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Noh
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and '' kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Stage Miyajima Sep2008
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōgen
is a form of traditional Japanese comic theater. It developed alongside '' Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefore, it is sometimes designated ''Noh-kyōgen''. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn ''Noh'' theater; ''kyōgen'' is a comic form, and its primary goal is to make its audience laugh. ''Kyōgen'' together with ''Noh'' is part of ''Nōgaku'' theatre. ''Kyōgen'' is sometimes compared to the Italian comic form of commedia dell'arte, which developed around the same period (14th century) and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies. History One of the oldest ancestors of kyogen is considered to be a comical mimicry, which was one of the arts constituting Sangaku ( :ja:散楽), and Sangaku was introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kan'ami
was a Japanese Noh actor, author, and musician during the Muromachi period. Born in Iga Province, Kan'ami also went by and . He is the father of the well-known playwright . Theater Kan'ami's career began in Obata, Nabari-shi, Mie when he founded a sarugaku theater group in the Kansai region on the main Honshu island. The troupe moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater. He grew in popularity and began making trips to Kyoto to give performances. In 1374, the shōgun Ashikaga Yoshimitsu was in the audience of a performance and was so impressed by it that he became Kan'ami's patron. Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances from rustic harvest celebrations. He trained his son Zeami Motokiyo in his style, and his son eventually succeeded him as director of the Kanze school of Noh. Kan'ami died in Suruga Province. Notable works *''Sotoba Komachi'' *''Ji'nen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarugaku
was a form of theatre popular in Japan during the 11th to 14th centuries. One of its predecessors was a , a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. Sangaku came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play ( toben), improvised comic party dances ('' ranbu''), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild (''za'') system to which all present-day Noh schools can be traced. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word '' play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hata No Kawakatsu
, sometimes called Hada no Kōkatsu, was a legendary figure in Japanese folklore, who is believed to have introduced ritual Shinto dances to Japan in the sixth century. He is also considered the progenitor of a hereditary line which includes many of Noh's greatest playwrights and actors, such as Hata no Ujiyasu, Zeami and Komparu Mitsutarō. Though in legend he is portrayed as the reincarnation of the first emperor of Qin, if Kawakatsu truly existed he was likely a Chinese immigrant to Japan, or someone from further afield who came to Japan via China (see Hata tribe). Legend According to legend, as told by the preeminent Noh playwright Zeami, Hata no Kawakatsu first appeared as a child, during the reign of Emperor Kinmei (509–571), discovered in a jar near the gates to the Miwa Shrine by a high court official. The Hatsuse River had overflowed its banks, and the jar had been carried along on the current. As the official believed the child to have come from heaven, these events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashikaga Yoshimitsu
was the third '' shōgun'' of the Ashikaga shogunate, ruling from 1368 to 1394 during the Muromachi period of Japan. Yoshimitsu was Ashikaga Yoshiakira's third son but the oldest son to survive, his childhood name being Haruō (). Yoshimitsu was appointed ''shōgun'', a hereditary title as head of the military estate, in 1368 at the age of ten; at twenty he was admitted to the imperial court as Acting Grand Counselor (''Gon Dainagon'' ). In 1379, Yoshimitsu reorganized the institutional framework of the Gozan Zen establishment before, two years later, becoming the first person of the warrior (samurai) class to host a reigning emperor at his private residence. In 1392, he negotiated the end of the Nanboku-chō imperial schism that had plagued politics for over half a century. Two years later he became Grand Chancellor of State ('' Dajō daijin'' ), the highest-ranking member of the imperial court. Retiring from that and all public offices in 1395, Yoshimitsu took the ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nōgaku
''Nōgaku'' (能楽) is one of the traditional styles of Japanese theater. It is composed of the lyric drama ''noh'', and the comic theater ''kyōgen'' (狂言). Traditionally, both types of theatre are performed together, the ''kyōgen'' being interposed between the pieces of ''noh'' during a day of performances. It has influenced the ''Bunraku'', or Japanese puppet theatre as well as ''Kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to ...''. Nōgaku theatre was inscribed in 2008 by UNESCO on the List of Masterpieces of the Oral and Intangible Heritage of Humanity. References External links About NohgakuTHE NOHGAKU PERFORMERS' ASSOCIATION THE NOHGAKU PERFORMERS' ASSOCIATIONTHE NOHGAKU PERFORMERS' ASSOCIATION Masterpieces of the Oral and Intangible Heritage of Huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kagura
is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase , indicating the presence of gods () in the practice. One major function of is , involving a procession-trance process. Usually a female shaman will perform the dance and obtain the oracle from the god—in the setting, the dancer herself turns into god during the performance. Once strictly a ceremonial art derived from , has evolved in many directions over the span of more than a millennium. Today, it is very much a living tradition, with rituals tied to the rhythms of the agricultural calendar, thriving primarily in parts of Shimane Prefecture, and urban centers such as Hiroshima. Types of There are two major types of : and . consists of slow circular movement, stressing quiet and elegance, while consists of quick leaping and jumping, stressing activation and energy. The two types can be understood as two phases of : is a preparation process for trance and is the unconscious tranc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirabyōshi
were Japanese female entertainers in the Heian and Kamakura periods who sang songs and performed dances. They danced dressed as men. The profession of became popular in the 12th century. They would perform for the nobility, and at celebrations. The word can also refer to the songs they sang and the dances they performed. They are sometimes referred to as courtesans in the English language, but by nature they were performers. Some did sometimes sleep with their patrons and give birth to nobles' children, but this was not their intended purpose as entertainers. The best known were Shizuka Gozen, Giō and Hotoke, who were featured in ''The Tale of the Heike''. History The name may be interpreted as "white beat" or "simple rhythm"; it may refer to the white robe they wore, or alternatively the rhythm of the songs that they sang and danced to, which were also performed by . means "white", although scholars believe that it should be interpreted as ; in this interpretation t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dengaku
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used. In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573). By the end of the Muromachi period, had been eclipsed by . Today it b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
