Palm Wine Music
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Palm Wine Music
Palm-wine music (known as maringa in Sierra Leone) is a West African musical genre. It evolved among the Kru people of Liberia and Sierra Leone, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso to create a "light, easy, lilting style". It would initially work its way inland where it would adopt a more traditional style than what was played in coastal areas. It would eventually gain popularity after Sierra Leone musician Ebenezer Calendar recorded songs in the 1950s and 1960s and continues to hold a small amount of that popularity. Etymology Palm-wine music was named after a drink, palm wine, made from the naturally fermented sap of the oil palm, which was drunk at gatherings where early African guitarists played. History This music was created from a fusion of local and foreign sailors, dock workers, and local working-class people who would go to palm-wine bars to drink and listen to music. Portable instruments a ...
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Kaiso
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music. Kaiso music has its origins in West Africa (particularly in present-day Nigeria) and in the Kingdom of Kongo and was brought over by the enslaved Africans, who (in the early history of the art form) used it to sing about their masters. The people would also gather in "kaiso" tents where a griot or lead singer would lead them in song. Many early kaisos were sung in French Creole by an individual called a chantwell. Kaiso songs are generally narrative in form and often have a cleverly concealed political subtext. Kaiso performers are known as kaisonians. In Barbados, ''kaiso'' refers to a form of stage-presented calypso, such as at the crop over festival. Terminology The term ''kaiso' ...
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