Naamyam
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Naamyam
Cantonese ''naamyam'' (; Jyutping: naam4 jam1; pinyin: nányīn) is a unique local narrative singing tradition in Cantonese dialect/language, different from the ''nanyin'' (or ''nanguan'') tradition originating from southern Fujian. A singer would be engaged for a single performance or for regular performances over an extended period of time. Famous naamyam singers included Chung Tak (1860–1929), Dou Wun (; 1910–1979), Yuen Siu-fai and Au Kwan-cheung. History Common venues for performance included public places such as restaurants, teahouses, brothels, and opium dens, semi-public clubs and gathering places that catered to a particular trade or craft, such as butchers or rice merchants, and private households. ''Naamyam'' has rarely been performed in its traditional context since the middle of the twentieth century. The rapidly changing society, with the exploding growth of modern entertainment means, spelled the death of traditional performing genre such as naamyam. However, s ...
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Music Of Hong Kong
The Music of Hong Kong is an eclectic mixture of traditional and popular genres. Cantopop is one of the more prominent genres of music produced in Hong Kong. The Hong Kong Philharmonic Orchestra and the Hong Kong Sinfonietta regularly perform western classical music in the city. There is also a long tradition of Cantonese opera within Hong Kong. History In colonial Hong Kong, pipa was one of the instruments played by the Chinese,Bard, Solomon. 002Voices from the Past: Hong Kong 1842–1918. Hong Kong University Press. and was mainly used for ceremonial purposes. Western classical music was, on the other hand, the principal focus amongst British Hong Kongers with the Sino-British Orchestra being established in 1895. In the beginning of the 20th century, Western pop music became popular. Mandarin pop songs in the 1920s were called Si Doi Kuk (時代曲). They are considered the prototype of Chinese pop songs.Shoesmith, Brian. Rossiter, Ned. 004(2004). Refashioning P ...
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Cantonese Culture
Lingnan culture, or Cantonese culture, refers to the regional Chinese culture of the region of Lingnan: twin provinces of Guangdong and Guangxi, the names of which mean "eastern expanse" and "western expanse" respectively. Strictly speaking, the term "Lingnan culture" has two definitions: #In a purely geographical sense, the term includes not only Cantonese culture but also the cultures of the Hakkas, Teochews, Taishanese, Hainanese and non-Han groups such as the Zhuangs, Tanka or She within the Lingnan region. #More typically, is only used in referring to Cantonese culture, the historically dominant culturo-linguistic force in Guangdong and Guangxi. This article uses the second definition of "Lingnan culture" – as the synonym of "Cantonese culture". With the migration of the Cantonese people to nearby Hong Kong and Macau, as well as in many overseas communities, Lingnan/Cantonese culture has become an influential cultural force in the international community, and forms ...
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Jyutping
Jyutping is a romanisation system for Cantonese developed by the Linguistic Society of Hong Kong (LSHK), an academic group, in 1993. Its formal name is the Linguistic Society of Hong Kong Cantonese Romanization Scheme. The LSHK advocates for and promotes the use of this romanisation system. The name ''Jyutping'' (itself the Jyutping romanisation of its Chinese name, ) is a contraction consisting of the first Chinese characters of the terms ''Jyut6jyu5'' (, meaning " Yue language") and ''ping3jam1'' ( "phonetic alphabet", also pronounced as "pinyin" in Mandarin). Despite being intended as a romanisation system to indicate pronunciation, it has also been employed writing Cantonese as an alphabetic language, elevating it from its assistive status to a written language in effect. History The Jyutping system marks a departure from all previous Cantonese romanisation systems (approximately 12, including Robert Morrison's pioneering work of 1828, and the widely used Standard ...
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Syllables
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also ''bis ...
