|
Neo-Dadaist
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of Abstract Expressionism and, taking a lead from the practice of Marcel Duchamp and Kurt Schwitters, denied traditional concepts of aesthetics. Trends Interest in Dada followed in the wake of documentary publications, such as Robert Mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg, Retroactive II, 1963 1 26 18 -mcachicago (38559559950)
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armando (artist)
: ''For the online writer/blogger, see Daily Kos.'' Armando (18 September 1929 – 1 July 2018), born Herman Dirk van Dodeweerd, was a Dutch painter, sculptor and writer. Biography Armando was born in Amsterdam, and as child moved to Amersfoort. There he saw, during the German occupation of the Netherlands, how the Nazis set up a "transition camp" for prisoners who were to be sent to concentration camps. The suffering of the victims and the cruelty of the Nazi camp guards, so near his home, influenced him for the rest of his life. After the liberation (1945), he studied art history at the University of Amsterdam. His first solo exhibition was at the Galerie Le Canard, Amsterdam, in 1954. At this time he also started to write poetry. He was influenced by the CoBrA art group, and made abstract drawings—with his left hand, in the dark. He was also influenced by Jean Dubuffet and Jean Fautrier, producing thickly impastoed paintings. In 1958 he was one of the founding members o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Verhagen
Hans Verhagen (3 March 1939 – 10 April 2020) was a Dutch journalist, poet, painter and filmmaker, born in Vlissingen. He gained the P. C. Hooft Award in 2009 "for his humour, his engagement, his poetic daring and whimsy."P.C. Hooft-prijs naar Hans Verhagen NRC Handelsblad, NRC, 11 december 2008 Work Verhagen began writing poetry at the start of the 1960s at the same time as he was using drugs. He recalls in an interview that "I learned from those LSD experiences. There is an enormous intensification: everything that has been said and done seems to come together in one place, a kind of diamond.” Applying this experience to poetry he "discovered that you could achieve a maximum power with a minimum of material.” The poems themselves are written in sequences ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Spoerri
Daniel Spoerri (born 27 March 1930) is a Swiss artist and writer born in Romania. Spoerri is best known for his "snare-pictures," a type of assemblage or object art, in which he captures a group of objects, such as the remains of meals eaten by individuals, including the plates, silverware and glasses, all of which are fixed to the table or board, which is then displayed on a wall. He also is widely acclaimed for his book, ''Topographie Anécdotée* du Hasard'' (''An Anecdoted Topography of Chance''), a literary analog to his snare-pictures, in which he mapped all the objects located on his table at a particular moment, describing each with his personal recollections evoked by the object. Early life Spoerri was born Daniel Isaac Feinstein, on 27 March 1930, in Galați, Romania. Although his father, Isaac Feinstein, had converted from Judaism to Christianity, after Romania entered the War on the side of Nazi Germany he was arrested and killed in 1941. His mother, born Lydia Spoer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arman
Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') to using them as the artworks themselves. He is best known for his ''Accumulations'' and destruction/recomposition of objects. Early life and education Arman's father, Antonio Fernandez, an antiques dealer from Nice, was also an amateur artist, photographer, and cellist. From his father, Arman learned oil painting and photography. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also studied judo at a police school in Nice, where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe. Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008. Life and career Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
