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Oktoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ;The feminine form exists as well, but means the book octoechos. from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ, Glagolitic: , "voice, sound") is the eight-mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic chant in the Byzantine Rite today. Nomenclature The names ascribed to the eight tones differ in translations into Church Slavonic. The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papadic Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: , pronounced in Constantinopolitan: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today. Until 1204 neither the Hagia Sophia nor any other cathedral of the Byzantine Empire did abandon its habits, and the Hagiopolitan eight mode system came into use not earlier than in the mixed rite of Constantinople, after the patriarchate and the court had returned from their exile in Nikaia in 1261. Middle Byzantine Round notation In the history of the Byzantine rite the Hagiopolitan reform was described as a synthesis of the cathedra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neobyzantine Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today. From a Phanariot point of view, the re-formulation of the Octoechos and its melodic models according to the New Method was neither a simplification of the Byzantine tradition nor an adaption to Western tonality and its method of an heptaphonic solfeggio, just based on one tone system (σύστημα κατὰ ἑπταφωνίαν). Quite the opposite, as a universal approach to music traditions of the Mediterranean it was rather based on the integrative power of the psalti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echos
Echos (Greek: "sound", pl. echoi ; Old Church Slavonic: "voice, sound") is the name in Byzantine music theory for a mode within the eight-mode system (oktoechos), each of them ruling several melody types, and it is used in the melodic and rhythmic composition of Byzantine chant ("thesis of the melos"), differentiated according to the chant genre and according to the performance style ("method of the thesis"). It is akin to a Western medieval tonus, an Andalusian tab', an Arab naġam (since 1400 "maqam"), or a Persian parde (since 18th-century dastgah). Overview and semantics The noun ''echos'' in Greek means "sound" in general. It acquired the specialized meaning of ''mode'' early on in the development of Byzantine music theory since the Octoechos reform in 692. In general, the concept of echos denotes a certain octave species, its intervallic structure as well as a set of more or less explicitly formulated melodic rules and formulae that represent a certain category of me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Language
Greek ( el, label=Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrysanthos Of Madytos
Chrysanthos of Madytos ( el, Χρύσανθος ὁ ἐκ Μαδύτων; c. 1770 – 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, he was responsible for a reform of the Byzantine notation within the New Music School of the Patriarchate, along with Gregorios the Protopsaltes and Chourmouzios the Archivist who transcribed the traditional repertory into the Chrysanthine notation. Life Chrysanthos and the reform of Orthodox chant Works * * *. Publications made in his name * * Translations * * See also *Neobyzantine Octoechos—Byzantine music *Ottoman classical music Notes and references Sources * * * External links *Chrysanthos of Madytos Chrysanthos of Madytos ( el, Χρύσανθος ὁ ἐκ Μαδύτων; c. 1770 – 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Koukouzeles
John Koukouzelis ( gr, Ιωάννης Κουκουζέλης, ''Ioannis Koukouzelis''; ) was a Byzantine composer, singer and reformer of Byzantine chant. He was recognized as a saint by the Eastern Orthodox Church after his death. Among the most illustrious musicians of the Palaiologos dynasty, his music remains held in high esteem by Albanians, Bulgarians, Greeks, Macedonians, Romanians and Serbs. Life and career Koukouzelis was born in Dyrrhachium (modern-day Durrës) in the late 13th century to a father of unknown origins and a Bulgarian mother. He was orphaned in childhood. Koukouzelis' last name is allegedly derived from the Greek word for broad beans (κουκιά, ''koukia'') and a Slavic word for cabbage (зеле, ''zele''). At a young age, he was noted and accepted into the school at the imperial court at Constantinople, where he received his education and established himself as one of the leading authorities in his field during the time. A favourite of the Byzanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Of Damascus
John of Damascus ( ar, يوحنا الدمشقي, Yūḥanna ad-Dimashqī; gr, Ἰωάννης ὁ Δαμασκηνός, Ioánnēs ho Damaskēnós, ; la, Ioannes Damascenus) or John Damascene was a Christian monk, priest, hymnographer, and apologist. Born and raised in Damascus c. 675 or 676; the precise date and place of his death is not known, though tradition places it at his monastery, Mar Saba, near Jerusalem on 4 December 749. A polymath whose fields of interest and contribution included law, theology, philosophy, and music, he was given the by-name of Chrysorroas (Χρυσορρόας, literally "streaming with gold", i.e. "the golden speaker"). He wrote works expounding the Christian faith, and composed hymns which are still used both liturgically in Eastern Christian practice throughout the world as well as in western Lutheranism at Easter. He is one of the Fathers of the Eastern Orthodox Church and is best known for his strong defence of icons. The Catholic Church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Athos
Mount Athos (; el, Ἄθως, ) is a mountain in the distal part of the eponymous Athos peninsula and site of an important centre of Eastern Orthodox monasticism in northeastern Greece. The mountain along with the respective part of the peninsula have been governed as the monastic community of Mount Athos, an autonomous region within the Hellenic Republic, ecclesiastically under the direct jurisdiction of the Ecumenical Patriarch of Constantinople, while the remainder of the peninsula forms part of the Aristotelis municipality. Mount Athos has been inhabited since ancient times and is known for its long Christian presence and historical monastic traditions, which date back to at least AD 800 and the Byzantine era. Because of its long history of religious importance, the well-preserved agrarian architecture within the monasteries, and the preservation of the flora and fauna around the mountain, Mount Athos was inscribed on the UNESCO World Heritage List in 1988. In modern Greek, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zograf Monastery
The Saint George the Zograf Monastery or Zograf Monastery ( bg, Зографски манастир; el, Μονή Ζωγράφου, ''Moní Zográphou'') is one of the twenty Eastern Orthodox monasteries in Mount Athos (the "Holy Mountain") in Greece. It was founded in the late 9th or early 10th century by three Bulgarians from Ohrid and is regarded as the historical Bulgarian monastery on Mount Athos, and is traditionally inhabited by Bulgarian Orthodox monks. The monastery is named after the 13th or 14th century icon of Saint George, known as Saint George the Zograf (Светѝ Гео̀рги Зогра̀ф). The name of the latter comes from the belief that the icon mysteriously painted itself on the prepared board ( in Greek means "painter" (from ="life" and ="scribe"). History The earliest written evidence of the monastery's existence dates from 980. During the Middle Ages, the monastery was generously supported by the Bulgarian rulers, such as Ivan Asen II and Ivan Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypomixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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