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Painting Of A Christian Figure
The ''Painting of a Christian figure'', also known as ''Fragment of a Christian figure'', is a late 9th-century Tang dynasty fragmentary silk painting of a haloed man with crosses on his head and chest who has been interpreted as a Christian figure, associated with the Church of the East in China. It was discovered by the Hungarian-born British archaeologist Aurel Stein at the Library Cave (cave 17) of the Mogao Caves in 1908. The painting is in the British Museum, in London. Description The figure is represented in a three-quarter view in a manner very similar to some of the paintings of Bodhisattvas, even to the gesture of the right hand. The outer circle of the nimbus has flame-like decoration. He has a fairly thick moustache and a slight beard, both in red. He is wearing a silk stole of red with a yellow lining, over a garment that has faded to a greenish colour very similar to that of the background. The sleeves of the garment end in ruffs and golden bracelets adorn the wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Chinese Characters
Traditional Chinese characters are one type of standard Chinese character sets of the contemporary written Chinese. The traditional characters had taken shapes since the clerical change and mostly remained in the same structure they took at the introduction of the regular script in the 2nd century. Over the following centuries, traditional characters were regarded as the standard form of printed Chinese characters or literary Chinese throughout the Sinosphere until the middle of the 20th century, before different script reforms initiated by countries using Chinese characters as a writing system. Traditional Chinese characters remain in common use in Taiwan, Hong Kong and Macau, as well as in most overseas Chinese communities outside Southeast Asia; in addition, Hanja in Korean language remains virtually identical to traditional characters, which is still used to a certain extent in South Korea, despite differing standards used among these countries over some variant Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alopen
Alopen (, ; also "Aleben", "Aluoben", "Olopen," "Olopan," or "Olopuen") is the first recorded Assyrian Christian missionary to have reached China, during the Tang dynasty. He was a missionary from the Church of the East (also known as the "Nestorian Church"), and probably a Syriac speaker from the Sasanian Empire or from Byzantine Syria. He is known exclusively from the Xi'an Stele, which describes his arrival in the Tang capital of Chang'an in 635 and his acceptance by Emperor Taizong of Tang. His is the earliest known name that can be attached to the history of the Church of the East in China. History Alopen's name is known only from the Chinese of the Xi'an Stele. This may be a transliteration of the Semitic "Abraham" or ''aloho punoya,'' "the conversion of God." According to the Stele, Alopen and his fellow missionaries came to China from Daqin (or Ta Tsin – the Byzantine Empire) in the ninth year of Emperor Taizong (Tai Tsung; 635), bringing sacred books and images. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunhuang
Dunhuang () is a county-level city in Northwestern Gansu Province, Western China. According to the 2010 Chinese census, the city has a population of 186,027, though 2019 estimates put the city's population at about 191,800. Dunhuang was a major stop on the ancient Silk Road and is best known for the nearby Mogao Caves. Dunhuang is situated in an oasis containing Crescent Lake and Mingsha Shan (, meaning "Singing-Sand Mountain"), named after the sound of the wind whipping off the dunes, the singing sand phenomenon. Dunhuang commands a strategic position at the crossroads of the ancient Southern Silk Route and the main road leading from India via Lhasa to Mongolia and Southern Siberia, and also controls the entrance to the narrow Hexi Corridor, which leads straight to the heart of the north Chinese plains and the ancient capitals of Chang'an (today known as Xi'an) and Luoyang. Administratively, the county-level city of Dunhuang is part of the prefecture-level city of Jiuquan. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto University
, mottoeng = Freedom of academic culture , established = , type = National university, Public (National) , endowment = ¥ 316 billion (2.4 1000000000 (number), billion USD) , faculty = 3,480 (Teaching Staff) , administrative_staff = 3,978 (Total Staff) , students = 22,615 , president = Nagahiro Minato , city = Kyoto , state = Kyoto Prefecture, Kyoto , country = Japan , coor = , undergrad = 13,038 , postgrad = 9,308 , campus = Urban area, Urban,, , colors = Dark blue (color), Dark blue , nickname = Kyodai , mascot = None , free_label = Athletics , free = 48 varsity teams , affiliations = Kansai Big Six, Association of Southeast Asian Institutions of Higher Learning, ASAIHL , logo = , website www.kyoto-u.ac.jp , or , is a public university, public research university located in Kyoto, Japan. Founded in 1897, it is one of the former Imperial Universities and the second oldest university in Japan. KyotoU is consistent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Baumer
