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Mérode Cup
The Mérode Cup is a medieval silver-gilt cup decorated with finely engraved birds, fruit and vine leaves made in France in Burgundy in about 1400 and named for the ancient Belgian family of Mérode, to whom it once belonged. The cup is made of silver-gilt and is decorated with finely engraved birds, fruit and vine leaves. In the sides, cover and base are panels of the fragile and exquisite translucent enamel known as , a difficult enamelling technique which involves firing the glass into cells and removing the backing to create an effect like stained glass. When the cup is placed on a shaft of light it appears to be set with miniature stained glass windows. Pieces decorated with this sort of enamel are known from inventories of people such as the great fourteenth century patron John, Duke of Berry, brother of king Charles V of France. This cup, however, is the only one to survive from this period. See also * Royal Gold Cup The Royal Gold Cup or Saint Agnes Cup is a solid ...
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Mérode Cup
The Mérode Cup is a medieval silver-gilt cup decorated with finely engraved birds, fruit and vine leaves made in France in Burgundy in about 1400 and named for the ancient Belgian family of Mérode, to whom it once belonged. The cup is made of silver-gilt and is decorated with finely engraved birds, fruit and vine leaves. In the sides, cover and base are panels of the fragile and exquisite translucent enamel known as , a difficult enamelling technique which involves firing the glass into cells and removing the backing to create an effect like stained glass. When the cup is placed on a shaft of light it appears to be set with miniature stained glass windows. Pieces decorated with this sort of enamel are known from inventories of people such as the great fourteenth century patron John, Duke of Berry, brother of king Charles V of France. This cup, however, is the only one to survive from this period. See also * Royal Gold Cup The Royal Gold Cup or Saint Agnes Cup is a solid ...
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Silver-gilt
Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver (either pure or sterling) which has been gilded with gold. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912) and many crown jewels are silver-gilt objects. Apart from the raw materials being much less expensive to acquire than solid gold of any karat, large silver-gilt objects are also noticeably lighter if lifted, as well as more durable (gold is much heavier than even lead and is easily scratched and bent). For objects that have intricate detail like monstrances, gilding greatly reduces the need for cleaning and polishing, and so reduces the risk of damage. Ungilded silver would suffer oxidation and need frequent polishing; gold does not oxidize at all. The "gold" threads used in embroidered goldwork are normall ...
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Burgundy (region)
Burgundy (; french: link=no, Bourgogne ) is a historical territory and former Regions of France, administrative region and province of east-central France. The province was once home to the Duke of Burgundy, Dukes of Burgundy from the early 11th until the late 15th century. The capital of Dijon was one of the great European centres of art and science, a place of tremendous wealth and power, and Western Monasticism. In early Modern Europe, Burgundy was a focal point of courtly culture that set the fashion for European royal houses and their court. The Duchy of Burgundy was a key in the transformation of the Middle Ages toward early modern Europe. Upon the 9th-century partitions of the Kingdom of Burgundy, the lands and remnants partitioned to the Kingdom of France were reduced to a ducal rank by King Robert II of France in 1004. The House of Burgundy, a cadet branch of the House of Capet, ruled over a territory that roughly conformed to the borders and territories of the modern ...
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House Of Mérode
The House of Merode is one of the most prominent families of the Belgian nobility. The House of Merode originates from the village of Langerwehe, Merode (today in the municipality of Langerwehe, Germany). Over the last five centuries different branches bore noble titles and had estates on the territories of the modern states of Germany, Belgium, the Netherlands, France and Austria. Through marriage the house is connected with many prominent European noble families. The House of Merode played an important role in the history of the Southern Netherlands and the Kingdom of Belgium. The surname of the family and the name of the house is nowadays mostly written de Mérode (in French language, French). The name is also spelled de Merode or van Merode in Dutch language, Dutch and von Merode in German language, German. The Coat of Arms of the House of Merode is blazoned as: "Or, four pales gules, a border engrailed azure". The motto of the house is "Plus d'honneur que d'honneurs" in F ...
