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Parafiction
Fictive art is a practice that involves the production of objects, events, and entities designed to support the plausibility of a central narrative. Fictive art projects disguise their fictional essence by incorporating materials that stand as evidence for narrative factuality and thus are designed to deceive the viewer as to their ontological status. Very often, these materials take a form that carries presumptive cultural authority, such as 'historical' photographs or 'scientific' data. The key tension in fictive art projects stems from the impossibility of 'making real' a fiction, no matter how many or what kinds of objects are produced as evidence. Since fictive art projects are designed to pass at least temporarily as 'real', fictive artists may draw opprobrium as hoaxers, pranksters, forgers, or con artists when their projects are revealed as fictional. History and usage The term fictive art was originated by the artists Antoinette LaFarge and Lise Patt, in the title of a pane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette LaFarge
Antoinette LaFarge is a new media artist and writer known for her work with mixed-reality performance and projects exploring the conjunction of visual art and fiction. Biography LaFarge received her M.F.A. degree in Computer Art from the School of Visual Arts, New York, in 1995, and her A.B. degree from Harvard University. She also briefly attended the San Francisco Arts Institute from 1980–1981 where she studied with Jim Pomeroy, Jack Fulton, and Robert Colescott. At Harvard University, her thesis was ''Proust and the Function of Metaphor''. She is the great-great-granddaughter of American artist John La Farge. She has been a member of the College Arts Association since 1996 and was a member of SITE Gallery, Los Angeles from 1989 to 1991. She is currently Professor of Digital Media at the University of California, Irvine, and she previously taught at the School of Visual Arts, New York, in the Computer Art M.F.A. program and in the Photography and Related Media M.F.A. program ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute Of Cultural Inquiry
The Institute of Cultural Inquiry (ICI) is a non-profit organization located in Los Angeles, California. Its mission is "to educate the public about the visual methods used in society to describe and discuss cultural phenomena." The ICI has sponsored art research, art creation in multiple media, projects, symposia, and publications related to its major areas of interest, which include the AIDS pandemic, obsolete technologies, and marginal cultural figures. Overview The ICI was founded by Los Angeles-based artist and curator Lise Patt (1955–2019), together with a core group of ICI Associates who have assisted in the planning, implementation, and archiving of ICI projects."Lise Patt (1955-2019)" ICI website. Accessed 8 Aug. 2020. Since Patt's death in 2019, the ICI has been dormant, and as of late June 2021 it no longer occupi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superfiction
A superfiction is a visual or conceptual artwork which uses fiction and appropriation to mirror organizations, business structures, and/or the lives of invented individuals (Hill). The term was coined by Glasgow-born artist Peter Hill in 1989. Often superfictions are subversive cultural events in which the artwork can be said to escape from the picture frame or in which a narrative can be said to escape from the pages of the novel into three-dimensional reality. While this may involve a moment of deception regarding the origin, background and context of the presentation, or the veracity of claimed facts, deceit is only a method, intended to condition the observer's perception in a certain way, and it is not the ultimate goal of this artistic practice. Superfictions explore the interaction between the observer's concepts and the actual "objective" evidence that is presented; this is fundamentally analogous to e.g. arranging lines on a two-dimensional sheet to create a perspective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parafiction
Fictive art is a practice that involves the production of objects, events, and entities designed to support the plausibility of a central narrative. Fictive art projects disguise their fictional essence by incorporating materials that stand as evidence for narrative factuality and thus are designed to deceive the viewer as to their ontological status. Very often, these materials take a form that carries presumptive cultural authority, such as 'historical' photographs or 'scientific' data. The key tension in fictive art projects stems from the impossibility of 'making real' a fiction, no matter how many or what kinds of objects are produced as evidence. Since fictive art projects are designed to pass at least temporarily as 'real', fictive artists may draw opprobrium as hoaxers, pranksters, forgers, or con artists when their projects are revealed as fictional. History and usage The term fictive art was originated by the artists Antoinette LaFarge and Lise Patt, in the title of a pane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Chatterton
Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Although fatherless and raised in poverty, Chatterton was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole. At 17, he sought outlets for his political writings in London, having impressed the Lord Mayor, William Beckford, and the radical leader John Wilkes, but his earnings were not enough to keep him, and he poisoned himself in despair. His unusual life and death attracted much interest among the romantic poets, and Alfred de Vigny wrote a play about him that is still performed today. The oil painting ''The D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Psalmanazar
George Psalmanazar ( 1679 – 3 May 1763) was a Frenchman who claimed to be the first native of Formosa (today Taiwan) to visit Europe. For some years he convinced many in Britain, but he was eventually revealed to be of European origins. He subsequently became a theological essayist, and a friend and acquaintance of Samuel Johnson and other noted figures in 18th-century literary London. Early life Although Psalmanazar intentionally obscured many details of his early life, it is believed that he was born in southern France, perhaps in Languedoc or Provence, to Catholic parents, some time between 1679 and 1684.George Psalmanazar: the Celebrated Native of Formosa by the Special Collections Department of University of Delaware Library. Last modified 3 November 2003. Accessed 3 November 2003 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mockumentary
A mockumentary (a blend of ''mock'' and ''documentary''), fake documentary or docu-comedy is a type of film or television show depicting fictional events but presented as a documentary. These productions are often used to analyze or comment on current events and issues by using a fictional setting, or to parody the documentary form itself. While mockumentaries are usually comedic, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Also, docudrama is different from docufiction, a genre in which documentaries are contaminated with fictional elements. Mockumentaries are often presented as historical documentaries, with B roll and talking heads discussing past events, or as '' cinéma vérité'' pieces following people as they go through various events. Examples emerged during the 1950s when archival film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Daly
Norman D. Daly (August 9, 1911 - April 2, 2008), was an American artist who created the fictional ancient Civilization of Llhuros along with hundreds of its artifacts. His work on ''The Civilization of Llhuros'' starting in the mid 1960s makes him the pioneering practitioner of an art genre now known as fictive archaeology. Family and Education Daly was born and raised in Pittsburgh, Pennsylvania, the youngest of seven children of Rose (Owens) Daly and James A. Daly. His elementary and secondary education combined elements of the Catholic and the secular. He was a night school art student at the Carnegie Institute of Technology (1932–34) before going on to major in art at the University of Colorado (BFA 1937). After a fellowship year in Paris (1937–38), he received his MA from Ohio State University (1940). His first teaching position was at Oberlin College (1940–41). Daly also undertook post-graduate work in art history at The Institute of Fine Arts, New York University whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Museum Of Jurassic Technology
The Museum of Jurassic Technology at 9341 Venice Boulevard in the Palms district of Los Angeles, California, was founded by David Hildebrand Wilson and Diana Drake Wilson in 1988.Tony Perrottet" The Museum of Jurassic Technology: A throwback to the private museums of earlier centuries, this Los Angeles spot has a true hodgepodge of natural history artifacts" '' Smithsonian'', June 2011. It calls itself "an educational institution dedicated to the advancement of knowledge and the public appreciation of the Lower Jurassic", the relevance of the term " Lower Jurassic" to the museum's collections being left uncertain and unexplained. Edward Rothstein"Where Outlandish Meets Landish" '' The New York Times'', January 9, 2012. The museum's collection includes a mixture of artistic, scientific, ethnographic, and historic items, as well as some unclassifiable exhibits; the diversity evokes the cabinets of curiosities that were the 16th-century predecessors of modern natural-history mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kahn & Selesnick
Nicholas Kahn and Richard Selesnick, both born in 1964, are a collaborative artist team who work primarily in the fields of photography and installation art. They specialize in fictitious histories set in both the past and future. Miles Unger, ''Tales of Intrigue for a Museum of Unnatural History,'' The New York Times, 6 Feb 2000 The artists have participated in over 100 solo and group exhibitions worldwide and have work in over 20 collections including the Brooklyn Museum of Art, the |
Joan Fontcuberta
Joan Fontcuberta (born 24 February 1955)Joan Fontcuberta - biography. New York: Zabriskie Gallery, undated. Retrieved 1 July 2008. is a conceptual artist whose best-known works, such as ''Fauna'' and ''Sputnik'', examine the truthfulness of photography. In addition, he is a writer, editor, teacher, and curator. Biography Fontcuberta was born in Barcelona, Catalonia, Spain. He received a degree in communications from the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
