Petticoat Breeches
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Petticoat Breeches
Petticoat breeches were voluminously wide, pleated pants, reminiscent of a skirt, worn by men in Western Europe during the 1650s and early 1660s. The very full loose breeches were usually decorated with loops of ribbons on the waist and around the knee. They were so loose and wide that they became known as petticoat breeches. They give very much the impression of very baggy loose shorts since they are not gathered at the knee. They replaced Spanish breeches during the 1650s as the most popular leg wear of most of Western Europe. By the early 1660s, if they were gathered at the bottom they were called rhinegraves. File:Pieter Cornelisz van Slingelandt - Family portrait of Johannes Meerman.jpg, Gerard Jansz Meerman wearing petticoat breeches, 1668 File:Jan van Noordt - Portrait of a Boy - 1665.jpg, ''Portrait of a Boy'', by Jan van Noordt, 166520,000 Years of Fashion, page 259 File:Vittore Ghislandi - Portrait of Count Girolamo Secco Suardo 1721.jpg, ''Portrait of Count Girolamo ...
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Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each human leg, leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western world, Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called ''breeches'' or ''britches'', differ from breeches. Etymology ''Breeches'' is a double plural known since c. 1205, from Old English , the plural of "garment for the legs and trunk", from the Indo-European root *bhrg- "break", here apparently used in the sense "divide", "separate", as in Scottish Gaelic briogais ("trousers"), in Breton bragoù ("pants"), in Irish bríste ("trousers") and brycan/brogau in Welsh. Cognate with the Proto-Germanic language, Proto-Germanic word ''*brōk-'', plural ''*brōkiz'', itself most likely from the Proto-Indo-European roo ...
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Ribbon
A ribbon or riband is a thin band of material, typically cloth but also plastic or sometimes metal, used primarily as decorative binding and tying. Cloth ribbons are made of natural materials such as silk, cotton, and jute and of synthetic materials, such as polyester, nylon, and polypropylene. Ribbon is used for useful, ornamental, and symbolic purposes. Cultures around the world use ribbon in their hair, around the human body, body, and as ornament (art), ornament on non-human animals, buildings, and Packaging and labeling, packaging. Some popular fabrics used to make ribbons are satin, organza, sheer fabric, sheer, silk, velvet, and grosgrain. Etymology The word ribbon comes from Middle English ''ribban'' or ''riban'' from Old French ''ruban'', which is probably of Germanic languages, Germanic origin. Cloth Along with that of Twill tape, tapes, fringe (trim), fringes, and other smallwares, the manufacture of cloth ribbons forms a special department of the textile industry, ...
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Shorts
Shorts are a garment worn over the human pelvis, pelvic area, circling the waist and splitting to cover the upper part of the legs, sometimes extending down to the knees but not covering the entire length of the leg. They are called "shorts" because they are a shortened version of trousers, which cover the entire leg, but not the foot. Shorts are typically worn in warm weather or in an environment where comfort and airflow are more important than the protection of the legs. There are a variety of shorts, ranging from knee-length short trousers that can in some situations be worn as formal clothes to beachwear and athletic shorts. Some types of shorts are typically worn by women, such as culottes, which are a divided skirt resembling a pair of loose-cut shorts. Terminological differences The British English term, ''short trousers'', is used, only for shorts that are a short version of ordinary trousers (i.e., ''pants'' or ''slacks'' in American English). For example: tailored ...
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Spanish Breeches
Spanish breeches (''gregüescos'' in Spanish) are a type of breeches or trousers for men, short, baggy (harem pants) and ungathered, usually accompanied by a codpiece. Possibly of military origin, they were in fashion in Spain during the 16th century to the 17th. After that period, they adopted different forms and lengths in Western Europe and the Spanish overseas courts, as an evolution of ''botargas'' and other types of hose or pantaloons evolving then to ''follados'' or ''afuellados''. They were described - in their varied typology - or ridiculed, by some of the best writers of the Spanish Golden Age, such as Lope de Vega, Tirso de Molina or Francisco de Quevedo; and painted by Diego Velázquez, Murillo or Alonso Sánchez Coello, among other artists from the major European courts, as Titian. See also * Petticoat breeches *1600–1650 in fashion *1650–1700 in fashion Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Juli ...
