Up Mother Brown
"Knees Up Mother Brown" is a pub song, believed to date back as early as the 1800s, but first published in 1938, and with origins in the East End of London. With its origins in public houses of East London, it was associated with Cockney culture. At the end of the First World War, it is documented to have been sung widely in London on 11 November 1918 ( Armistice Night). The 1938 version was attributed to Bert Lee, Harris Weston and I. Taylor. During the Second World War it was performed frequently by Elsie and Doris Waters. It was also later performed on television by Noel Harrison and Petula Clark. The expression "knees up" means to have a 'party' or 'a dance' - usually accompanied by drinking. Lyrics The most familiar version of the song is: :Knees up Mother Brown :Knees up Mother Brown :Under the table you must go :Ee-aye, Ee-aye, Ee-aye-oh :If I catch you bending :I'll saw your legs right off :Knees up, knees up :don't get the breeze up :Knees up Mother Brown Other less co ...
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Daddy Wouldn't Buy Me A Bow Wow
"Daddy Wouldn’t Buy Me a Bow Wow" is a song written in 1892 by prolific English songwriter Joseph Tabrar. It was written for, and first performed in 1892 by, Vesta Victoria at the South London Palace, holding a kitten. The same year it was recorded by Silas Leachman for the North American Phonograph Co. of Chicago (Talking Machine Company of Chicago/Chicago Talking Machine). In 1895 Toulouse-Lautrec painted May Belfort singing it. The comedian Arthur Roberts also had success in the 1890s with the song.Kelly, Linda"Pantomime Dame and Music Hall Caricature Postcards" About Postcards, accessed 9 August 2010 The song featured in the 1934 musical movie ''Evergreen'', sung by Jessie Matthews, and was also revived after World War II. The chorus was sung by Helen Mirren and Peter Sellers in the 1980 movie ''The Fiendish Plot of Dr. Fu Manchu''. It is also the tune Sarah Jane Smith whistles when she leaves the Doctor at the end of the ''Doctor Who'' episode "The Hand of Fear". It ...
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