|
Pluteus (sculpture)
In architecture and sculpture, a pluteus (plural ''plutei'') is a balustrade made up of massive rectangular slabs of wood, stone or metal, which divides part of a building in half; in a church they fulfil the same function as an iconostasis or rood screen, separating the nave from the chancel.{{cite web, url=http://www.treccani.it/enciclopedia/pluteo_(Enciclopedia_Italiana)/, title=Pluteo, author=Bruno Maria Apollonj Ghetti, publisher=Enciclopedia Italiana (1935), website=www.treccani.it, language=Italian They are decorated with frames in relief or richly decorated with figures or geometric motifs. One set of examples is the so-called Plutei of Trajan, discovered between the Comitium and the Column of Phocas in the Roman Forum in 1872 and another is the Plutei of Theodota. File:Maestro leonardo, formelle da un pluteo, xii secolo 01.jpg, Pluteus in Ancona Cathedral File:Wnętrze Kurii Forum Romanum.jpg, Plutei of Trajan The Plutei of Trajan (Latin ''Plutei Traiani''; often called t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "parochet, veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood Screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum screen, but this double arrangement nowhere survives complete, and accordingly the preserved pulpitum in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocabolario Treccani
The ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (Italian for "Italian Encyclopedia of Science, Letters, and Arts"), best known as ''Treccani'' for its developer Giovanni Treccani or ''Enciclopedia Italiana'', is an Italian-language encyclopaedia. The publication ''Encyclopaedias: Their History Throughout The Ages'' regards it as one of the greatest encyclopaedias along with the ''Encyclopædia Britannica'' and others. History The first edition was published serially between 1929 and 1936. In all, 35 volumes were published, plus one index volume. The set contained 60,000 articles and 50 million words. Each volume is approximately 1,015 pages, and 37 supplementary volumes were published between 1938 and 2015. The director was Giovanni Gentile and redactor-in-chief . Most of the articles are signed with the initials of the author. An essay credited to Benito Mussolini entitled "The Doctrine of Fascism" was included in the 1932 edition of the encyclopedia, although it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enciclopedia Italiana
The ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (Italian for "Italian Encyclopedia of Science, Letters, and Arts"), best known as ''Treccani'' for its developer Giovanni Treccani or ''Enciclopedia Italiana'', is an Italian-language encyclopaedia. The publication ''Encyclopaedias: Their History Throughout The Ages'' regards it as one of the greatest encyclopaedias along with the ''Encyclopædia Britannica'' and others. History The first edition was published serially between 1929 and 1936. In all, 35 volumes were published, plus one index volume. The set contained 60,000 articles and 50 million words. Each volume is approximately 1,015 pages, and 37 supplementary volumes were published between 1938 and 2015. The director was Giovanni Gentile and redactor-in-chief . Most of the articles are signed with the initials of the author. An essay credited to Benito Mussolini entitled "The Doctrine of Fascism" was included in the 1932 edition of the encyclopedia, although it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutei Of Trajan
The Plutei of Trajan (Latin ''Plutei Traiani''; often called the ''Anaglypha Traiani'') are carved stone balustrades built for the Roman emperor Trajan. They are on display inside the Curia Julia in the Roman Forum today, but are not part of the original structure. It is unknown exactly where Trajan erected them. They are believed to have been built either on the edge of the Rostra or on the sides of the Lapis Niger marking the underground "Tomb of Romulus". In spite of this uncertainty, they are of great historical value because the carvings show the full length of both sides of the Forum at the time they were erected. Description Foreground carvings The relief on the right side shows Trajan in the Forum Romanum, where he institutes a charitable organisation for orphans (known as the ''alimenta''). Trajan is seated on a podium in the middle of the Forum, together with a personification of Italia carrying a child on her arm. The left relief shows the destruction of tax records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comitium