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Rhinegraves
Rhinegraves are a form of breeches which were popular from the early 1660s until the mid-1670s in Western Europe. They were very full petticoat breeches gathered at or above the knee. They were worn under petticoat breeches or under an overskirt An overskirt is a type of women's short skirt which is draped over another garment, such as a skirt, breeches, or trousers. Although peplum is often used as another term for overskirt, it should not be confused with the ''peplos'' or "peplum dress ... which was decorated with ribbon loops around the waist and around the knee. Where the knee was gathered, a large frill of lace and stocking tops added further decoration. File:Gerard ter Borch - Man in Black.jpg, ''Man in Black'', by Gerard ter Borch, c. 1673Petticoat breeches, or rhinegraves, 20,000 Years of Fashion, plate 580 File:Gerard ter borch, concerto con cantante e suonatrice di liuto, 1657 ca. 03.JPG, Boy servant wearing close-fitting breeches and petticoat breeches over them, 1657 ...
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Jan Van Noordt
Jan van Noordt (1623/24, Schagen – after 1676, Amsterdam?), was a Dutch Golden Age painter. Biography Jan (Joan, Johannes) van Noordt was one of four sons of the schoolteacher and carillonneur Sibrand van Noordt. The family hailed from the North Holland town of Schagen, where Jan was born in 1623 or 1624, and moved to Amsterdam in the late 1630s, taking a house on the Rusland. Jan's brothers Jacobus and Anthonie became the most prominent organists in the city, gaining posts in various churches, including the Oude Kerk and the Nieuwezijds Kapel. Jan appears already to have started training in Amsterdam well before 1640, under Jacob Adriaensz. Backer, as he contributed to paintings from that year such as ''Jesus and the Samaritan Woman'' in Middelburg, and ''David and Bathsheba'' in a private collection in Tokyo. Jan studied alongside Abraham van den Tempel and would remain friends with him and his brother Jacob, a textile merchant. As an independent artist Van Noordt turned ...
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20,000 Years Of Fashion
''20,000 Years of Fashion: The History of Costume and Personal Adornment'' is a dictionary of western fashion from ancient times up to the 1960s, edited by Francois Boucher and his longtime assistant Yvonne Deslandres. The book is widely cited as a reference for fashion trends in paintings and has 1150 illustrations which are mostly paintings, etchings and engravings from Western museums and collections. The book includes a glossary of terms and a bibliography of sources. It was originally published in French in 1965 as ''Histoire du Costume en Occident de l’antiquité à nos jours'' and was translated into English the next year, but was published after Boucher's death. In 1987 Deslandres updated a new edition with a section on modern fashion. References Book reviewin ''Publishers Weekly ''Publishers Weekly'' (''PW'') is an American weekly trade news magazine targeted at publishers, librarians, booksellers, and literary agents. Published continuously since 1872, it has c ...
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Fra' Galgario
Fra’ Galgario (4 March 1655 – December 1743), born Giuseppe Vittore Ghislandi, and also called ''Fra’ Vittore del Galgario'', was an Italian painter, mainly active in Bergamo as a portraitist during the Rococo or late-Baroque period. Biography He was born in Bergamo to an artist father, Domenico Ghislandi. Initially he entered the studio of Giacomo Cotta, then Bartolomeo Bianchi, and finally the studio of Sebastiano Bombelli in Venice of the 1690s. He also reported trained with the German portrait artist Salomon Adler in Milan. In 1702, he entered the religious life in the Order of the Minims of the Monastery of Galgario, in Bergamo. He assumed the name of the saint for whom the monastery is named. He was elected a member of the Milanese Accademia Clementina in 1717. He is said to blend the attention to colorism and glamour that captivates Renaissance-Baroque portraiture of Venice, with the realism of Milanese art such as that of Moroni. Among his pupils were Paolo Bo ...
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History Of Clothing (Western Fashion)
The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture. The wearing of clothing is exclusively a human characteristic and is a feature of most human societies. There has always been some disagreement among scientists on when humans began wearing clothes, but studies involving the evolution of body lice suggest it started sometime around 170,000 years ago. Anthropologists believe that animal skins and vegetation were adapted into coverings as protection from cold, heat, and rain, especially as humans migrated to new climates. Textile history is almost as old as human civilization, and as time has passed, the history of textile has been more enriched. Silk weaving was introd ...
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Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each human leg, leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western world, Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called ''breeches'' or ''britches'', differ from breeches. Etymology ''Breeches'' is a double plural known since c. 1205, from Old English , the plural of "garment for the legs and trunk", from the Indo-European root *bhrg- "break", here apparently used in the sense "divide", "separate", as in Scottish Gaelic briogais ("trousers"), in Breton bragoù ("pants"), in Irish bríste ("trousers") and brycan/brogau in Welsh. Cognate with the Proto-Germanic language, Proto-Germanic word ''*brōk-'', plural ''*brōkiz'', itself most likely from the Proto-Indo-European roo ...
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