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Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ...
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Plique-à-jour
''Plique-à-jour'' (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained-glass and is considered very challenging technically: high time consumption (up to 4 months per item), with a high failure rate. The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. A different technique relies solely on surface tension, for smaller areas. In Japan the technique is known as shotai-jippo (shotai shippo), and is found from the 19th century on. History The technique was developed in the Byzantine Empire in 6th century AD. Some examples of Byzantine plique-à-jour survived in Georgian icons. The technique of plique-à-jour was adopted by Kievan Russia (a strong trading partner of Const ...
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John, Duke Of Berry
John of Berry or John the Magnificent ( French: ''Jean de Berry'', ; 30 November 1340 – 15 June 1416) was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. He was Regent of France during the minority of his nephew 1380-1388. His brothers were King Charles V of France, Duke Louis I of Anjou and Duke Philip the Bold of Burgundy. John is primarily remembered as a collector of the important illuminated manuscripts and other works of art commissioned by him, such as the '' Très Riches Heures''. His personal motto was ''Le temps venra'' ("the time will come"). Biography John was born at the castle of Vincennes on 30 November 1340, the third son of King John II of France and Bonne of Luxembourg. In 1356, he was made Count of Poitou by his father, and in 1358 he was named king's lieutenant of Auvergne, Languedoc, Périgord, and Poitou to administer those regions in his father's name while the king was a captive of the English. When Poitiers was ceded to England ...
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Charles V Of France
Charles V (21 January 1338 – 16 September 1380), called the Wise (french: le Sage; la, Sapiens), was King of France from 1364 to his death in 1380. His reign marked an early high point for France during the Hundred Years' War, with his armies recovering much of the territory held by the English, and successfully reversed the military losses of his predecessors. Charles became regent of France when his father John II was captured by the English at the Battle of Poitiers in 1356. To pay for the defense of the kingdom, Charles raised taxes. As a result, he faced hostility from the nobility, led by Charles the Bad, King of Navarre; the opposition of the French bourgeoisie, which was channeled through the Estates-General led by Étienne Marcel; and with a peasant revolt known as the Jacquerie. Charles overcame all of these rebellions, but in order to liberate his father, he had to conclude the Treaty of Brétigny in 1360, in which he abandoned large portions of south-western Fr ...
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Royal Gold Cup
The Royal Gold Cup or Saint Agnes Cup is a solid gold covered cup lavishly decorated with enamel and pearls. It was made for the French royal family at the end of the 14th century, and later belonged to several English monarchs before spending nearly 300 years in Spain. It has been in the British Museum since 1892, where it is normally on display in Room 40, and is generally agreed to be the outstanding surviving example of late medieval French plate. It has been described as "the one surviving royal magnificence of the International Gothic age". According to Thomas Hoving, former director of the Metropolitan Museum of Art in New York, "of all the princely jewels and gold that have come down to us, this is the most spectacular—and that includes the great royal treasures." The cup is made of solid gold, stands 23.6 cm (9.25 inches) high with a diameter of 17.8 cm (6.94 inches) at its widest point, and weighs 1.935 kg (4.26 lb). It has a cover that ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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Collections Of The Victoria And Albert Museum
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Silver-gilt Objects
Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver (either pure or sterling) which has been gilded with gold. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912) and many crown jewels are silver-gilt objects. Apart from the raw materials being much less expensive to acquire than solid gold of any karat, large silver-gilt objects are also noticeably lighter if lifted, as well as more durable (gold is much heavier than even lead and is easily scratched and bent). For objects that have intricate detail like monstrances, gilding greatly reduces the need for cleaning and polishing, and so reduces the risk of damage. Ungilded silver would suffer oxidation and need frequent polishing; gold does not oxidize at all. The "gold" threads used in Goldwork (embroidery), embroidered ...
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