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Plique-à-jour
''Plique-à-jour'' (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained-glass and is considered very challenging technically: high time consumption (up to 4 months per item), with a high failure rate. The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. A different technique relies solely on surface tension, for smaller areas. In Japan the technique is known as shotai-jippo (shotai shippo), and is found from the 19th century on. History The technique was developed in the Byzantine Empire in 6th century AD. Some examples of Byzantine plique-à-jour survived in Georgian icons. The technique of plique-à-jour was adopted by Kievan Russia (a strong trading partner of Const ...
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Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ...
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Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ...
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Mérode Cup
The Mérode Cup is a medieval silver-gilt cup decorated with finely engraved birds, fruit and vine leaves made in France in Burgundy in about 1400 and named for the ancient Belgian family of Mérode, to whom it once belonged. The cup is made of silver-gilt and is decorated with finely engraved birds, fruit and vine leaves. In the sides, cover and base are panels of the fragile and exquisite translucent enamel known as , a difficult enamelling technique which involves firing the glass into cells and removing the backing to create an effect like stained glass. When the cup is placed on a shaft of light it appears to be set with miniature stained glass windows. Pieces decorated with this sort of enamel are known from inventories of people such as the great fourteenth century patron John, Duke of Berry, brother of king Charles V of France. This cup, however, is the only one to survive from this period. See also * Royal Gold Cup The Royal Gold Cup or Saint Agnes Cup is a solid ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Mica
Micas ( ) are a group of silicate minerals whose outstanding physical characteristic is that individual mica crystals can easily be split into extremely thin elastic plates. This characteristic is described as perfect basal cleavage. Mica is common in igneous and metamorphic rock and is occasionally found as small flakes in sedimentary rock. It is particularly prominent in many granites, pegmatites, and schists, and "books" (large individual crystals) of mica several feet across have been found in some pegmatites. Micas are used in products such as drywalls, paints, fillers, especially in parts for automobiles, roofing and shingles, as well as in electronics. The mineral is used in cosmetics and food to add "shimmer" or "frost." Properties and structure The mica group is composed of 37 phyllosilicate minerals. All crystallize in the monoclinic system, with a tendency towards pseudohexagonal crystals, and are similar in structure but vary in chemical composition. Micas are ...
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Tiffany & Co
Tiffany & Co. (colloquially known as Tiffany's) is a high-end luxury jewelry and specialty retailer, headquartered on Fifth Avenue in Manhattan. It sells jewelry, sterling silver, porcelain, crystal, stationery, fragrances, water bottles, watches, personal accessories, and leather goods. Tiffany is known for its luxury goods, particularly its diamond and sterling silver jewelry. These goods are sold at Tiffany stores, online, and corporate merchandising. Its name and branding are licensed to Coty for fragrances and to Luxottica for eyewear. Tiffany & Co. was founded in 1837 by the jeweler Charles Lewis Tiffany and became famous in the early 20th century under the artistic direction of his son Louis Comfort Tiffany. In 2018 net sales totaled US$4.44 billion. In 2019 Tiffany operated 326 stores globally in countries such as the United States, Japan, and Canada, as well as Europe, the Latin America and Pacific Asia regions. On January 7, 2021, French multinational LVMH Mo ...
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Eugène Feuillâtre
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin".γένος
Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language varia ...
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Lucien Gaillard
Lucien Gaillard (1861 – 1942, both in Paris, France) was a French goldsmith and jeweller, who worked in the art nouveau style. Lucien Gaillard was born into a family of jewellers. His grandfather Amédée Alexandre Gaillard (1811-1882) founded a jewellery firm in Paris in 1840, which he then passed on to his son Ernest (1836-1909). Lucien Gaillard trained as an apprentice under his father, before taking over the business in 1892. His brother Eugéne was also a well known art nouveau furniture designer. He was a contemporary of René Lalique. He won a prize for his jewellery at the 1889 Universal Exposition. He was also a judge at the 1893 Universal Exposition in Chicago. In 1902 he was made a knight of the Legion of Honour. He was deeply interested in Japanese art. His workshop included artists who travelled from Japan to work in ivory and lacquer. He also worked in copper. His workshop produced vases, cane heads, hair combs, pins and pendants as well as more tradition ...
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René Lalique
René Jules Lalique (6 April 1860 – 1 May 1945) was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments. Life Lalique's early life was spent learning the methods of design and art he would use in his later life. At the age of two, his family moved to the suburbs of Paris, but traveled to Aÿ for summer holidays. These trips influenced Lalique later on in his naturalistic glasswork. With the death of his father, Lalique began working as an apprentice to goldsmith Louis Aucoc in Paris. Lalique died on 1 May or 5 May 1945, in Paris. René Lalique was buried in Père Lachaise Cemetery in Paris, France. His granddaughter, Marie Claude-Lalique (b. 1936), was also a glass maker. She died on 14 April 2003 in Fort Myers, Florida. Education In 1872, when he was twelve, he entered the Collège Turgot where he started drawing and sketching. He attended evening cla ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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