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Phlyax Play
A Phlyax play ( grc, φλύαξ, also phlyakes), also known as a hilarotragedy, was a burlesque dramatic form that developed in the Greek colonies of Magna Graecia in the 4th century BCE. Its name derives from the Phlyakes or “Gossip Players” in Doric Greek. From the surviving titles of the plays they appear to have been a form of mythological burlesque, which mixed figures from the Greek pantheon with the stock characters and situations of Attic New Comedy. Only five authors of the genre are known by name: Rhinthon and Sciras of Taranto, Blaesus of Capri, Sopater of Paphos and Heraklides. The plays themselves survive only as titles and a few fragments. A substantial body of South Italian vases are thought to represent scenes of the phlyakes, giving rise to much speculation on Greek stagecraft and dramatic form. Characteristics of the genre Nossis of Locri provides the closest contemporary explanation of the genre in her epitaph for Rhinthon: Pass by with a loud laugh a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph
An epitaph (; ) is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife, probably of a consul. So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphitruo
Amphitryon (; Ancient Greek: Ἀμφιτρύων, ''gen''.: Ἀμφιτρύωνος; usually interpreted as "harassing either side", Latin: Amphitruo), in Greek mythology, was a son of Alcaeus, king of Tiryns in Argolis. His mother was named either Astydameia, the daughter of Pelops and Hippodamia, or Laonome, daughter of Guneus, or else Hipponome, daughter of Menoeceus. Amphitryon was the brother of Anaxo (wife of Electryon), and Perimede, wife of Licymnius. He was a husband of Alcmene, Electryon's daughter, and stepfather of the Greek hero Heracles.Roman, L., & Roman, M. (2010). Mythology Amphitryon, a Theban general, was originally from Tiryns in the eastern part of the Peloponnese, and was a friend of Panopeus. Having accidentally killed his father-in-law Electryon, king of Mycenae, Amphitryon was driven out by Electryon's brother, Sthenelus. He fled with Alcmene to Thebes, where he was cleansed from the guilt of blood by Creon, king of Thebes. Alcmene, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Comedy
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ''Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses (''Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atella
Atella was an ancient Oscan city of Campania, located 20km directly north of Naples. Remains The ruins of the city walls, private houses, the so-called ''garden of Virgil'' and many tombs remain, on sites in the ''comuni'' of Frattaminore, Orta di Atella, Sant'Arpino and Succivo, the last three of which formed the ''comune'' of Atella di Napoli in the mid‑20th century. The territory of ancient Atella is now in the ''comuni'' of Caivano, Cardito, Cesa, Frattamaggiore, Grumo Nevano and Sant'Antimo. The archaeological museum of Atella is at Succivo. The Atellan farce was one of the forms of entertainment of local origin that influenced the Latin theatre. History Atella was a city of Oscan origin, one of the oldest in Campania and one of the first to have obtained the Roman ''civitas''. It was crossed by the '' Via Atellana'', which led southwest to Cumae and northeast to Capua. Part of the route of Via Atellana is preserved today, with the same name, in the stretch that cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atellan Farce
The Atellan Farce (Latin: ''Atellanae Fabulae'' or ''Fabulae Atellanae'', "favola atellana"; ''Atellanicum exhodium'', "Atella comedies"), also known as the Oscan Games (Latin: ''ludi Osci'', "Oscan plays"), were masked improvised farces in Ancient Rome. The Oscan athletic games were very popular, and usually preceded by longer pantomime plays. The origin of the Atellan Farce is uncertain, but the farces are similar to other forms of ancient theatre such as the South Italian Phlyakes, the plays of Plautus and Terence, and Roman mime. Most historians believe the name is derived from Atella, an Oscan town in Campania. The farces were written in Oscan and imported to Rome in 391 BC. In later Roman versions, only the ridiculous characters speak their lines in Oscan, while the others speak in Latin. History and surviving evidence The Atellan Farce was a masked farce that originated in Italy by 300 B.C.and remained popular for more than 500 years. Originally, the farces were improvised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campania
Campania (, also , , , ) is an administrative Regions of Italy, region of Italy; most of it is in the south-western portion of the Italian peninsula (with the Tyrrhenian Sea to its west), but it also includes the small Phlegraean Islands and the island of Capri. The capital of the Campania region is Naples. As of 2018, the region had a population of around 5,820,000 people, making it Italy's third most populous region, and, with an area of , its most densely populated region. Based on its Gross domestic product, GDP, Campania is also the most economically productive region in southern Italy List of Italian regions by GDP, and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the List of urban areas in the European Union, eighth most populous in the European Union. The region is home to 10 of the 58 List of World Heritage Sites in Italy, UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscan
Oscan is an extinct Indo-European language of southern Italy. The language is in the Osco-Umbrian or Sabellic branch of the Italic languages. Oscan is therefore a close relative of Umbrian. Oscan was spoken by a number of tribes, including the Samnites, the Aurunci ( Ausones), and the Sidicini. The latter two tribes were often grouped under the name "Osci". The Oscan group is part of the Osco-Umbrian or Sabellic family, and includes the Oscan language and three variants ( Hernican, Marrucinian and Paelignian) known only from inscriptions left by the Hernici, Marrucini and Paeligni, minor tribes of eastern central Italy. Adapted from the Etruscan alphabet, the Central Oscan alphabet was used to write Oscan in Campania and surrounding territories from the 5th century BCE until possibly the 1st century CE. Evidence Oscan is known from inscriptions dating as far back as the 5th century BCE. The most important Oscan inscriptions are the Tabula Banti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