The Comitium ( it, Comizio) was the original open-air public meeting space of Ancient Rome, and had major religious and prophetic significance. The name comes from the Latin word for "assembly". The Comitium location at the northwest corner of the Roman Forum was later lost in the city's growth and development, but was rediscovered and excavated by archaeologists at the turn of the twentieth century. Some of Rome's earliest monuments; including the speaking platform known as the Rostra, the Columna Maenia, the Graecostasis and the Tabula Valeria were part of or associated with the Comitium. The Comitium was the location for much of the political and judicial activity of Rome. It was the meeting place of the Curiate Assembly, the earliest Popular assembly of organised voting divisions of the Republic. Later, during the Roman Republic, the Tribal Assembly and Plebeian Assembly met there. The Comitium was in front of the meeting house of the Roman Senate – the still-existing Curia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Column Of Phocas
The Column of Phocas ( it, Colonna di Foca) is a Roman triumphal column, Roman monumental column in the Roman Forum of Rome, Italy, built when Rome was part of the Eastern Roman Empire after its reconquest from the Kingdom of the Ostrogoths. History Erected in front of the Rostra and dedicated or rededicated in honour of the Eastern Roman Emperor Phocas on August 1, 608 AD, it was the last addition made to the ''Forum Romanum''. The fluted Corinthian order, Corinthian column stands 13.6 m (44 ft) tall on its cubical white marble socle (architecture), socle. On stylistic grounds, the column seems to have been made in the 2nd century for an unknown structure, and then recycled for the present monument. Likewise, the socle was recycled from its original use supporting a statue dedicated to Diocletian; the former inscription was chiselled away to provide a space for the later text. The base of the column was uncovered in 1813, and the inscription on it reads, in Latin:Insc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Forum
The Roman Forum, also known by its Latin name Forum Romanum ( it, Foro Romano), is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the ', or simply the '. For centuries the Forum was the center of day-to-day life in Rome: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the city's great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archaeological excavations attracting 4.5 million or more sightseers yearly. Many of the olde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutei Of Theodota
The Plutei of Theodota are two mid 8th-century Lombard marble bas-reliefs or plutei from the oratory of San Michele alla Pusterla in Italy. Lida Capo, 'Commento' in Paolo Diacono, ''Storia dei Longobardi'', pp. 556-557. They are now held in the Civic Museums of Pavia. Naturalistic in style, they were produced during the Liutprandean Renaissance. One shows the Tree of Life between two griffins and the other shows a cross and font between two peacocks. They are named after Theodota, a Byzantine noblewoman who became the lover of king Cunipert (688–700), who later placed her in the Santa Maria Teodote monastery, also known as Santa Maria della Pusterla Paolo Diacono, ''Historia Langobardorum'', V, 37 in {{cite book, editor= Georg Waitz, title= Monumenta Germaniae Historica The ''Monumenta Germaniae Historica'' (''MGH'') is a comprehensive series of carefully edited and published primary sources, both chronicle and archival, for the study of Northwestern and Central European ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancona Cathedral
Ancona Cathedral ( it, Duomo di Ancona, ''Basilica Cattedrale Metropolitana di San Ciriaco'') is a Roman Catholic cathedral in Ancona, central Italy, dedicated to Saint Cyriacus. It is the seat of the Archbishop of Ancona. The building is an example of mixed Romanesque-Byzantine and Gothic elements, and stands on the site of the former acropolis of the Greek city, the Guasco hill which overlooks Ancona and its gulf. History Excavations carried on in 2016 proved that an Italic temple, perhaps dedicated to Aphrodite, existed on the site as early as the 3rd century BC. On top of it, in the 6th century AD, a Palaeo-Christian church was built: this had a nave and three aisles with the entrance facing south-east (where the current Chapel of the Crucifix is). Some remains of it still in existence include a mosaic pavement and perimeter walls. In 995–1015 a new church was built, which kept the original walls. In 1017 the renovated basilica received the relics of Saint Marcellinus of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Ancona Cathedral")