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Chinese Artist Association Of Hong Kong
Chinese Artists Association of Hong Kong () is a non-profit association of Cantonese opera groups and artists in Hong Kong, established in the 1880s. In 1953, it registered as an organization in Hong Kong. It is a professional organisation for Cantonese opera performers. It presented the Cantonese Opera Young Talent Showcase in Hong Kong from 2012 to 2015. Chairmen *(1953): Sun Ma Sze Tsang () *(1955): Kwan Tak-hing () *(1961): Ho Fei-faan () *(1964): Mak Bing-wing () *(1965-1970): Leung Sing-Bor () *(1992-1996): Liza Wang () *(1997-2007): Chan Kim Sing Chan may refer to: Places *Chan (commune), Cambodia *Chan Lake, by Chan Lake Territorial Park in Northwest Territories, Canada People *Chan (surname), romanization of various Chinese surnames (including 陳, 曾, 詹, 戰, and 田) * Chan Caldwe ... () *(2007–present): Liza Wang () References Arts in Hong Kong Non-profit organisations based in Hong Kong Arts organizations established in 1953 1953 establishments in ...
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Hong Kong Heritage Museum
Hong Kong Heritage Museum is a museum of history, art and culture in Sha Tin, Hong Kong, located beside the Shing Mun River. The museum opened on 16 December 2000. It is managed by the Leisure and Cultural Services Department of the Hong Kong Government.Hong Kong Heritage Museum website: about us
The six permanent exhibits and the original temporary exhibits were designed by design firm Reich+Petch along with Lord Cultural Resources. The museum building is the largest in Hong Kong, and can accommodate up to 6,000 visitors.


Features

The Museum has been designed to provide comprehensive exhibitions on history, art and culture. The Museum has a number of interactive exhibitions and programmes. It also houses a cafe and museum shop. There are six permanent exhibitio ...
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Culture Of Hong Kong
The culture of Hong Kong is primarily a mix of Chinese and Western influences, stemming from Lingnan Cantonese roots and later fusing with British culture due to British colonialism (Jyutping: ; Traditional Chinese: 粵英薈萃). As an international financial center dubbed "Asia’s World City", contemporary Hong Kong has also absorbed many international influences from around the world. Moreover, Hong Kong also has indigenous people and ethnic minorities from South and Southeast Asia, whose cultures all play integral parts in modern day Hong Kong culture. As a result, after the 1997 transfer of sovereignty to the People's Republic of China, Hong Kong has continued to develop a unique identity under the rubric of One Country, Two Systems.Lilley, Rozanna. 998(1998) Staging Hong Kong: Gender and Performance in Transition. University of Hawaii. History Languages and writing systems Spoken languages Hong Kong people used to speak Cantonese with some English bad words, which be ...
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Music Of China
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese in the course of Chinese history as well as ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set the tone for the continual development of Chinese musicology in following dynasties. These developed into a wide variety of forms through succeeding dynasties, producing the heritage that is part of the Chinese cultural landscape today. Traditional forms continued to evolve in the modern times, and over the cour ...
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Beijing Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ...
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Huangmei Opera
Huangmei or Huangmei tone ( or , pinyin: or ) originated as a form of rural folk song and dance that has been in existence for the last 200 years and possibly longer. Huangmei opera is one of the most famous and mainstream opera in China (others are Beijing opera, Yue opera, Ping opera and Yu opera). The original Huangmei opera was sung by women when they were picking tea, and the opera was called the ''Picking Tea Song''. In the late Qing dynasty, the songs came into Anhui Province— Huaining County adjacent regions, combined with the local folk art, Anqing dialect with singing and chants, and gradually developed into a newborn's operas. The music is performed with a pitch that hits high and stays high for the duration of the song. It is unique in the sense that it does not sound like the typical rhythmic Chinese opera. In the 1960s Hong Kong counted the style as much as an opera as it was a music genre. Today it is more of a traditional performance art with efforts of reviva ...
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Cantopop
Cantopop (a contraction of "Cantonese pop music") or HK-pop (short for "Hong Kong pop music") is a genre of pop music written in standard Chinese and sung in Cantonese. Cantopop is also used to refer to the cultural context of its production and consumption. The genre began in the 1970s and became associated with Hong Kong popular music from the middle of the decade. Cantopop then reached its height of popularity in the 1980s and 1990s before slowly declining in the 2000s and experiencing a slight revival in the 2010s. The term "Cantopop" itself was coined in 1978 after "Cantorock", a term first used in 1974. In the eighties Cantopop has reached its highest glory with fanbase and concerts from allover the world, especially from Mainland China, Taiwan, Singapore, Malaysia, South Korea, and Japan. This is even more obvious with the influx of songs from Hong Kong movies during the time. Besides Western pop music, Cantopop is also influenced by other international genres, includin ...
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Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ...
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