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Pixel Vignetting
In photography and optics, vignetting is a reduction of an image's brightness or saturation (color theory), saturation toward the wikt:periphery, periphery compared to the image center. The word ''wikt:vignette, vignette'', from the same root as ''vine'', originally referred to a decorative border in a book. Later, the word came to be used for a portrait photography, photographic portrait that is clear at the center and fades off toward the edges. A similar effect is visible in photographs of projector, projected slide projector, images or video projector, videos off a projection screen, resulting in a so-called "hotspot" effect. Vignetting is often an unintended and undesired effect caused by camera settings or lens (optics), lens limitations. However, it is sometimes deliberately introduced for creative effect, such as to draw attention to the center of the frame. A photographer may deliberately choose a lens that is known to produce vignetting to obtain the effect, or it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filter (photography)
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens. Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, addin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telecentric Lens
A telecentric lens is a special optical lens (often an objective lens or a camera lens) that has its entrance or exit pupil, or both, at infinity. Telecentric lenses are often used for precision optical two-dimensional measurements or reproduction and other applications that are sensitive to the image magnification or the angle of incidence of light. The simplest way to make a lens telecentric is to put the aperture stop at one of the lens's focal points. This makes the chief rays (light rays that pass through the center of the aperture) on the other side of the lens parallel to the optical axis for any point in the field of view. Commercially available telecentric lenses are often ''compound lenses'' that include multiple lens elements, for improved optical performance. Telecentricity is not a property of the lenses inside the compound lens but is established by the location of the aperture stop in the lens. The aperture stop selects the rays that are passed through the lens an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-lens Reflex Camera
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system (hence "reflex" from the mirror's reflection) that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured. History File:Hasselblad 1600F.jpg, Medium format SLR by Hasselblad (Model 1600F), Sweden File:Zenza BRONICA S2 with ZENZANON 100mm F2.8.JPG, Medium format SLR by Bronica (Model S2), Japan. Bronica's later model—the Bronica EC—was the first medium format SLR camera to use an electrically operated focal-plane shutter File:Asahiflex600.jpg, The 1952 (Pentax) Asahiflex, Japan's first single-lens reflex camera. File:Contaflex BW 2.JPG, The Contaflex III a single- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-number
In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Professional, p. 183. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography. It is a dimensionless number that is a quantitative measure of lens speed; increasing the f-number is referred to as ''stopping down''. The f-number is commonly indicated using a lower-case hooked f with the format ''N'', where ''N'' is the f-number. The f-number is the reciprocal of the relative aperture (the aperture diameter divided by focal length). Notation The f-number is given by: N = \frac \ where f is the focal length, and D is the diameter of the entrance pupil (''effective aperture''). It is customary to write f-numbers preceded by "", which forms a mathematical expression of the entrance pupil diameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Of View
The field of view (FoV) is the extent of the observable world that is seen at any given moment. In the case of optical instruments or sensors it is a solid angle through which a detector is sensitive to electromagnetic radiation. Humans and animals In the context of human and primate vision, the term "field of view" is typically only used in the sense of a restriction to what is visible by external apparatus, like when wearing spectacles or virtual reality goggles. Note that eye movements are allowed in the definition but do not change the field of view when understood this way. If the analogy of the eye's retina working as a sensor is drawn upon, the corresponding concept in human (and much of animal vision) is the visual field. It is defined as "the number of degrees of visual angle during stable fixation of the eyes".Strasburger, Hans; Pöppel, Ernst (2002). Visual Field. In G. Adelman & B.H. Smith (Eds): ''Encyclopedia of Neuroscience''; 3rd edition, on CD-ROM. El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entrance Pupil
In an optical system, the entrance pupil is the optical image of the physical aperture stop, as 'seen' through the front (the object side) of the lens system. The corresponding image of the aperture as seen through the back of the lens system is called the exit pupil. If there is no lens in front of the aperture (as in a pinhole camera), the entrance pupil's location and size are identical to those of the aperture. Optical elements in front of the aperture will produce a magnified or diminished image that is displaced from the location of the physical aperture. The entrance pupil is usually a virtual image: it lies behind the first optical surface of the system. The geometric location of the entrance pupil is the vertex of the camera's angle of view and consequently its center of perspective, perspective point, view point, projection centre or no-parallax point. This point is important in panoramic photography, because the camera must be rotated around it in order to avoid par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Emulsion
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography, it consists of silver halide crystals dispersed in gelatin. The emulsion is usually coated onto a substrate of glass, films (of cellulose nitrate, cellulose acetate or polyester), paper, or fabric. Photographic emulsion is not a true emulsion, but a suspension of solid particles (silver halide) in a fluid (gelatin in solution). However, the word ''emulsion'' is customarily used in a photographic context. Gelatin or gum arabic layers sensitized with dichromate used in the dichromated colloid processes carbon and gum bichromate are sometimes called ''emulsions''. Some processes do not have emulsions, such as platinum, cyanotype, salted paper, or kallitype. Components Photographic emulsion is a fine suspension of insoluble light-sensitive crystals in a colloid sol, usually consisting of gelatin. The light-sensitive component is one or a mixture o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposure Value
In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV (for any fixed scene luminance). Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop. The EV concept was developed by the German shutter manufacturer in the 1950s ( Gebele 1958; Ray 2000, 318). Its intent was to simplify choosing among equivalent camera exposure settings by replacing combinations of shutter speed and ''f''-number (e.g., 1/125 s at ''f''/16) with a single number (e.g., 15). On some lenses with leaf shutters, the process was further simplified by allowing the shutter and aperture controls to be linked such that, when one was changed, the other was automatically adjusted to maintain the same exposure. This was especially he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
