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Photo-text
Photo-text, also written as photo/text, is a hybrid form of artistic expression that combines photography and textual elements to convey a message or create a narrative. This combination allows for a multi-dimensional experience for the viewer. Notable examples of photo-text art include Martha Rosler's ''The Bowery in two inadequate descriptive systems'' (1974/75); David Askevold's ''Muse Extracts'', exhibited at Documenta 6 in 1977; Carrie Mae Weems' ''Family Pictures and Stories'' (1983); Lorna Simpson's installation ''Guarded Conditions'' (1989); and Martha Wilson's ''I have become my own worst fear'', first presented in 2011. The summer photography festival Rencontres d'Arles gives a Photo-Text Book Award at each annual event. Overview Photo-text has been classified as a "bimedial iconotext," wherein both photographic images and textual elements coexist, forming a cohesive body of work presented in the context of a gallery space or book. The juxtapositional nature of ...
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Lorna Simpson
Lorna Simpson (born August 13, 1960) is an American photographer and multimedia artist. She came to prominence in the 1980s and 1990s with artworks such as ''Guarded Conditions'' and ''Square Deal''. Simpson is most well-known for her work in conceptual photography. Her works have been included in numerous exhibitions both nationally and internationally. She is best known for her photo-text installation art, installations, photo-collages, and films. Her early work raised questions about the nature of representation, identity, gender, race and history. Simpson continues to explore these themes in relation to memory and history in various media including photography, film, video, painting, drawing, audio, and sculpture. Early life Lorna Simpson was born on August 13, 1960 and grew up in Crown Heights, a neighborhood in Brooklyn, New York. She attended the High School of Art and Design. Her parents – a Jamaican-Cuban father and African-American mother –Siddhartha Mitter (June 1 ...
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Martha Rosler
Martha Rosler (born 1943) is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport. Early life and education Born in Brooklyn, New York, in 1943, Rosler spent formative years in California, from 1968 to 1980, first in north San Diego county and then in San Francisco. She has also lived and taught in Canada. She graduated from Erasmus Hall High School in Brooklyn, as well as Brooklyn College (1965) and the University of California, San Diego (1974). She has lived in New York City since 1981. Career Rosler's work and writing have been widely influential. Her media of choice have included ...
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Paulina Lavista
Paulina Lavista (born November 1, 1945) is a Mexican photographer, noted for her controversial work which has tested the limits of the field. She is the daughter of a composer and a painter, beginning a career in modeling and cinema before moving into photographic work in the 1960s. She began with portrait work, with one of her first clients being longtime partner Salvador Elizondo, and later breaking into more artistic work with a series of nudes for the magazine ''Su Otro Yo.'' She has photographed many subjects from the Mexican art scene as well as images of people in every day activity, mostly in Mexico. She is a member of the . Life Lavista was born in Mexico City to composer Raúl Lavista and painter Elena Lavista. Her father composed music for the cinema and she grew up around music from Chopin to opera to Elvis Presley as well as the visual arts. She was the second of four children, with an older sister dying of typhoid fever. The children had a lot of freedom growin ...
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Foam Fotografiemuseum Amsterdam
Foam or Fotografiemuseum Amsterdam is a photography museum located at the Keizersgracht in Amsterdam, the Netherlands. The museum has four different exhibitions at any given time in which different photographic genres are shown, such as documentary, art and fashion. Next to large exhibitions by well-known photographers, Foam also shows the work of young and upcoming photographers, in shorter running exhibitions. Two notable shows were ''Henri Cartier-Bresson - A Retrospective'', work by Henri Cartier-Bresson, and ''Richard Avedon - Photographs 1946–2004'', a major retrospective of Richard Avedon. In summer 2016, Foam presented a major Helmut Newton retrospective exhibition. The museum contains a café, a library, a bookshop, and a commercial gallery called Foam Editions. The museum also publishes a quarterly international photography magazine called ''Foam Magazine.'' Building The building on the Keizersgracht canal in which Foam is located has a history dating back to C ...
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Visual Poetry
Literary theorists have identified visual poetry as a development of concrete poetry but with the characteristics of intermedia in which non-representational language and visual elements predominate. Differentiation from concrete poetry As the literary and artistic experiments of the 1950s that were at first loosely grouped together as concrete poetry extended further into the ambiguous sphere which Dick Higgins described in 1965 as 'Intermedia', it became apparent that such creations were further and further divorced from the representational language with which poetry had hitherto been associated and that they needed to be categorised as a separate phenomenon. In her survey, Concrete Poetry: A World View (1968), Mary Ellen Solt, observed that certain trends included under the label Concrete Poetry were tending towards a “New Visual Poetry”. Its chief characteristic is that it leaves behind the old poetic function of orality and is therefore distinct from the ancient traditio ...
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Hybrid Artworks
Hybrid Artworks is an interdisciplinary research and performance art cooperative originally based in Kingston upon Hull, Hull, UK. It was established in 1995 and produced pieces of performance art, video installation theatre, texts and essays. Description It was funded on a project by project basis by local arts councils and grants and supported by the University of Lincolnshire and Humberside. It produced pieces for literature, music and theatre festivals and academic research projects. It was composed of a number of permanent and temporary members and was disbanded in 1999. Their work continues to be documented in both the UK and Spain where its members remain active in using the group's spatial theories in various workshops on the video installation and architecture. These workshops have involved architects, filmmakers and graphic designers and have been documented in articles in South Africa, Spain and the UK. Its deliberately cross disciplinary format meant it collaborated ...
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