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Post-impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Autom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Rutter
Francis Vane Phipson Rutter (17 February 1876 – 18 April 1937)"Rutter, Frank V. P.", ''Who Was Who'', A & C Black, 1920–2007; online edn, Oxford University Press, Dec 2007. Retrieved froukwhoswho8 August 2008. was a British art critic, curator and activist. In 1903, he became art critic for ''The Sunday Times'', a position which he held for the rest of his life.''The Times'', 19 April 1937, p. 16, issue 47662, col B, "Obituary: Mr. Frank Rutter". Retrieved froinfotrac.galegroup.com 8 August 2008. He was an early champion in England of modern art, founding the French Impressionist Fund in 1905 to buy work for the national collection, and in 1908 starting the Allied Artists Association to show "progressive" art, as well as publishing its journal, ''Art News'', the "First Art Newspaper in the United Kingdom". In 1910, he began to actively support women's suffrage, chairing meetings, and giving sanctuary to suffragettes released from prison under the Cat and Mouse Act—helping ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Pissarro
Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rewald
John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His ''History of Impressionism'' is a standard work. Biography He was born Gustav Rewald at Berlin, of a middle-class, professional family. Rewald came from a Jewish background. He completed his ''Abitur'' in Hamburg, and studied thereafter at several German universities, going to the University of Paris, Sorbonne in Paris in 1932. At the Sorbonne he wrote his dissertation on the friendship of Émile Zola, Zola and Cézanne, having to persuade the academic authorities on this because Cézanne (died 1906) was considered too recent a figure. When France declared war on Germany in 1939, he was interned as an enemy alien. He emigrated to the United States in 1941 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Rousseau (French) - A Centennial Of Independence - Google Art Project
Henri Julien Félix Rousseau (; 21 May 1844 – 2 September 1910) at the Guggenheim was a French painter in the or manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetism, Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscape painting, landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent van Gogh, Vincent and Theo van Gogh (art dealer), Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of Art dealer, dealer Ambroise Vollard, who organized Art exhibition, exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolism (arts), Sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an art dealer, often traveling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grafton Galleries
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery. History The date of foundation of the Grafton Galleries is not certain; some sources give 1873, when it had an address in Liverpool. The gallery was incorporated in London on 16 June 1891, and opened in February 1893, first at 8 Grafton Street, and later, from 1896, in Bond Street. The manager was Francis Gerard Prange. From 1905 or earlier, Roger Fry was an advisor to the gallery; he asked William Rothenstein to advise him on exhibition content. Exhibitions The first London exhibition of the Grafton Galleries opened on 18 February 1893; the last was probably in 1930. The most celebrated exhibitions held there were Paul Durand-Ruel's I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