Christoph Baumer (born June 23, 1952) is a Swiss explorer and historian of Central Asia. From 1984 onwards, he has conducted explorations in Central Asia, China, Tibet and the Caucasus, the results of which have been published in numerous books, scholarly publications, TV and radio programs. Life Baumer grew up in the Swiss Canton of Thurgau. His father was a businessman; his mother had been a war correspondent for the French national press agency and reported during the Finnish-Russian war in the winter of 1939–1940. Sven Hedin, the renowned explorer of Asia, aided her return to occupied Belgium, at that time her home. As an adolescent, Baumer was already fascinated by the travel reports of Hedin, and these likely laid the foundation for Baumer’s later development. After obtaining a PhD at the University of Zurich, he first worked in business till he became a freelance author and photographer with emphasis on the cultural history of Central Asia and the Caucasus. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti ''Encyclopædia Britannica'' (2009) In ancient texts such as the '' Shvetashvatara Upanishad'', the term simply means participation, devotion and love for any endeavor, while in the '' Bhagavad Gita'', it connotes one of the possible paths of spirituality and towards |
Greco-Buddhist Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Maurya Empire, Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdom, Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Art
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651. In 224 AD, the last Parthian king was defeated by Ardashir I. The resulting Sasanian dynasty would last for four hundred years, ruling modern Iran, Iraq, and much territory to the east and north of modern Iran. At times the Levant, much of Anatolia and parts of Egypt and Arabia were under its control. It began a new era in Iran and Mesopotamia, which in many ways was built on Achaemenid traditions, including the art of the period. Nevertheless, there were also other influences on art of the period that came from as far as China and the Mediterranean. The surviving art of the Sassanids is best seen in its architecture, reliefs and metalwork, and there are some surviving paintings from what was evidently a widespread production. Stone reliefs were probably greatly outnumbered by interior ones in plaster, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kushano-Sasanian Kingdom
Kushano-Sasanian Kingdom (also called Kushanshahs, KΟÞANΟ ÞAΟ ''or Koshano Shao'' in Bactrian, or Indo-Sasanians) is a historiographic term used by modern scholars to refer to a branch of the Sasanian Persians who established their rule in Bactria during the 3rd and 4th centuries CE at the expense of the declining Kushans. They captured the provinces of Sogdiana, Bactria and Gandhara from the Kushans in 225 CE. The Sasanians established governors for the Sasanian Empire, who minted their own coinage and took the title of Kushanshas, i.e. "Kings of the Kushans". They are sometimes considered as forming a "sub-kingdom" inside the Sasanian Empire.The Cambridge Companion to the Age of Attila, Michael Maas, Cambridge University Press, 201p.284 ff/ref> This administration continued until 360-370 CE, when the Kushano-Sasanians lost much of its domains to the invading Kidarite Huns, whilst the rest was incorporated into the imperial Sasanian Empire. Later, the Kidarites were in turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Iconography
Buddhism, Buddhist symbolism is the use of Symbol, symbols (Sanskrit: ''pratīka'') to represent certain aspects of the Gautama Buddha, Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharmachakra, Dharma wheel, the Nelumbo nucifera, Indian lotus, the Triratna, three jewels and the Bodhi Tree, Bodhi tree.Coomaraswamy (1998), pp. 1–5. Buddhism symbolism is intended to represent the key values of the Buddhist faith. The popularity of certain symbols has grown and changed over time as a result of progression in the followers ideologies. Research has shown that the aesthetic perception of the Buddhist gesture symbol positively influenced perceived happiness and life satisfaction. Anthropomorphism, Anthropomorphic symbolism depicting the Buddha (as well as other figures) became very popular around the first century CE with the arts of Mathura and the Greco-Buddhist art of Gandhara. New symbols continued to develop into the medieval period, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Iconography
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers. Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti, for icons and mudra for gestures and positions of the hands and body. Hindu sacraments Hindu sacraments are physical pieces of that help objects or markings that are considered sacred and used as a sign of devotion by the followers of Sanathana Dharma (Hinduism). These are often objects associated with a puja (prayer) or religious ceremony. Murti Murtis are statues and idols of Hindu Gods. They are a huge part of Hind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitarka Mudrā
A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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